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Old 11-22-2021, 05:49 AM
RJVB RJVB is online now
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Join Date: Mar 2019
Location: La Ferté Milon, France
Posts: 722

As you said, his later years

I think my post didn't come across as intended.

I was merely pointing out (aka inquiring about) something that I couldn't help noticing as a former early music performer. The only actual problem I have with this is that it doesn't allow me to get an independent and objective idea of what the instruments sound like (and by that I mean their acoustic voice, not what comes out of a processing chain) and how they match up to the violin.

Of course I didn't mention the recording equipement, that's the inevitable anachronistic part required for any recording. For which I assume that the sound techs (and the musicians themselves) always aim to get the most representative rendition of the sound a live audience would hear. (That said, I'd have appreciated this even more if it had been recorded through a single binaural mike set-up.)

And I certainly wasn't implying anything about the musical performance itself. I'm not the biggest Grappelli fan (nor is this what I prefer to hear on violin) but I wouldn't have had trouble believing it was him playing.
Pickle: Gretsch G9240 "Alligator" wood-body resonator wearing nylguts (China, 2018?)
Dumbo: Seagull Performer CW mini-jumbo (Canada, 20??)
Stanley: The Loar LH-650 (China, 2017)
Bolink baroque violin (Hilversum, 1982)
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