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  #16  
Old 02-20-2018, 09:47 PM
leew3 leew3 is offline
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Originally Posted by chitz View Post
Sennheiser e935. Best I've found.
^^^^ this!
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  #17  
Old 02-20-2018, 10:35 PM
The Bard Rocks The Bard Rocks is offline
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I went quickly form the Shures to Andix OM5, which I still like. Recently I added Sennheisers 935 and 945 - the 945 goes best with my none-too-clear voice.
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  #18  
Old 02-20-2018, 10:57 PM
Wags Wags is offline
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Originally Posted by Gary1953 View Post
Played and sang with the band the other day and music was absolutely great. Music dynamics ranged from pop rock to soft acoustic ballad. I brought along my favorite vocal mic to use. It is a discontinued Shure RS25. I dig the response, proximity effect and tone that it gives my baritone voice. My Shure SM58 sounds flat and unresponsive in comparison. The down side was that the sound guy kept getting feedback between my RS25 and the monitor at my feet. The band was 2 acoustics, one electric guitar, piano, drums and bass. We don't play loud. Sound guy swapped my mic out for one that was less sensitive, sounded dull but didn't feedback. I didn't sound like 'me' in the monitor after that.

I want to get a new mic. Any suggestions? What is your personal favorite vocal mic?
I've used lots of mics on stage over the years. I've got a 57, Beta 58, various others, but the Audio Technica AE3300 puts them all to shame.
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  #19  
Old 02-21-2018, 01:56 AM
StevenL StevenL is offline
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Originally Posted by JWJ915 View Post
Sennheiser 945 or Heil PR35. Both awesome mics, IMO. I also have a Audix OM5 that, like mentioned above, handles loud stages very well. But sonically, I prefer the Senn or the Heil.
The Heil PR35 is amazing on low-end. Perfect for a baritone. Very clear on top-end too, almost condenser like.
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  #20  
Old 02-21-2018, 11:04 AM
SpruceTop SpruceTop is offline
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Quote:
Originally Posted by Gary1953 View Post
Played and sang with the band the other day and music was absolutely great. Music dynamics ranged from pop rock to soft acoustic ballad. I brought along my favorite vocal mic to use. It is a discontinued Shure RS25. I dig the response, proximity effect and tone that it gives my baritone voice. My Shure SM58 sounds flat and unresponsive in comparison. The down side was that the sound guy kept getting feedback between my RS25 and the monitor at my feet. The band was 2 acoustics, one electric guitar, piano, drums and bass. We don't play loud. Sound guy swapped my mic out for one that was less sensitive, sounded dull but didn't feedback. I didn't sound like 'me' in the monitor after that.

I want to get a new mic. Any suggestions? What is your personal favorite vocal mic?
How about a Shure Beta 58A or a Heil PR 35?
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  #21  
Old 02-21-2018, 12:16 PM
guitaniac guitaniac is offline
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I love the hyper cardiod Audix OM7 for my baritone voice. Its very good to a low voice in that the proximity effect isn't excessive and you get plenty of clarity with close miking. It also has extremely good feedback rejection.

The downsides are that 1) you need to be very close and on axis for softer passages to be heard, and 2) the mic's low gain design requires a lot of gain at the mixer (much more than a typical dynamic mic).

Here's a short clip where I'm using the mic with a song which has some very low pitches near the end.
https://youtu.be/SuohFqkeVbU


BTW, I've also owned and used the Audix OM5 which someone mentioned. I dislike that mic. To my ear, the presence peak is too harsh and the bass is weak since the bass rolloff starts way up around 120 Hz (to limit handling noise, so they say).

Last edited by guitaniac; 02-21-2018 at 12:34 PM.
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  #22  
Old 02-21-2018, 12:44 PM
Nama Ensou Nama Ensou is offline
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Originally Posted by Wags View Post
I've used lots of mics on stage over the years. I've got a 57, Beta 58, various others, but the Audio Technica AE3300 puts them all to shame.
Audio Technica AE-6100 has been my go to mic for years and I have a spare just in case anything should ever go wrong. One of the best dynamics around.

Quote:
Originally Posted by JWJ915 View Post
Sennheiser 945 or Heil PR35. Both awesome mics, IMO. I also have a Audix OM5 that, like mentioned above, handles loud stages very well. But sonically, I prefer the Senn or the Heil.
Heil PR35 has been my main gigging mic since early this last summer and I just bought a backup for it.
I also have several Sennheiser 845's which I use when I'm in Japan but the 945 I bought a couple years ago didn't pair as well with my voice as it does with others and I sold it to a friend who loves it.

Quote:
Originally Posted by StevenL View Post
The Heil PR35 is amazing on low-end. Perfect for a baritone. Very clear on top-end too, almost condenser like.
Yes, Heil PR35 is a very clear sounding mic that can take operatic whispers all the way up to belting rock singers. Only caveat is it requires a good degree of breath control, but the payoff is way worth it.
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  #23  
Old 02-21-2018, 12:46 PM
Nama Ensou Nama Ensou is offline
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Quote:
Originally Posted by SpruceTop View Post
...Heil PR 35?
Absolutely, Heil PR35.
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  #24  
Old 02-21-2018, 11:41 PM
guitaniac guitaniac is offline
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Quote:
Originally Posted by Nama Ensou View Post
Absolutely, Heil PR35.
This is a great sounding mic, from what I've heard. I'd love to have one for myself. Its certainly worth a try, but it may not end up being the best mic for the OP's particular circumstances. He's already observed that his own preferred mic has proven too "sensitive" in the context of a six piece band. He may end up needing a hypercardioid mic to isolate the vocal as much as possible on small stages where drums and amps are close at hand. Hypercardioid mics are more restrictive with respect to how they need to be used (close and on-axis), but they do provide more gain-before-feedback and better vocal isolation in circumstances where those factors are a priority.

To my way of thinking, this discussion of favorite vocal mics parallels our many pickup discussions where performance environments and personal tastes end up being the most relevant factors.
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  #25  
Old 02-22-2018, 04:04 AM
Nama Ensou Nama Ensou is offline
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Quote:
Originally Posted by guitaniac View Post
He may end up needing a hypercardioid mic to isolate the vocal as much as possible on small stages where drums and amps are close at hand. Hypercardioid mics are more restrictive with respect to how they need to be used (close and on-axis), but they do provide more gain-before-feedback and better vocal isolation in circumstances where those factors are a priority.
That's definitely part of why I like the highly under-rated Audio Technica AE-6100 and for a noisy setting, still my favorite mic.
Quiet setting or controlled stage = Heil PR35.
Loud stage with bleed-through problems = Audio Technica AE-6100.
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  #26  
Old 02-22-2018, 03:30 PM
Long Road Home Long Road Home is offline
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Another vote for the Sennheiser e935, which works much better than the e835 or Shure SM58 with my baritone range.
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