Quote:
Originally Posted by Ty Ford
I'm curious as to how the double EQ approach sounds when the resulting stereo mix is folded down to mono.
Regards,
Ty Ford
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If you get the "combination lock" for the filters right as alluded to above, the collapse to mono simply sounds like a mono version of the stereo. However, I've done this only with digital EQ, which I presume helps with the predictability.
As to comb filtering, whenever we hear anything in a room there's comb filtering - it's unavoidable. It would be interesting to find out if a little comb filtering could actually be an aural cue for "realness" if the second audio signal is lower in volume and delayed somewhat, as opposed to two mics close together where you can actually hear some notes get weaker.
I'm still waiting for a way to make a recording sound like someone is playing in a room with you. I suspect I'll have a long wait
