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  #1  
Old 11-28-2016, 06:12 PM
ZippyChip ZippyChip is offline
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Default Etude #1

A recording from a few years ago. Poor quality video but I am happy with it anyway.

https://youtu.be/s0fS7FlL3lE
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  #2  
Old 11-28-2016, 09:04 PM
Gitfiddlemann Gitfiddlemann is offline
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Good job with that, nice tone and well played!
I'm curious though: You changed the music towards the end i.e. the part where you repeat the Em and C-E-A# chords rather than alternate them as the music is written, and traditionally played.
Any reason for that?
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  #3  
Old 11-29-2016, 07:36 AM
ZippyChip ZippyChip is offline
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Not sure why. Could be that the music I used had it that way. I used Parkening as inspiration for the expression. I have noticed lots of liberties taken on this piece maybe he played it that way. Got to find my Parkening CD and check it out.
My past teacher pointed that out also and I changed it several years ago.
Thanks.
__________________
Classical
2013 Alhambra 9P cedar
1976 Alvarez/Yairi CY140
2005 Alvarez AC60SC
2005 Alvarez MC90C
****************
Steel
2002 Martin OMC18VLJ signature
2003 Mauel McCloud Custom

Last edited by ZippyChip; 11-29-2016 at 07:41 AM.
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  #4  
Old 11-29-2016, 07:48 AM
riffmeister riffmeister is offline
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Well done! And a great etude for the right hand! And the bird singing at the end was a nice touch!
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  #5  
Old 11-29-2016, 10:25 AM
Gitfiddlemann Gitfiddlemann is offline
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Quote:
Originally Posted by ZippyChip View Post
Not sure why. Could be that the music I used had it that way. I used Parkening as inspiration for the expression. I have noticed lots of liberties taken on this piece maybe he played it that way. Got to find my Parkening CD and check it out.
My past teacher pointed that out also and I changed it several years ago.
Thanks.
I’ve been playing a lot of Villa-Lobos music lately and finding out all kinds of discrepancies between what recording artists (as well as past students like ourselves) are using as a written score, which is mostly based on the Eschig editions of 1952-53, and the later 1990 edition with corrections.
Interestingly however, Villa-Lobos’s original manuscript from 1928 was unearthed several years ago, and contains numerous areas where his original score differs from the Eschig editions, even showing different melody and harmony notes.
Etude 1 for example: His original score showed no repeats at all! and thus the study was very short, as written. Also some minor changes in the very last chords with regards to harmonics.
Based on what I’ve read though, Villa-Lobos himself did not disagree with the many changes that came to be the Eschig edition versions, and may have even changed them himself.
Another thing I liked about your version was the tempo. It really doesn’t need to be any faster than that, but many players like to push that one, seemingly because they can, at the expense of expression imo. It doesn’t add much to the music when played too fast. It even loses some of its melodic charm, in spite of the player’s ability to play cleanly. (Villa-Lobos himself scored it as "Fast, but not too fast", which sums it up nicely).
My favorite recording is that of Manuel Barrueco. One of the best around.
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Best regards,
Andre

Golf is pretty simple. It's just not that easy.
- Paul Azinger

"It ain’t what you don’t know that gets you into trouble. It’s what you know for sure that just ain’t so."
– Mark Twain

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  #6  
Old 11-29-2016, 02:16 PM
ZippyChip ZippyChip is offline
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Thanks for the detailed info Andre. I prefer the repeated descending chords and I need to check out your performer reference.
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Classical
2013 Alhambra 9P cedar
1976 Alvarez/Yairi CY140
2005 Alvarez AC60SC
2005 Alvarez MC90C
****************
Steel
2002 Martin OMC18VLJ signature
2003 Mauel McCloud Custom
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  #7  
Old 11-29-2016, 05:47 PM
ZippyChip ZippyChip is offline
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Thanks riffmeister.
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Classical
2013 Alhambra 9P cedar
1976 Alvarez/Yairi CY140
2005 Alvarez AC60SC
2005 Alvarez MC90C
****************
Steel
2002 Martin OMC18VLJ signature
2003 Mauel McCloud Custom
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