Gluing the Pernambuco binding strips to the 5-ply purfling strips
Gluing together each set.
https://lh3.googleusercontent.com/N_...Y=w876-h657-no Not sure what's going on here, but it looked important so I included it anyways.;) https://lh3.googleusercontent.com/p1...U=w876-h657-no Bindings and purflings glued and clamped. Or is it a postmodern art piece Tim's preparing for an upcoming exhibition at the MMMA (Morral Museum of Modern Art)? https://lh3.googleusercontent.com/HP...Y=w876-h657-no |
FYI: McJam announcement in events section for those who will want to view this guitar personally.
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Gluing the back pieces together with center strip and purflings
Gluing one side.
https://lh3.googleusercontent.com/U7...U=w493-h657-no One side is clamped and ready for center strip and purflings. https://lh3.googleusercontent.com/7D...M=w493-h657-no A glimpse of what's to come. https://lh3.googleusercontent.com/3e...o=w876-h657-no |
Your purfling scheme is awesome! Really like what Mary did with that!
Coming along swimmingly! :) |
5-ply purflings and back center strip close up
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Hi Cigarfan! It is pretty, but I can't take full credit for the purfling details. The owner had a say in this and it definitely took 4 hands to make it work out to look dignified.
Four hands in such a tiny space left no time or room for "during" pictures. It would have resembled more of a Curly, Mo, Larry episode. |
Preparing the back for attachment to the sides
Scraping down the center strip and purflings.
https://lh3.googleusercontent.com/lv...Y=w876-h657-no After some further passing through the Grizzly, tracing the body pattern for brace placement and cutting. https://lh3.googleusercontent.com/r8...0=w493-h657-no Gluing the braces. https://lh3.googleusercontent.com/TE...Y=w876-h657-no Scalloping the braces. https://lh3.googleusercontent.com/Ai...w=w876-h657-no Back is cut out and ready for gluing to sides. https://lh3.googleusercontent.com/g1...c=w493-h657-no |
Preparing sides for attachment to back, gluing back/sides
Cutting notches for braces.
https://lh3.googleusercontent.com/zK...s=w876-h657-no Adding the glue. https://lh3.googleusercontent.com/JJ...4=w876-h657-no Bringing the back and sides together. https://lh3.googleusercontent.com/82...s=w493-h657-no The pressure is on and the glue is oozing! https://lh3.googleusercontent.com/3Y...I=w876-h657-no |
Back and Sides Together
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Adding the Rosette
Basic outline is compassed on the soundboard.
https://lh3.googleusercontent.com/uB...E=w876-h657-no Rosette area is routed. Outline of fretboard is drawn to show where to start the rosette (the area that will later be covered by the fretboard). https://lh3.googleusercontent.com/Tb...E=w876-h657-no Gluing in the sections of the rosette. https://lh3.googleusercontent.com/QD...c=w876-h657-no That's fine Herringbone in the center with identical multi-ply rings of Ebony/Maple/African Blackwood/Maple. Finished, with the soundhole binding to come later.... https://lh3.googleusercontent.com/m9...8=w876-h657-no |
Wow! Although sometimes I find herringbone to be a bit too traditional at times, I like how the slight tint of the blackwood purfling adds a certain "raciness" to the rosette. I love it!
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The Ebony/Maple/ABW lines are meant to reference the 5-ply body bindings. The only difference is the body bindings alternate with Pernambuco and the rosette alternates with Maple. I wanted the rosette and bindings to have a very cohesive and bold, yet understated look. A nod to tradition, but something a little different as well. The dose of black color in the rosette will also reference other elements in the guitar, as time will tell:). |
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I'm loving the build pics!
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