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  #31  
Old 02-25-2018, 01:25 PM
Silly Moustache Silly Moustache is offline
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Hmm, that didn't work - I'll try again ::::::;

Left: Collings DS1ASB (Dreadnought Standard 1(hog) A (adi) SB (sunburst) - Collings version of the original dreadnought design

Right: Santa Cruz "RS" (they aren't allowed by Gibson or the Smeck family or something to call it a Roy Smeck) - but that's what it is - the Gibson originals were all designed as Hawaiian deep bodied ..."Jumbos" (short scale).
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Last edited by Silly Moustache; 02-27-2018 at 10:31 AM.
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  #32  
Old 02-25-2018, 01:30 PM
Von Beerhofen Von Beerhofen is offline
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Surely there's still a bit of room left for this one:



Ludwig
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  #33  
Old 02-25-2018, 01:35 PM
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TBman TBman is offline
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Quote:
Originally Posted by ataylor View Post
Did someone say slope-shoulder guitars?


Which guitar is this? Looks great.
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  #34  
Old 02-25-2018, 10:03 PM
ataylor ataylor is offline
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Quote:
Originally Posted by TBman View Post
Which guitar is this? Looks great.
It’s a Fairbanks F-35 in red spruce and mahogany.
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  #35  
Old 02-26-2018, 07:45 AM
Vol46 Vol46 is offline
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Quote:
Originally Posted by JackB1 View Post
Thanks. The BG60 would be what I would get.
There is a great looking Blueridge 40 AS ( Adirondack top, sunburst) for sale in the AGF classifieds right now at a very attractive price.
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  #36  
Old 02-26-2018, 09:36 AM
JackB1 JackB1 is offline
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Quote:
Originally Posted by Vol46 View Post
There is a great looking Blueridge 40 AS ( Adirondack top, sunburst) for sale in the AGF classifieds right now at a very attractive price.
Where? I can't find it.

Also is the 40 similar to the 60?
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  #37  
Old 02-26-2018, 09:43 AM
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Mr. Paul Mr. Paul is offline
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Quote:
Originally Posted by JackB1 View Post
Where? I can't find it.

Also is the 40 similar to the 60?
http://www.acousticguitarforum.com/f...ight=blueridge
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  #38  
Old 02-26-2018, 10:39 AM
JackB1 JackB1 is offline
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Quote:
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Thanks. Really looking for a AG60 though
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  #39  
Old 02-26-2018, 11:29 AM
C_Becker C_Becker is offline
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Hmm, slope shoulder

Apart from looking really good, I think they have a little less bass than the square-shouldered ones and I find them more comfortable to play.
I prefer mine in 25,5" scale though for more clarity and tighter bass.

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  #40  
Old 02-26-2018, 11:58 AM
jdto jdto is offline
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Quote:
Originally Posted by Rmz76 View Post
It's also in the bracing, and shorter scale length that play a part. Although it's a rare bird, the Gibson Advanced Jumbo is a different beast, it has a non-scalloped bracing and is a long scale. It has a lot more volume and sustain.
I wasn't aware that the AJ had non-scalloped bracing. Everything I have read or seen about them says scalloped bracing in the "advanced" pattern.

You can see the J-45 standard X bracing here on the left compared to the "advanced bracing" on the right.


Here's a pic of an original AJ from the UMGF which shows scalloped bracing:


Link for reference: https://www.tapatalk.com/groups/theu....html#p1676705
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  #41  
Old 02-26-2018, 12:18 PM
hairpuller hairpuller is offline
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Quote:
Originally Posted by ataylor View Post
It’s a Fairbanks F-35 in red spruce and mahogany.
Man, that sucker looks awesome! What it sound like???
scott
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  #42  
Old 02-26-2018, 12:34 PM
merlin666 merlin666 is offline
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Quote:
Originally Posted by Silly Moustache View Post
Hmm, that didn't work - I'll try again ::::::;
Now these look more like the real deal! I think that with 14 frets it's more of a cosmetic than functional distinction to a regular dread. But with the body enlargement to 12 frets that's where the slope style really kicks in.
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  #43  
Old 02-26-2018, 01:07 PM
Alan Carruth Alan Carruth is offline
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In some respects the shape of the original 12-fret Dread was a look back at the guitars that were made in Strad's day. Those were ladder braced, and relatively narrower, but had much the same sort of curve. A case has been made that the early makers would use a 'spline' curve: basically bending a stick to get a curve that would connect the end points and the desired waist location. This gives a continuous curve that varies from one place to another, where many modern makers use a set of circular curves and connect them with straight lines. I've always felt the modern method lacked some elegance, and have worked out other ways to do the layout.

Note, too, that the Gibson slope Dread shape is somewhat wider in the lower bout than Martin's, which tends to exaggerate the flattening of the lower end in contrast to the rounder upper bout.
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  #44  
Old 02-26-2018, 02:08 PM
Rmz76 Rmz76 is offline
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Quote:
Originally Posted by jdto View Post
I wasn't aware that the AJ had non-scalloped bracing. Everything I have read or seen about them says scalloped bracing in the "advanced" pattern.

You can see the J-45 standard X bracing here on the left compared to the "advanced bracing" on the right.
...
Yes, for some reason I was thinking the "Advanced X Bracing" used on the J-35 and Advanced Jumbo was non-scalloped. Looks like most significant change is in the placement of the two parallel tone bars in the lower bout. The J-45's bracing accentuates mid-range, the Advanced Bracing pushes a bit more bass.

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  #45  
Old 02-26-2018, 03:14 PM
jdto jdto is offline
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Quote:
Originally Posted by Rmz76 View Post
Yes, for some reason I was thinking the "Advanced X Bracing" used on the J-35 and Advanced Jumbo was non-scalloped. Looks like most significant change is in the placement of the two parallel tone bars in the lower bout. The J-45's bracing accentuates mid-range, the Advanced Bracing pushes a bit more bass.

Yes, that is what I've noticed with my J-45 True Vintage. It has a different voice than the Standard and it has the advanced bracing with parallel tone bars. I've found the J-35 to be reminiscent of the TV in terms of voicing, although not quite the same.
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