Is there a right or wrong place to strum? Over the sound hole (or not) ?
 

Hi,

Is there a right or wrong place to strum ? Some say over the sound hole, while I've seen players all over the place. Where do some of the great players strum ? Is it personal preference ? Is it where you naturally fall ? And again, is there a Right or Wrong place to strum -- or is it more a case of whatever works for each player ? What about 12 vs 14 fretters?

Thanks!

The great players strum in both places, depending on the particular tone quality they desire.

Some of the rest of us :) also do this. I have been known to strum over the bottom of the fretboard, by the bridge, and everywhere in between. It's kind of like having a tone control on an acoustic guitar,.

I find the sound hole gives a pretty balanced and round tone, so it is my starting point.

Strum where you get the sound you want. You will get more clarity and brightness towards the bridge and a softer and more blended sound away from the bridge.

There is no "right" place to strum. Most strumming is usually done over the soundhole, often nearer the bridge. You get different sounds by strumming in different places. Its all about technique to get the sound you want for a particular song.

Guitars vary as to where they sound best when strummed.
Most for me sound best when strummed just behind or at the back of the sound hole.

Now finding the best sounding pick is a whole other story.

if you are going to be a musician, artist or creator of anything you must eliminate the phrase "right or wrong" from your vocabulary.

Just like the old Outback Steakhouse ad saying:

"No Rules...Just Right"

So really, whatever sounds the best and feels best to you is the proper position and technique.

There are no hard and fast rules in the world of guitar tone and playing technique. If it works for you, and sounds how you want it to, then it is just fine!

duff
Be A Player...Not A Polisher

No right or wrong place and where someone strums can be due to where their arm and habit leads them to, or to where they get the tonality they're after. Most important thing is that you're happy with the sound you're getting, but a couple things to experiment with is noticing the natural sound differences and also how dynamics will affect it too.

You may also notice that players who stay more towards the bridge will be likely to be playing with their hand against the strings a lot, in order to both control the ringing of the strings and also alter the tonality from that position.

A helpful trick is to look up YouTube videos of your favorite guitarists and pay attention to their physical technique, such as strumming location.

great response, and u t applies to many things, not just creative endeavors

There's a whole range of different sound characters you can get out of the instrument by varying where you strike the string. None of them are right or wrong; they're all just part of the guitar's capabilities.

The closer to the middle of the string you are, the mellower the tone will be. If you pluck at the 12th fret, which is the middle of an open string, you'll get a round, pure tone almost reminiscent of a clarinet. If you want those pure tones, pick or strum as many frets down from the 12th as your chord is from the nut; e.g. if you're playing an open A, which is two frets down from the nut, you'd pick/strum at the 14th fret (or 13th if you want to strike an average with the open strings).

The closer you move to the bridge, the more the note becomes twangy and trebly. I make use of this when doing instrumental breaks in songs. I strum/pluck near the sound hole while I'm singing, and move down closer to the bridge for the instrumental break, causing the high strings to "cut through" more, and sound more like a solo.

Not only is there no right or wrong, but you can think of where you strum as being your guitar's natural EQ sweep. You can emphasize the treble or bass depending on where you strum, and you should absolutely do that for effect.

It's part of the technique of the instrument- so the wrong thing to do would be to think that there was a right or wrong here.

That's, um, accurate.

Depends on what tone you're after

What Larry said.

When you strike a tensioned string, it vibrates in a series of nodes and anti-nodes. Depending WHERE you strike the string you will damp or enhance some of those nodes. Thus suppressing or enhancing certain harmonics.

As an extreme example, if you strummed a string at the 12th fret, you would eliminate all of the even harmonics.

Pianos are designed to have the hammer strike exactly 1/7th of the way down the string, this suppresses the 7th harmonic, and makes a piano sound the way it does.