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min7b5 04-05-2019 02:15 PM

1931 Gibson L5
 
This 1931 Gibson L5 belongs to one of my students. Really love this guitar. Here's a little Jimmy Webb tune https://youtu.be/KJnvI46e5R8


http://ericskye.com/wp-content/uploa...38792704_n.jpg

WordMan 04-06-2019 03:55 AM

Oh my. How did they acquire it? What is known about the tailpiece and bridge since both appear unoriginal?

Covet. A dot-neck L-5 is my ultimate - the apex guitar design, tonally, responsively and aesthetically. Thanks for sharing.

You sound amazing as always. How does it feel vs your sig flattop? The ergonomics of an archtop have been fascinating for me to explore - I like how they can take/prefer a heavy hand, and how the tone changes when picking/strumming up and down the neck - different dynamics vs a flattop.
If you could ever do your stunning renditions of So What or All Blues on that guitar, oy, would I want to hear that!!

GuitarsFromMars 04-06-2019 05:56 AM

I really enjoyed that. Huge note choices on one of my all time favorite songs. Really nice spaces and voicings. Well done, but I am certain you have been told that previously. I wonder how much influence the use of that instrument, played in the particular arrangement.

WordMan 04-06-2019 08:38 AM

By the way, didn’t Gibson switch to block inlays in 1929? You sure that’s not a ‘28? So cool.

http://www.guitarhq.com/gibson2.html#l5 This collector’s website says yes, 1929.

Bluemonk 04-06-2019 09:39 AM

Beautiful guitar and performance.

wintermoon 04-11-2019 09:30 AM

Quote:

Originally Posted by WordMan (Post 6028650)
Oh my. How did they acquire it? What is known about the tailpiece and bridge since both appear unoriginal?

Covet. A dot-neck L-5 is my ultimate - the apex guitar design, tonally, responsively and aesthetically. Thanks for sharing.

You sound amazing as always. How does it feel vs your sig flattop? The ergonomics of an archtop have been fascinating for me to explore - I like how they can take/prefer a heavy hand, and how the tone changes when picking/strumming up and down the neck - different dynamics vs a flattop.
If you could ever do your stunning renditions of So What or All Blues on that guitar, oy, would I want to hear that!!


the bridge and tailpiece are original.
until the Joe Spann book came out and serial numbers/specs were reassesed it was thought that they went to block inlays in '29 but it's really around
'32 that they changed

Silly Moustache 04-11-2019 10:05 AM

1 Attachment(s)
I had a "jazz" guitar teacher who owned three guitars, and old Martin 0018 (ish) and a '30s Epiphone Emperor, and a 1934 L-5.

It did have blocks, and he wanted to sell the Gibson to help with house moving costs.
I was tempted, but bought a '34 L-4 from Archtop.com instead.
He compared the two and said he couldn't tell the difference. I think he was being kind!

Here is Piers playing that old Gibson.



and here he is with his Epi:



Here's my L-4 ('34 but a '35 model, so f-holes but still 16" )

NOTE: There is quite a number of "oddball" Gibsons archtops and flat tops around that aren't exactly as one would expect for any particular year. e.g my FON is definitely a '34, but theoretically all '34s were round holes.

WordMan 04-11-2019 10:23 AM

Quote:

Originally Posted by wintermoon (Post 6033425)
the bridge and tailpiece are original.
until the Joe Spann book came out and serial numbers/specs were reassesed it was thought that they went to block inlays in '29 but it's really around
'32 that they changed

Ah, thank you!

Silly Moustache 04-11-2019 11:36 AM

Does anyone have the Joe Spann book? is it just a history of Gibson or are there PICTURES??

WordMan 04-30-2019 07:39 AM

Quote:

Originally Posted by Silly Moustache (Post 6033544)
Does anyone have the Joe Spann book? is it just a history of Gibson or are there PICTURES??

I’ve flipped through it. It’s a reference book with pages of FON’s more than a coffee table book.


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