Quote:
Originally Posted by Joseph Hanna
Albeit slightly off topic it is worth mentioning. Televion and film production uses 48k strictly for an age old Avid compatibility issue. I don't think anyone in post production is arguing sonic quality in that specific situation.
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You might be right about the source of the preference, but today everyone I know in video (including the video team who work for me) records at 48. Just sort of the standard.