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  #61  
Old 02-27-2018, 09:36 PM
JackB1 JackB1 is offline
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Are slope shoulder guitars like the Blueridge BG60 and 40 mainly bluegrass guitars?
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  #62  
Old 02-28-2018, 07:06 AM
jdto jdto is offline
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Originally Posted by auggie242 View Post
JDTO- thanks!
Are they up now?
They are, thank you. Beautiful guitars.
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Originally Posted by JackB1 View Post
Are slope shoulder guitars like the Blueridge BG60 and 40 mainly bluegrass guitars?
I wouldn’t say that. I have a “slope shoulder” guitar and I don’t play bluegrass. It took sounds great for a lot of different music.
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  #63  
Old 02-28-2018, 10:38 AM
merlin666 merlin666 is offline
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Originally Posted by JackB1 View Post
Are slope shoulder guitars like the Blueridge BG60 and 40 mainly bluegrass guitars?
It looks like the design of the Blueridges is more cosmetic to look like a Gibson than reflecting the body volume increase of a true 12 fret slope shoulder. The BG acronym may suggest they are designed for Bluegrass though.

Last edited by merlin666; 02-28-2018 at 11:55 AM.
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  #64  
Old 02-28-2018, 10:51 AM
jdto jdto is offline
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Originally Posted by merlin666 View Post
It looks like the design of the Blueridges is more cosmetic to look like a Gibson than reflecting the v boy volume increase of a true 12 fret slope shoulder. The BG acronym may suggest they are designed for Bluegrass though.
I wouldn't read the BG designation as bluegrass. They make some Adi/Rosewood dreads that would seem to be targeted at the D28 aficionado which use BR in the model number. The six-string Jumbos also get BG names, while the 12 string ones get BR.
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  #65  
Old 02-28-2018, 10:56 AM
JackB1 JackB1 is offline
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Why do the slope shoulder guitars have less frets or a smaller scale neck?
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  #66  
Old 02-28-2018, 11:11 AM
HHP HHP is offline
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Originally Posted by JackB1 View Post
Why do the slope shoulder guitars have less frets or a smaller scale neck?
They don't necessarily. Just depends on the model, nothing about the design requires it.
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  #67  
Old 03-01-2018, 04:29 AM
Silly Moustache Silly Moustache is offline
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Originally Posted by Charmed Life Picks View Post
....snip ...

Hey, Auggie, I was mostly referencing the slope dread offerings from Martin at the time I started playing, in the early seventies. Correct me if I'm wrong, Auggie, but I'm assuming at that early date that Martin was doing very few slopes and mostly focusing on their standard square-shouldered models. Please help me out here, since I have time to do the research.

Anyone, or Auggie: How involved was Martin in the seventies with making slope dread models?

..... snip ....

be well,
scott
Hi Scott,

Perhaps I can help you with the confusion betyweenthe original (or standard) dreadnought and the 14 fret version.

After the failure of the Oliver Ditson Company in (I think) 1929, which was one of Martin's best clients, Martin finally decided to try to sell the largest model - the "dreadnought" under their own name - in 1931.
They introduced:

The D1 - Mahogany B&S - total production numbers - 2.
The D2 - Rosewood B&S - total Production numbers - 7.

In 1932 - 1934 they decided to change the model number :
The D18 - total number produced - 29
The D28 - total number produced - 41

These were promoted as being a) "bass guitars" and b OM guitars.
Note: Earlier guitars (not sure whether this applies only to Ditson 111s but they were originally supplied with a removable Hawaiian nut).

Slow sales and the growing popularity of thin necked rhythm guitars prompted Martin to turn the dreadnought into a similar type of guitar with a similar narrow nut and 14 frets - 1934.

In 1954, the D28S (Standard) was introduced and 1789 were made until 1993.
In 1966 - 1993 - they produced 1831 D35-S guitars.
In 1967 the D18-S was introduced and they produced 1637 up until 1993.
In 1998 they introduced the HD28VS and in 1999 the D18-VS - both were 12 fret dreads but had a thinner 1 &3/4" nut width. I have no details of production numbers or whether they were officially discontinued.
Then they re-introduced the Martin-Ditson 111, then in limited numbers the 222 and 333, and of course the D28 1931 Authentic.

Note: As soon as the 14 fret versions came out the 12 fret was termed the "S" =Standard.

I hope that helps .. and is of ANY interest.
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  #68  
Old 03-01-2018, 07:19 AM
CASD57 CASD57 is offline
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Does this look like a slope/Rounds Shoulder?
http://www.guitarcenter.com/Ibanez/A...stic-Guitar.gc
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  #69  
Old 03-01-2018, 07:28 AM
Silly Moustache Silly Moustache is offline
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Quote:
Originally Posted by JackB1 View Post
Are slope shoulder guitars like the Blueridge BG60 and 40 mainly bluegrass guitars?
No. The Traditional instrument for playing in a bluegrass situation would be the 14 fret Martin style dreadnought - like the D18 and/or the D28.

The Blueridges you mention are modeled after Gibson designs which rarely made the cut for bluegrass.
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  #70  
Old 03-01-2018, 07:37 AM
Silly Moustache Silly Moustache is offline
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Quote:
Originally Posted by CASD57 View Post
Does this look like a slope/Rounds Shoulder?
http://www.guitarcenter.com/Ibanez/A...stic-Guitar.gc
Hi, I couldn't really say - the shape doesn't actually follow any design closely but I suppose it looks more like the original Martin with the slotted headstock and 12 frets to body.

Can't find ANY detail about scale or fretboard width and there is little point in it if it still has a thin neck.
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  #71  
Old 03-01-2018, 07:45 AM
grasser grasser is offline
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Quote:
Originally Posted by JackB1 View Post
Are slope shoulder guitars like the Blueridge BG60 and 40 mainly bluegrass guitars?
The BR models are the Martin copy/bluegrass guitars.
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  #72  
Old 03-01-2018, 10:42 AM
hat hat is offline
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The initial question is actually somewhat vague. There are a lot of different guitars that can fall under the heading of 'slope shoulder' - everything from the 12 fret Martin dreads, to the Martin CEO7, and smaller 12 fret 00 and 000 guitars. I would interpret the original posters question as a comparison between the standard Martin dread, and the traditional Gibson J45. A lot of the recent 'pretenders' to the J45 style are really just rehashed dreadnoughts. The typical Gibson J45 is a short scale, with mahogany back and sides, and they have a very distinctive voice. Less bass, a more pronounced mid range, and IMO a bit more subtle attack than a comparable Martin dread.
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