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Guitar direct input into JBL LSR305 speakers?
Hi, I was wondering if any one could tell me if this would work? There is a 1/4" TRS input on the rear of the studio monitor and I was wondering if it would work if I were to plug my acoustic electric into the studio monitor direct?
I'm not trying to record anything but trying to see if I simulate a PA System so that I can get a ball park setting for the Martin Aura+ system before bringing it out. Rather not spend any extra money since this will be purely meant for testing purposes. Thanks. Last edited by Rivers; 05-10-2016 at 03:25 AM. |
#2
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While you could plug in, your level will be low for the system and there is a BIG caveat: Be sure that the speaker is turned off while plugging in and unplugging. Studio monitors are not designed to protect themselves as PA and guitar amp speakers are. It would really be best to plug in through a mixer to both bring the level up to line level and to allow you to close the fader while connecting and disconnecting.
Bob
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#3
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Thanks. I might have this lying somewhere at home. Would it help?
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#4
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Quote:
Quote:
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#5
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I actually have the studio monitors currently set up as my computer speakers via a mini DAC that unfortunately does not have 1/4" but 3.5mm jacks.
Hmm maybe a 1/4' to 3.5mm converter would work? Guitar to mini DAC then out to the speakers. Last edited by Rivers; 05-10-2016 at 06:28 AM. |
#6
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I thought studio monitors were supposedly very flat EQ wise like a acoustic guitar amp or PA System?
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#7
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This should work for your test. Plug the guitar into the instrument input: that input will have a higher input impedance that is required for the instrument's pickup and you will be able to bring up the level to send to the monitors.
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#8
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PA system speakers are anything but flat in comparison to a 'studio monitor' but you should get an idea of your guitar's plugged-in sound this way. Then some EQing once you are plugged into a system will work.
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#9
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The idea of "flat response" monitors (of any kind) has wiggled it's way into our web forum vernacular and more often than not provides for a misleading nomenclature. The idea of flat response speaker is by and large a sum of a measuring technique (which can vary at times dramatically) which indicates how in this case a speaker performs in an ostensibly perfectly tuned room. The wives tale then goes on to erroneously connect the dots to infer "if a flat response speaker(s) is used to reproduce audio the decisions of the audio person mixing will then be more consistent across a broader range of playback environments post the mixing stage". The element that's always left out in these discussions is most, if not virtually all, users plop their flat response speakers in a horridly unflattering, un-flat environment. From that moment on the advantages of a flat response speaker can be helpful only serendipitously. A miserable room skews the frequency response (sometimes to a titanic degree) and whatever gains were made by a flat response speaker zooms out the window. At least in terms of addressing that this idea helps with more translatable mixes. I'd submit in almost every instance a flat response room is exponentially more important than flat response speaker. Conversely a flat response room AND flat response speaker may be the only scenario that fulfills the gains claimed by most who preach "flat response speakers". YMMV. |
#10
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I would feel comfortable playing an electric guitar though those monitors if you have a reasonable signal chain. For example I have a Zoom G3 multi-fx pedal and pre-amp and I could plug that into my mixer and then plug the mixer into the active monitors.
If you keep the volume sensible you won't do any damage. But don't treat them like PA speakers. A friend of mine has a pair and I was a bit disappointed with the volume though the sound is very good.
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