#31
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Quote:
Hope that makes sense. Wade Hampton Miller |
#32
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The way I miss-understand things is that the lighter the bracing the more higher frequencies can vibrate, alternatively thicker bracing vibrates at a lower frequency. If you could get a railroad tie to vibrate it'd be a real low frequency.
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#33
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I don't have a strong opinion one way or the other about the tonal differences in regard to adding pretty stuff to the edge of 40 series Martins cuz I've only played one 40 series Martin.
What I do wonder about is: Wade says, "the way that Martin guitars are constructed those top outer edges are some of the most acoustically deadened spots on the guitars". Well that makes me think 40s are constructed differently on those top outer edges. Wouldn't we agree on that? They're routed out to accept the pretty stuff. Maybe not much but there are many discussions here about 1/4" vs 5/16" bracing, belly vs pyramid bridges, tongue braces, bridge pins, etc. Even satin vs gloss finishes. And five year old guitars vs fifteen year old guitars. Why wouldn't a routing of the entire body circumference on the top and then applying a different material in the routed channel make a difference? That single 40 series that I've played is the OM-42 that I own. It's the guitar visiting players make an ugly face at when they see the bling and give me a look like I was a dope to spend big bucks on it. Then they play it. Then they want it. They say, "Oh!". They don't think I'm a dope cuz they get it when they play it. Maybe I was a dope for buying it because honestly I bought it w/o playing it off eBay for the bling and the headstock! Hah! I'm LOL because everybody likes it better than my OM-28A, SCGC Custom OM, and the others hanging around here and it plays and sounds more beautiful than it looks. (If you like that look) |
#34
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.....No......
__________________
Phil Playing guitar badly since 1964. Some Taylor guitars. Three Kala ukuleles (one on tour with the Box Tops). A 1937 A-style mandolin. |
#35
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Whatsa Taylor '03 600-SPEC look like?
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#36
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Bizango, you can convince yourself any way that you like, rationalize what you believe you’re hearing, and that’s fine. But over the years I’ve known quite a few members of the Martin Guitar Company’s upper management, as well as any number of custom guitar builders and some of the most experienced and skillful repair techs in the country, and not ONE of them has ever told me that they believe that trimming out a guitar with abalone purfling will have an impact on the tone. Just the opposite: they’ve all stated as fact that it does not.
That doesn’t mean that there are NO repair techs or instrument builders who agree with you. I’m sure there must be a few. But I have never, ever met one, not in real life. Honestly, I think you’ve trained yourself to hear what you want to hear. Hope that makes more sense. Wade Hampton Miller |
#37
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The jury is still out on whether abalone purflng around the top can make a guitar sound better. But it seems to have an effect on perceived tonal quality.
__________________
In the end it is about who you love above yourself and what you have stood for and lived for that make the difference... |
#38
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Wade I said I don't have a strong opinion about it. I do like my OM-42. Personally I think guitar differences are due to the sum of their parts, luthiers, moon and stars. And like I said myself I've only played one Martin 40 series ever.
Your comment about the construction of the rim of the top just made me think that altering that joining method which you said is common to many Martins might set them apart from other Martins. That makes sense to me-not as an experienced guitar expert but more out of general interest because I love guitars. |
#39
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Quote:
__________________
Bourgeois, Collings, R Taylor, Santa Cruz |
#40
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my opinion
The extent of bling on a guitar will improve its sonic performance at about the same rate as adding upmarket wheels to an automobile. I think neither 'addition' does anything whatever to the machine being 'improved'. Not unless listening to the label inside changes the listener's opinons of what he hears.
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#41
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If you are asking for opinions as to whether the pearl appointments alone will somehow make an improvement in clarity, tone, volume, or whatever other sonic characteristic you may feel is enhanced, this concept is a first for me. If this notion is being batted about on forums, I’ve missed it and I’m glad.
An $11,000 guitar (or whatever they are listing them for now) should have excellent workmanship and materials. It would be very hard to convince me that taking away the pearl and using standard purfling materials with the exact same premium woods, bracing etc. would produce an inferior sounding instrument. |
#42
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Quote:
__________________
Bourgeois, Collings, R Taylor, Santa Cruz |
#43
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based on 55 years of playing guitars.
And the 1934 D-45 that I received from SCGC versus their standard 34s....If there is such a thing. Lucky enough to have A/Bd many HD and D 28 and D-45s. Now this is just IMHO
__________________
HFox Life is a journey...not a guided tour... |
#44
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I dunno. Maybe. There are people, even on this board, who believe that all sorts of crazy things affect sound. I'm not hearing a difference but who's to say they aren't? Bring on the abalone and gold plating.
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#45
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Bill Collings once told me that pearl borders DO affect tone.
I'll go with what he said. |