Quote:
Originally Posted by Bruce Sexauer
You’re welcome!
My one Cuban mahogany guitar, documented HERE, was made in 2016 for Schoenberg’s table at the first SBAIC. While it seemed very successful to me, so do nearly all of my guitars. I have not seen it since they sold it and it has blended. Over-written by my more recent pieces. I am currently basking in the sound of my latest Tree guitar, which came in yesterday for a truss rod tweak. Its tone is my idea of perfect, though the Cuban may have been as well. A bird in the hand . . . |
Bruce, I've been an arms-length lurker, and only recently heard about "the Tree".
What about this wood impresses you so much?
I have been a RW Martin fan forever, and until recently thought mahogany was second-rate. With zero actual play time to support this. But in the past couple years I have acquired an 0000 and OM Sinker mahogany guitars, and think the world of each (transformed)!
What might kick me forward from sinker to "the Tree" in tonal aspects?