I completely agree with you, Rockabilly. I really liked mine, do wish I’d kept it! I played monels on mine too. These new Epi archtop models are way more Mother Maybelle than Freddie Green, but Mother Maybelle is more to my musical tastes, so it works fine for me.
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Great sound on your Kay - with a Taylor neck? What scale length? BTW - the Hofner is not a ply top -solid and carved. 25" scale. |
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All the other details of the conversion are present at the web archive of my old website although the photos aren't there: http://web.archive.org/web/201603281...pageMando.html |
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Love Gillian and Dave, the `Harrow and the Harvest` album is superb. Dave Rawling`s accompaniment is as good as it gets.
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I'll admit that David was the reason I got interested in small bodied archtops. I admit that I don't play my 1933 Epi Blackstone very often, although I should.
I haven't played an Olympic. Has anyone compared the Olympic to a Blackstone as far as sound, etc.? |
I'm in the "he didn't cause me to get into archtops, but he reminded me..." group.
One of the things that he reminded me of, is that they sometimes fit into contexts that you don't think of as conventional use for an archtop. Until Rawlings, you didn't see them mixed with flat top acoustic much. As it is with much attractive playing, we often imprint on the instrument as the cause of the sound (ignoring the player's impact) but in this case it opened up minds to reconsider this kind of instrument. I've never really got to grips with an appropriate purely acoustic sound from an archtop, but I enjoy them at low volume with a magnetic pickup plugged into a clean amp, which is a sort of semi-acoustic thing. |
Liked their music but I did not realize he played an archtop till I looked for a small size one to see if the size could sound good. Eventually I want to build one for myself.
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I've always liked archtops but came to them from having them mistakenly show up in "parlor guitar" eBay searches years ago. I was drawn to the smaller ones so when I did see his Olympic, I thought it hit things right. I'd always liked the sound of their two guitars together, occupying different sonic space.
I was able to jump on a 1934 Olympic recently and Dave Rawlings is definitely the reason I bought it. Simply enough, I probably wouldn't have known about that model without him. I've only played it with others once so far and it performed as expected. It was a fairly large bluegrass jam and I didn't have to work as hard to pick those lead lines. They cut through the mix better. https://uploads.tapatalk-cdn.com/201...42be52090.jpeg |
Back in High School, a friend had an Epiphone archtop that someone had refinished metallic blue. We had it strung with silk and steel strings and it was a communal beach guitar for a long time. I was recently back in touch with her after all of these years and she still has it and it's still blue. I've offered to have it stripped and lacquered, but for now she's happy keeping it as is.
I'm looking for a less expensive archtop, maybe with a floating pickup or old DeArmond or something. I've seen a few of those Epiphones pop up and they aren't too pricey. Maybe I'll get one. But not because of Dave. I need a guitar for playing swing rhythm guitar. |
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https://www.sweetwater.com/store/det...intage-natural |
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http://h3a8r9p9.stackpathcdn.com/jb/...7-1024x683.jpg |
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