#1
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Bad practise method / wasting of recording time / but a great sounding guitar
It's been over a year since I changed the strings on my D-35, and coupled with a good bout of ~30% rel humidity, it's sounding great! So I figured I'd get a good recording of it to 'prove' how good it is right now. I picked a song that suits the strings (cowboy chords / first position) and practised it for a few days, then sat down to record.
It's amazing how much the 'pressure' of recording pushes me into making errors that I don't make when practising. Or perhaps it's that when I practise I don't notice the glaring missed notes / bad timing etc. 2 minute tune, 7 run throughs at performance speed straight after each other, mistakes in each one (that I noticed as I played but ignored), and I kept hoping the next playthrough would be better. What I really shoulda done is spotted the areas for improvement (little slide up to the E note, the middle G section (timing and strumming), D# pull off later on), quit after a couple tries, and done some slower practise of the poor sections. But the guitar really sounds great right now! Tom |
#2
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A dreadnought and a flatpick are good friends tonal wise and it sounds that way in the recordings. Congrats.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#3
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That sounded really good to me. I wouldn't have been able to guess at the age of the strings.
I record in a different area of my house (basement) than my daily practice spot (main floor office). That change of "venue" does affect my playing initially, so I have to sit and "practice" for 10 minutes or so before I turn the red light on.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#4
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Quote:
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I usually change strings as soon as they get dull, but I left these on as an experiment. Also, old strings don't usually hold their tuning, but these are doing just fine. I often practise in the same seat/location I record in, so I can normally jump right in (if I've put the work in beforehand, of course!) |
#5
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Go figure. ------------ PS - Thank you for not saying it impacts your playing! |
#6
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But the guitar really sounds great right now!
You bet it does, Tom!!!! Love your picking!!!
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1993 Bourgeois JOM 1967 Martin D12-20 2007 Vines Artisan 2014 Doerr Legacy 2013 Bamburg FSC- 2002 Flammang 000 12 fret 2000 McCollum Grand Auditorium ______________________________ Soundcloud Spotify |
#7
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You play really well, better 'n me! Your guitar sounds terrific; I think I will get out my D-35 and put new strings on, it's been even longer than yours, it is neglected lately.
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Bill |
#8
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Thanks! Yes - get it out and play it. I think mine's sounding great because I've been playing it an hour a day for the last month - but think of the poor other guitars that are feeling left out! |
#9
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Nice job on that, the sound was pretty full range and I did not hear either diminished treble or decreased sustain that I was expecting.
I have hands/oils that age strings faster, so my record is 3 months - but they don't sound as good as this!
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#10
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usually I have to ditch strings after 3 months too, often due to the fact they get worse at staying in tune. But this set keeps on going! Tom |
#11
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I hear no problem with any of that - I wish I could sound like that every time. Great stuff. I’m a guy who tends to leave strings on for quite awhile, too, and not for any logical reason - I just do. I don’t notice a lot of deteriorating until that one day when I play one chord and realize, “it’s time.”
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#12
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Wow! For older strings they still have a great sound!
(Good playing, by the way!) |