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vocal
I went quickly form the Shures to Andix OM5, which I still like. Recently I added Sennheisers 935 and 945 - the 945 goes best with my none-too-clear voice.
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#18
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The Heil PR35 is amazing on low-end. Perfect for a baritone. Very clear on top-end too, almost condenser like.
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I love the hyper cardiod Audix OM7 for my baritone voice. Its very good to a low voice in that the proximity effect isn't excessive and you get plenty of clarity with close miking. It also has extremely good feedback rejection.
The downsides are that 1) you need to be very close and on axis for softer passages to be heard, and 2) the mic's low gain design requires a lot of gain at the mixer (much more than a typical dynamic mic). Here's a short clip where I'm using the mic with a song which has some very low pitches near the end. https://youtu.be/SuohFqkeVbU BTW, I've also owned and used the Audix OM5 which someone mentioned. I dislike that mic. To my ear, the presence peak is too harsh and the bass is weak since the bass rolloff starts way up around 120 Hz (to limit handling noise, so they say). Last edited by guitaniac; 02-21-2018 at 12:34 PM. |
#22
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I also have several Sennheiser 845's which I use when I'm in Japan but the 945 I bought a couple years ago didn't pair as well with my voice as it does with others and I sold it to a friend who loves it. Yes, Heil PR35 is a very clear sounding mic that can take operatic whispers all the way up to belting rock singers. Only caveat is it requires a good degree of breath control, but the payoff is way worth it.
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
#23
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
#24
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This is a great sounding mic, from what I've heard. I'd love to have one for myself. Its certainly worth a try, but it may not end up being the best mic for the OP's particular circumstances. He's already observed that his own preferred mic has proven too "sensitive" in the context of a six piece band. He may end up needing a hypercardioid mic to isolate the vocal as much as possible on small stages where drums and amps are close at hand. Hypercardioid mics are more restrictive with respect to how they need to be used (close and on-axis), but they do provide more gain-before-feedback and better vocal isolation in circumstances where those factors are a priority.
To my way of thinking, this discussion of favorite vocal mics parallels our many pickup discussions where performance environments and personal tastes end up being the most relevant factors. |
#25
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Quiet setting or controlled stage = Heil PR35. Loud stage with bleed-through problems = Audio Technica AE-6100.
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
#26
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Another vote for the Sennheiser e935, which works much better than the e835 or Shure SM58 with my baritone range.
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Barry |