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Hatcher Studio '16 #2
This is a continuation of Hatcher Studio '16; http://www.acousticguitarforum.com/f...411876&page=21
I have four guitars that I have been building as my "Show Spec Series". My first two are sold and the third one is a small jumbo Josie model with a highly quilted maple back and side set, it is currently at the finisher. That leaves my fourth guitar which will be a Penelope Black Ebony guitar with lots of abalone and an elevated fretboard. The back and side set comes from this group of sets all cut from the same billet; https://farm3.staticflickr.com/2925/...44bc54f2_c.jpg But this is where a guitar really starts; https://farm2.staticflickr.com/1643/...383f46e9_c.jpg I bring this up because I've recently had an epiphany that I'd like to share. I've felt guilty because technology has been advancing for quite awhile for drafting plan layouts. There's CAD, Sketch-Up, Illustrator, all kinds of great ways to draw up designs and here I am like an old Luddite sitting at a drafting table. When my brother needs to do a quick sketch he reaches for his laptop not a pencil. So here's my epiphany; Guitars aren't large, I can draw an entire guitar on this table full scale. I'm going to build it full scale so it's better to draw it full scale. So lets say I'm designing a bridge like so; https://farm2.staticflickr.com/1591/...740dfec3_c.jpg Once drawn I can look at it this way and that until I'm happy with it's lines and size. After that it get's drawn on the wood blank and cut out; https://farm2.staticflickr.com/1668/...d1ab79d9_c.jpg See anything familiar? It's the same pencil drawing and now I'm going to use the band saw and follow those curves again. But it's going to be easier because I've already followed those curves by hand a couple times while drawing them full scale. I think as builders we all need to be the gate keepers for what and how we let technology in and not just reach for the next new shiny thing. And we're off! https://farm2.staticflickr.com/1599/...cb7a51de_c.jpg Thanks for getting through all that! Mark |
"...the degree of attentiveness that we bring to an occasion ennobles or demeans it."
Frank Bruni NY Times Amen, Bro. Now back to the hot female divorce lawyers...... unabashedly - Chris |
oh, and... "Just when you think it's safe to go back in the water"
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Here is an update on the show spec guitars. The BRW Greta model is back from the finisher and I am French polishing the top. Not much to see in that process but, there is enough on there that we can now see the color of the cedar top;
https://farm2.staticflickr.com/1453/...f28d474a_b.jpg I'm happy with how well the color goes with the sapwood on the sides; https://farm2.staticflickr.com/1588/...0171761a_c.jpg My Penelope model is coming along. I finished the rosette today and am including another picture to show how I am handling the back strip: https://farm2.staticflickr.com/1483/...d4e0465f_c.jpg https://farm2.staticflickr.com/1570/...c8f6f00f_b.jpg The top is Swiss moon spruce. Thanks for viewing! Mark |
Love Ebony with Koa and abalone 👍
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That ebony is some striking wood.....looks very elegant with the narrow abalone.
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:guitar::guitar::guitar::guitar::guitar::guitar:
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Mark |
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Drew |
Mark,
If you can just sell the others, You bonus yourself the exhibit and travel expenses. I'm doing MY part! :evilgrin: Chris |
Lovely work as usual, Mark. Especially like this shot:
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Steve |
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Yes it is. I'll be using it throughout the guitar along with other abalone fpr inlays on the fretboard and end graft. It just take a thin line to really shine on that black background. Quote:
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Thank you everyone! Mark |
Show Spec second round Piņa
My ideas are coming together for spec guitars to replace the show specs that have sold. With spec guitars I like to use wood sets that I have more of in case someone says they want one that looks like that but, in a different model or modification of the same.
I am going to start a replacement for my Piņa on May first. Here is my plan; I have a couple sets of this beautiful bacon figured Padauk and have been wanting to build with it because it has such a promising tap tone; https://farm2.staticflickr.com/1470/...a58a3347_c.jpg So here goes. Here is the back set; https://farm2.staticflickr.com/1554/...bbe3282c_c.jpg With master grade Swiss Moon Spruce; https://farm2.staticflickr.com/1648/...79ba45a2_c.jpg Black Ebony trim and fretboard, black Schertler tuners for open headstock, flamed Hard Maple neck, and gold MOP; https://farm2.staticflickr.com/1577/...172c8eaa_c.jpg I'm not sure where or exactly how but this gold MOP has got to go in here somewhere. Look at all that iridescent green in there against that red; https://farm2.staticflickr.com/1469/...dcd578a6_c.jpg I'm working on ideas to replace the Greta and will have those up soon! Thanks for checking this out, Mark |
Mmmmm, bacon! Some beautiful Padauk there, always loved the look of ebony against it. Though I still call it vermillion.
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COOL concept. ... on a slab of bacon!
Chris |
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Looking at this shot again, and thinking about the entandre I have to suggest, Sam-I-Am, Green Eggs and Ham (thank you Theodore, RIP).
Chris PS - I am WAY over-extended or I would but... someone will actually get the Green Eggs and Ham guitar!!!! Quote:
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4TH Show Spec Ebony Penelope
This is the guitar I am emulating with my Black Ebony Penelope:
https://farm9.staticflickr.com/8853/...922c423d_b.jpg https://farm9.staticflickr.com/8878/...ffc59b51_b.jpg This was my Piņa parlor model. I am using a Black Ebony set from the same wood billet. I am doing my next larger Penelope model this time and a few new features like the ebony and abalone back strip. While most of the purfling lines will be abalone, in places where I previously had maple lines I am switching up to this Holly I just got in: https://farm2.staticflickr.com/1464/...dc7a44ac_c.jpg The thing with Holly is it is whiter than maple and when the cut is orientated right you get a sparkle from it that you don't often see with maple. The whiter those little lines are the blacker that Gabon Ebony will look. It's a very subtle difference. Other differences we'll see will be the elevated fretboard. This is a comfort feature I am adding as this is a full body guitar. I am also going with my pillow top sculpted headstock. It will have the Koa binding, and abalone purfling. The headplate will be black ebony. I've never done a black ebony sculpted headplate and am excited to see what it will look like with all those curves on a shiny jet black surface. I went with a spalted Tamarind logo on this one; https://farm2.staticflickr.com/1461/...809b8ce2_c.jpg Lot's more to come! Mark |
You're killing me. Your guitars are some of the most beautiful pieces I've ever seen. Maybe when I strike it rich you'll make me a good strumming guitar. So, So rich.
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As for Les' quote - Maybe he was in the beta-group for .... flag-pole meds! |
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And don't say things like he'll make me a strummer. That's not what I want to hear right now. LALALALALALALA NO GAS NO GAS NO GAS LALALALALALALAALA |
This deserves a bump. Not just for Mark's work, but the Les Paul quote and story! Some don't know that he largely invented the multi-track recorder. (Les not Mark)
French polish is slow... Good problems :D |
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https://farm2.staticflickr.com/1661/...ca5cd19c_c.jpg The first leveling is done. I am doing the second build coats, then another leveling, little more build, wait for it to harden some, then shine it some more. Your right, it's slow. Mark |
Mark,
That is stunning! Thank you for the pic. Chris |
Beautiful work Mark, simply outstanding.
Paul (I worked in Peterborough for a few years. Nice place.) |
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We've been here in Peterborough for about three years now and love it. If ever you are coming up this way again call I'd be happy to give you the shop tour. Mark |
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