MikeBmusic
I think you are right, post production is preferred for this, will do an experiment today sometime.
Hmmm, the more I talk this out here, the more I am coming to realize I seem to be putting together an acoustical music audio package for EFP.
Would anyone have an opinion on the durability of one of these condenser (or ribbon) mics in regards to doing video field production with it?
I know that they have long had a reputation for fragility, but I assume the modern ones are at least a BIT more robust than say, the older classics?
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