Bob Womack |
04-23-2018 03:58 PM |
Rebuilding the DAW at the studio and general hilarity
I've just spent three days rebuilding the DAW in my recording studio control room. One of the DAWs in house started behaving flaky so they decided to rebuild it. In the process they moved up from Windows Seven and Steinberg Nuendo 7.xx to Windows 10 and Nuendo 8.1. Both platforms have been out long enough to get settled. Because our house is a non-stop production environment, we choose to live behind the "bleeding edge" of technology and let someone else do the bleeding! The upgraded box was used for three months to verify that it was stable. Once we had a functional box in another room it was time to upgrade them all, including mine. The maintenance engineer I was working with decided the best course of action was to simply replace the computer's boot drive and build the DAW from scratch. I spent a half-day backing up all that data and all the settings I could before we pulled the plug and replaced the drive. Installation of the new drive, Windows, and all the drivers took a morning and then it was my turn.
The whole installation is complicated by several facts:
1) The computer lives in the machine room and the monitors, input devices, and controllers live in the control room. Everything is remoted by Ethernet and other systems.
2) We are connected via LAN to several hubs that contain more than fifteen production servers managed by multiple access systems that demand different access credentials.
3) The DAW and the mastering software WaveLab run plugins from Waves, iZotope, UAD, Antares, Wavemachine Labs, and others and uses multiple authorization methods from iLok to eLicenser to local authorization files. All these are getting better but there are always a couple of authorization snags each time we rebuild.
4) The video software, Adobe Premiere, and associated Media Encoder must be installed and all video standards used in the house must have templates and presets for quick and proper support.
5) The machine utilizes a three-head video card with two of the monitors being used to contain the DAW’s graphical user interface and the third used to display any video associated with the project.
6) All this software has to live together in harmony. Most of the plug-ins have drivers and handlers. Hilariously, some those drivers need drivers to talk to other drivers and there is no central repository of information about what it takes to bring peace between all the warring factions.
I spent a day wrestling the various plugs into submission and acquiring access and software for all the servers. Then it was a half-day chore configuring all the software to perform properly for my various tasks (music recording, audio post production for film and video, mastering, etc.). I’d call the build 99% done at this point.
And guess what was waiting as my first session the moment I declared the room reasonably back online? It was a live feed between my studio and another on the opposite coast to allow my company's CEO could do a live interview from the recording room! I never seem to get the low-pressure jobs first after a rebuild.
Bob
|