![]() |
|
#1
|
|||
|
|||
|
I'm curious. Do you fellows set your necks dead straight or with some relief? I'm pretty good with electric instruments, but I had not owned an acoustic for many years.
__________________
The opinion expressed above is for entertainment purposes only. My one and only acoustic: Fender CD140SCE |
|
#2
|
||||
|
||||
|
On my guitars which have a truss rod, with the action tweaked to my satisfaction, I straighten the neck (tighten the truss rod) until I get string rattle when playing, then back off until the rattling stops.
Once the relief is set, there will be some seasonal tweaking but it's in tiny amounts - an eighth turn at a time.
__________________
2009 CA Cargo Raw, 2006 Collings OM-1 SS light build, 2004 Taylor 714ce, 2000 Taylor 310K, 1991 Martin HD-28, 1971 Martin 0-18, 1967 Guild F-30 2006 Ovation Legend 6756LX 12 string, 2004 Taylor 354ce 12 string, 1976 Guild G312-NT 12 string (dreadnaught shape) 1966 Martin T-15 tiple, Mele koa ukulele |
|
#3
|
|||
|
|||
|
i like almost no relief.. but i probably do it that same way
but if i've to crank it up too much then I know there's something else wrong with the nut/saddle... then I'll turn my attention to those.
__________________
Present: 2006 GSRS w PWM/Wavelength 1992 Taylor 410 Headway Audio EDB-1 Preamp Countryman Type85 Past: Alvarez MF80C (was sad to see this one go...) K&K XLR preamp K&K powermix trinity Zaolla Baggs PADI Stillwater acoustic amp Future: 1940s D45 |
|
#4
|
|||
|
|||
|
About .004-.005" for me.
__________________
Howard Klepper My PM box will be full for the foreseeable future. Email me instead. |
|
#5
|
|||
|
|||
|
Thank you Mr, Klepper. That's just about where I have it set right now, with a capo at the second fret, fretted at the 17th fret and measured at the 8th fret.
Thanks also to hann and taylorcc.
__________________
The opinion expressed above is for entertainment purposes only. My one and only acoustic: Fender CD140SCE |
|
#6
|
|||
|
|||
|
I'm with Howard- .004" is ideal for me. Up to .008" is still pretty playable, beyond that is too much.
__________________
"Things men have made with wakened hands, and put soft life into are awake through the years with transferred touch and go on glowing for long years. And for this reason, some old things are lovely warm still with the life of forgotten men who made them." -D.H. Lawrence 1943 Gibson J-45 1951 Gibson LG-2 2010 Martin 000-18GE Custom |
|
#7
|
|||
|
|||
|
Wow you guys are exact. I like it with very little relief, I just capo on the first, finger the body fret and make sure that string is just barely off the finger board in the middle. Wonder what barely off measures?
Steve
__________________
Steve 2013 Rainsong P12 Parlor 2012 Emerald Acoustic Doubleneck - Chimaera 2012 Rainsong JM1000 Black Ice 2009 Wechter Custom Pathmaker Model 9600 LTD Okoume - chambered solid body hybrid. 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Anniversary Les Paul Custom 1978 Carvin Doubleneck |
|
#8
|
|||
|
|||
|
Around four or five thousandths (.004-.005), probably. That would be just barely over the thickness of a piece of average notebook paper.
__________________
The opinion expressed above is for entertainment purposes only. My one and only acoustic: Fender CD140SCE |
|
#9
|
|||
|
|||
|
That's interesting. I'm doing some work on a guitar saddle and the rest of the setup now, and I note that Taylor recommends .010 as their relief! Actually, I've found that to be pretty good if you are doing figerpicking with slide work. Using picks, and whether your tuning is down below std. or not all seem to have a big influence, also. And don't forget, that even though you aren't supposed to set action with the truss rod, there can be some significant interplay between that and relief!
|
|
#10
|
|||
|
|||
|
i used to be quite technical with relief.. till i got tired of having to fret here and there and slide the gauges in and out
I just keep it as flat as I can without buzz on heavy strumming.. then after that happens, i'll work on the nut/saddle. Of course with my blind eye I just spot some light coming between the strings..
__________________
Present: 2006 GSRS w PWM/Wavelength 1992 Taylor 410 Headway Audio EDB-1 Preamp Countryman Type85 Past: Alvarez MF80C (was sad to see this one go...) K&K XLR preamp K&K powermix trinity Zaolla Baggs PADI Stillwater acoustic amp Future: 1940s D45 |
![]() |
|
| Thread Tools | |
|
|