Taylor nylon string guitars?
I just noticed Taylor no longer classifies their nylon string guitars sepparately, but includes them as members of the other, standard guitar series. The "new" nylons do look different, has there been any significant change to the way the Taylor nylons are built, or is all consmetic?
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Not sure about the new model designations but most of the Taylor Nylons I've seen seem to be way over priced.
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Yes. This year Taylor rolled the Nylons into the regular numbered series of guitars. They did, I think in the previous year or so before that included a separate--kind of an add-on--as a 200 series nylon string guitar that is very affordable. The construction is similar to previously introduced Nylons from Taylor. I own an NS32ce (Grand Concert-size, 12-frets clear of the body, Sapele b/s, spruce top) and the latest 214ce Nylon. The 214ce Nylon is a Grand Auditorium body, 14-frets clear of the body, rosewood laminate, with white binding, white fret marker dots. It is under $(USD)1,000. It sounds great, plays great, and a blast to play.
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Taylor nylon string guitars are best when plugged in...otherwise fairly weak tone (IMO) acoustically...and thus perhaps the overpriced comment.
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Hey Tennjed - I don't think there have been any structural changes to the nylon series. They rolled them up in the standard acoustic series numbering scheme. I don't think there have been any bracing changes or anything like that.
Are you interested in getting one? |
10-4 on rolled into the "regular" numbering system...with the addition of "N" tag on the end
:guitar: |
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I have had my NS32ce for a few days now and play it next to my Martin 000c16sgtne. While it lacks a little bottom end volume in comparison, it is still has a great acoustic voice. The neck is a little bit easier to play...just a little bit thinner up the neck. The build quality is equal to the Martin, at the least. The 12 fret Taylor feels a little smaller in my hands than my other guitar. I'm very happy with it. They are not overpriced. |
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Now that Martin is coming out with that 000c, it makes the purchase of a 200 series Taylor that much harder. BTW, thanks for the response. |
"I don't agree about the weak tone but of course it's all very subjective."
How is it subjective at all? A Taylor nylon string has about 1/2 to 3/4 the volume of even an inexpensive classical guitar. |
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"Tone" is SO subjective, that said, put me in the camp that the Taylor Nylons are not that good, acoustically (I am speaking of the old NS series). I had a NS62 for a couple of years, and it was merely OK (my Parlor classical absolutely blew it away, tonally). I don't know about the new ones (are they braced differently than the old NS guitars?) Another thing I'm curious about is the pickup being used in the new Taylor Nylons. My NS62 had a Fishman UST/Mic combo, the new ones have a Taylor system which I think is just an UST. Anyone have one of the new ones and how does it sound plugged in? Jimmy |
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At any rate, the tone is no better than the volume in my opinion. Play a good Ramirez with that driving bass and then pick up a Taylor. There's simply no comparison. I view the Taylors as something along the lines of a bosa-nova guitar. They're good enough for South American dance music and some jazz, but I wouldn't play classical music on one. And there are much better choices to play South American dance music on for much less money too. Of course, if you just like the feel of the neck and you're satisified with the plugged-in sound, then it may serve you well. I've got a Taylor steel string, but the nylons aren't for me. I hear they may be coming out with a proper classical guitar before long though, and I'll certainly give those a try. |
In fairness, Taylor was very upfront about the NS series NOT being classical guitars, they would not sound like them, etc.
That said, I was playing guitar with a friend the other day at the house (we were not plugged in, my Hippner has no pickup), he has a NS72 and I was playing my Hippner Torres, 10 minutes in, he made the comment that there was literally no comparison between the 2, the Hippner being a VERY good classical and the Taylor sounded just OK. The interesting thing is that once you get into the higher ranges of Taylor nylons, you can buy something like a Hippner. Jimmy |
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Do you have the option to play a bunch in SE Indiana? Perhaps close to Cincinnati? |
I have been following this thread for a while...I still bought a Taylor NS32-ce to play along side my Martin 000c-16sgtne. As I said earlier, it lacks some of the low end volume my Martin can produce but it has a loud and clear voice up the neck and is great to sing with.
Where if differs the most is it's string spacing at the bridge...nearly 1/4 less from E to E. While the Martin is in no way a classical guitar, the Taylor is even farther away. The Taylor feels like a small bodied steel string with very soft action. I am not sure what the fretboard/saddle radius is but it would seem to be greater than the Martin also. If you spend a lot of time singing with your own guitar back-up, whether into a mic or not, either guitar works well. I prefer the Martin in front of a mic or the Taylor plugged in but switch them around and they are fine too. The level of construction of both is equal as near as I can tell. Both builders were clear as to the intended use of these crossover/hybrid guitars and I wouldn't expect to see either one at a Classical recital |
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"Plugged in, it outshines every guitar I've owned and as someone who plays live. 2-3 times a week, that's exactly what I was looking for"
"In fairness, Taylor was very upfront about the NS series NOT being classical guitars, they would not sound like them, etc." these two quotes...from different posters...sum up exactly where i am on these guitars. I'm fortunate to have a 914c-N...i am NOT a classical guitarist, but play steel string and electric and want a nylon sound for some things i need in the different contexts i play - the guitar is perfect for what i need. I never expected it to compare/compete with a 'classical' guitar. thanks for these posts gentlemen - for me they say it all. dale |
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"In fairness, Taylor was very upfront about the NS series NOT being classical guitars, they would not sound like them, etc."
We hear this comment over and over again...not only do their nylon string guitars not sound like classical guitars, but also Taylor steel string guitars don't sound like traditional steel string guitars ...their sound is defined as being 'modern'. It seems to me that Taylor spends a lot of time justifying the way their guitars sound. |
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I've got a Taylor NS32c. I ordered it without the pickup system. It sounds completely different than the same model with a pickup. A friend of mine has the same model with ES. We both use Hannabach 815HT strings. And my guitar sounds much bigger, and has a much better tone.
He ended up selling his, and is planning on ordering one without the pickup. The pickup must stop the top from moving as much as it could. I love my Taylor Nylon, it's one of my guitars that I'll never sell. |
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Jimmy |
Well, I finally had an opportunity to play, briefly, one of the 000c Martins last week. From feel and tone quality standpoint, the only significant difference, in my inexperienced opinion, is the fact the Martin is a 12 fret. If I go with a crossover, I think I will go with the 200 series Taylor.
OBTW, I will not be buying either in the near future; I stumbled across a Cordoba C5 CET that I liked better than both the Taylor or Martin. The tone of the Cordoba is not a rich (it is a thinline guitar,) but the wider nut made it easier for me to fall in love and part with my cash. |
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I bought a Taylor 214N because I wanted a nylon that felt more like my Taylor steel string. It sounds good and fit with what I wanted. Of course after the purchase I find I don't play it and wish I had gotten a GS Mini, but that's another story (and not because I don't like the guitar).
Anyway, it is a good guitar, certainly good for what it is, and as was pointed out, not meant to be a classical guitar. I wanted that Jason Mraz/Zac Brown sound and it definitely has that. Good day all, Mike |
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