#31
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Hmm, that didn't work - I'll try again ::::::;
Left: Collings DS1ASB (Dreadnought Standard 1(hog) A (adi) SB (sunburst) - Collings version of the original dreadnought design Right: Santa Cruz "RS" (they aren't allowed by Gibson or the Smeck family or something to call it a Roy Smeck) - but that's what it is - the Gibson originals were all designed as Hawaiian deep bodied ..."Jumbos" (short scale).
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! Last edited by Silly Moustache; 02-27-2018 at 10:31 AM. |
#32
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Surely there's still a bit of room left for this one:
Ludwig |
#33
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Which guitar is this? Looks great.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#34
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It’s a Fairbanks F-35 in red spruce and mahogany.
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#35
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There is a great looking Blueridge 40 AS ( Adirondack top, sunburst) for sale in the AGF classifieds right now at a very attractive price.
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#36
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Quote:
Also is the 40 similar to the 60?
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Gear: PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A60E, Martin 000-15M |
#37
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Goodall, Martin, Wingert |
#38
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Quote:
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Gear: PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A60E, Martin 000-15M |
#39
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Hmm, slope shoulder
Apart from looking really good, I think they have a little less bass than the square-shouldered ones and I find them more comfortable to play. I prefer mine in 25,5" scale though for more clarity and tighter bass.
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Gibson Advanced Jumbo Red Spruce Epiphone IB 64 Texan And about a dozen electrics New/Old Gibby owners here UNITE! Let's see em! |
#40
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You can see the J-45 standard X bracing here on the left compared to the "advanced bracing" on the right. Here's a pic of an original AJ from the UMGF which shows scalloped bracing: Link for reference: https://www.tapatalk.com/groups/theu....html#p1676705 |
#41
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Man, that sucker looks awesome! What it sound like???
scott |
#42
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Now these look more like the real deal! I think that with 14 frets it's more of a cosmetic than functional distinction to a regular dread. But with the body enlargement to 12 frets that's where the slope style really kicks in.
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#43
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In some respects the shape of the original 12-fret Dread was a look back at the guitars that were made in Strad's day. Those were ladder braced, and relatively narrower, but had much the same sort of curve. A case has been made that the early makers would use a 'spline' curve: basically bending a stick to get a curve that would connect the end points and the desired waist location. This gives a continuous curve that varies from one place to another, where many modern makers use a set of circular curves and connect them with straight lines. I've always felt the modern method lacked some elegance, and have worked out other ways to do the layout.
Note, too, that the Gibson slope Dread shape is somewhat wider in the lower bout than Martin's, which tends to exaggerate the flattening of the lower end in contrast to the rounder upper bout. |
#44
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Wayne J-45 song of the day archive https://www.youtube.com/playlist?lis..._Zmxz51NAwG1UJ My music https://soundcloud.com/waynedeats76 https://www.facebook.com/waynedeatsmusic My guitars Gibson, Martin, Blueridge, Alvarez, Takamine |
#45
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