My most consistent plugged in sound?
I've been toying with a few different things the past weeks with respect to plugged in sound. The LR Baggs VPDI has been the center of my tweaking since I found one for a reasonable price. My first experiment was with the LR Baggs Lyric and the VPDI. There is another thread for that. My experience, confirmed by Aaron Short, is that those two systems work very well together and are worth experimenting with, if you have access to them.
My second experiment has been a rather mundane one. Setting up the small pedal board with wireless unit, tuner, and the VPDI and training the guitars that I have to work with them. After my experiment with the Lyric, I decided that I would commit my 12 string to the K&K pickup, like I have in the others. So, essentially, I have just trained each K&K equipped guitar with the standard VPDI app on the iPhone and then done a little tweaking to taste. In each case, I have the image percentage between 50-75% and the feedback rejection around 25-40% depending on the guitar. On my Marquis I included the EQ bump for the highs. The others are flat. The results are sort of remarkable. After so many years of different pickup solutions at different times, not to mention among individual instruments, it's a real pleasure to have something setup and ready to go. I got close with the ToneDexter, but I was never as successful with that pedal because of the learning curve. The software in the VPDI app and the ability to save all the settings as a preset are a difference maker. I got close with the K&K and the SunnAudio DI-2 (excellent DI) but it can't compare in terms of IR functionality and ease of use. With this setup I have (arguably) the best plugged in sound I've had with ANY of my instruments and their various pickup attempts. They are all level set the same (very important) and I can switch between them with the click of a button. Should I want to tweak further, I can load the iPhone app. If I needed to play some place loud, I could use a sound hole plug. I presume there will be times when even a mini pedal board will be more than needed for the occasion. In those cases I will still use the SunnAudio DI-2 which I keep in the guitar case. |
I have a K&K in my OM21, an OM28 MD with Fishman VT Aura factory installed. The OM21 sounds quite good, even without the SunnAudio DI-2 (though it does sound better with it). The OM28 MD is significantly better if you want a "mic'd acoustic" sound. I'm actually somewhat surprised at how good it is.
That said, I find that some situations aren't ideal for a "true acoustic" sound (eg in a denser mix). Horses for courses. Since my guitar gigs are solo these days, it (the Aura) does work for me. If I wanted to cut in a mix, I think the K&K might be a better choice, ymmv. |
Have you used it live yet? I can't tell you how many times I have found the perfect set up, only to find out it doesn't work live. I like this setup of yours though. I always talk myself out of the K&K due to glue and potential feedback issues, but it is a great pickup to use if you want to apply IR's to it.
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No I haven’t had occasion to gig out with this setup. Most of that is my current circumstances. However, I’ve been through enough of these systems to have a good feel for what will work and what won’t. I will be playing out in July if all goes well. In my rehearsal space I have a stick PA system that I can crank up fairly loudly. The feedback rejection in the VPDI really works. It’s analyzes the trouble and neutralizes it. The ability to dial in as much IR or as little as you like, along with parametric EQ for the K&K itself, is what sets this solution apart from the others I’ve tried. I think this pedal is well thought out and I hope others will find some success with their setups. |
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My most consistently great plugged in sound?
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So far my experience is that the feedback control (algorithm?) which is controlled by a dial on the pedal or slider in the app is musical. It’s one of the reasons I genuinely like the product. I’m used to notch filters or EQ curves that knock everything down. In this case you dial “up” as much feedback control as the room requires. My understanding is that the training process lets the pedal know what to focus on. And I’m presuming the LR Baggs R&D group spent some time trying to make it effective and musical. So much of my amplification experience has been about “outsmarting” what’s on the market. Trying to combine or tweak products and systems. In this case, I’m trying to commit myself to a single solution and try to get good at using it. Luckily, this new setup is simple enough and doesn’t require a deep attention span. |
Thank you, it's very much appreciated! My goal is the same as you. After spending hundreds on pickups and preamps and experimenting, I have come to the conclusion that I just want something basic and simple that works and sounds good. I would rather get to know a pickup well than have to spend time tweaking when I get to a show. I am going to give the pedal a try.
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I have used MANY systems.
Had great results using IRs, but mostly for recordings. Cuki helped me A LOT to achieve a huuuuge sound for recordings with them. Later, I got myself a ToneDexter and I got myself similar results. The fact is: I only got great results for recordings, with IRs. Live, I could never use them. Now, I'm using a dual source system, with a great preamp for control, and I have never been happier. My great friend AlohaChris always told me that, and it is true. If I could use IR on one signal of my dual source, with a low blend, just to fix some of the meds of my K&K, so I didn't had to use so much of the EQ on my Felix2, I would use it... like Doug does (I guess). But since I don't know how to do it, and I'm having great results with the dual source, I'm just keeping it simple! Here's a sample of my plugged in sound with my dual source, in a livestream I did. It generally sounds the same or even better live. Just skip the beginning of the video, because it was chopped: https://www.youtube.com/watch?v=VY2sF_VYdck&t=11s |
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My friend Cuki is the master of all things IR and I am glad you are getting to work with him. He also came to the conclusion that an analog dual source system with microphone was the best choice for his music. And, of course, LR Baggs themselves invested in the Anthem development for that reason. For my use, I find that a modest blend of the IR, along with the very good tone shaping controls on the VPDI does the trick. I guess one could argue that it is a multi faceted process and not just an IR. I think IR alone has a tendency to sound too rich or too distant at times. |
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Awesome sounding guitar! What’s your dual source setup? I’ve been wanting to go down that rabbit hole. |
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