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Break Angle Myth Debunked
For years I've heard the break angle (the angle the strings make between the bridge pins and saddle) needs to be above "X" degrees to properly drive the top. A low break angle will reduce the output and tone. If you have to sand the saddle down low you can ramp the bridge (cut angled slots between the bridge pin holes and the saddle) to increase the break angle. I've done this many times. It made sense and seemed like the thing to do.
Lately I've read it's not as important. The height of the strings above the top is. The height of the strings is what drives the top. I'm not sure I buy that one either. Well, this blows the break angle theory out of the water. This is a made in Taiwan 1974 Yamaha FG-110 (I picked up 2 weeks ago) with pretty much ZERO break angle on all strings. Even with dead old strings it sounds VERY similar to my other FG-110's with proper break angles. |
#2
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I didn't know the importance of a proper break angle was myth. It has been a known fact in most luthierie books I've read. String height is also important to the sound board's resonance.
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RonSenf 2023 Taylor AD22e 2001 Guild F47RCE Certified Fretting Technician - Galloup School of Luthiery 2005 Guitar Builder/Tech |
#3
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Quote:
__________________
Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#4
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Gull, you have the opportunity to check out string height effect - how it sounds with a taller saddle.
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#5
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Topic covered extensively several times. Might be worth a look.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#6
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Kind of what I was thinking....
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Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm |
#7
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It seems clear to me that if you play the pictured guitar VERY HARD, the tone will suffer lack of clarity and focus due to the strings bouncing on the saddle. This will be heard as a vague distortion. IMO, but I'd bet on it.
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#8
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One of our esteemed members has done research on this and his conclusion is the same as the OP, so in my book it is a myth.
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#9
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Bruce in Australia wrote:
Quote:
whm |
#10
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I don't doubt its potential for tone as is; the question is what is the future remedy as the geometry of the neck block and top continue to change -- there's just not much saddle left to lower the action without shaving the bridge, and will that still leave enough string height to drive the top?
Saying that, I've done this before on a newer, inexpensive guitar with a shallow neck set with great success (pulled it down into finger style playing action and maintained decent tone), but of course a neck reset would have been preferable had the guitar's value justified the expense. Is that by any chance a Black Label model? There's one advertised locally that I'm trying to tell myself I don't need to go see. |
#11
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This is not a new topic, just a couple quick references. The angle by itself is not particularly important, it's just physics.
http://siminoff.net/luthiers-handbook-addendum/ http://www.acousticguitarforum.com/f...d.php?t=322671
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#12
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+1 for me. I think you need a certain amount of break angle to drive the top and to prevent/reduce bouncing and sliding of the strings on the saddle. Slot head guitars have wider break angles at the nut for the same reasons, I presume.
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#13
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Quote:
........Mike |
#14
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__________________
Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#15
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Are the strings on it from 1974 too ??????
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