#136
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Soundholes. They are irrelevant and ugly. Seriously, who came up with the idiotic idea to cut a big hole in the middle of a beautiful soundboard. Was it that CF Martin guy?
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#137
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Gloss top, satin back and sides. Why, what on earth is the point? Do one or the other by all means but a mix of the two just grates on me.
Open pore, minimalist 'finishes' on necks. I had a National Style 1 Tricone and the neck felt agricultural and amateurishly finished. Poorly fitting bridge pins that stick up; have Martin figured this out yet? Cutaways on dreads; ugly, ugly, ugly. Actually cutaways on flat tops bug me anyway! 'Stratabond' necks. Dear god, if there was ever an abomination...
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Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan Last edited by AndrewG; 09-22-2014 at 07:21 AM. |
#138
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Stratobonds are ok on a Framus, part of the teutonic charm, otherwise..pox on your house.
Breedloves are the ultimate abomination to design. These are design affectations represented as necessary for achievement of their tonal vision. I am not referring to traditional looking Breedlove guitars.. I am speaking of the Spock Boxes. The ones with pointy stuff. They defy that form follows function. No one else seems to agree among guitar makers and few buyers. I will admit I have played but one, years ago, to satisfy myself that the hideosity did in fact not contribute to, or create, some celestial awakening. Since that date, I cannot get close enough to one as my complete repulsion to them overcomes any potential aural orgasm. . Put on your tennis shoes, pack your bags and your Breedlove, the comet is coming. If they were the end all be all to guitars, they would sell and the company would still be in the hands of the founder, titular head, and chief designer. They are sale proof. I would be embarrassed to own and or hold or play one. My opinion. If you like them, and own one, I applaud you. |
#139
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Purpleheart, anywhere, anytime. Pinnacle of bad taste.
Incidentally in Colombia and other parts of northern So America it is called NAZARENA and its principle use is truck beds, railroad ties, pilings, foundation lumber etc. |
#140
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ukejon
"Soundholes. They are irrelevant and ugly. Seriously, who came up with the idiotic idea to cut a big hole in the middle of a beautiful soundboard." https://www.youtube.com/watch?v=-XbUkcjuMds And a clear concise explanation of the guitar designed and used by Abel Carlevaro. http://www.bing.com/videos/search?q=...B8A3043373684F Last edited by bohemian; 09-22-2014 at 09:54 AM. |
#141
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Quote:
Never cared for abalone/mother of pearl inlays anywhere other than fingerboard dots and the rosette if not overdone. I'm a wood guy! Heck, I put wood buttons on my tuners.
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Alvarez MF75 Alvarez Yairi PYM60HD/14 Alvarez Yairi FYM66HD Bedell TBA-24-G Bedell TBCE-18-G Gurian S3M (1978) Taylor GS Mini-e Bass |
#142
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In order of priority:
Inability to play what's in my mind Disco music Any pickguards Top runout Soundports Cutaways on acoustics (except archtops) Electronics on acoustics Richlite No fretboard markers Solid colored acoustics Over-blinged inlays Strap buttons on neck Bearclaw Untrimmed strings
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Martin Custom Shop Dreadnought (14 fret) Martin D12X1AE (12 String) Ibanez AM93L (lefty) Marshall DSL15C (Amp) Last edited by docliv; 09-24-2014 at 09:50 AM. |