#16
|
|||
|
|||
Quote:
and sold it. Such a moron I am. But yeah, i loved that amp.... |
#17
|
|||
|
|||
Yes, we all make dumb moves sometimes..............so, get another one!!! The Reissues are very nice amps. The best of the Fender reissues IMO.
|
#18
|
|||
|
|||
True ... back in the mid-eighties, after a few years of marriage, I sold off all my electric instruments and equipment (I don't have the heart to rehearse the specific items). But, in the last 2 years, I have been able to re-acquire some good replacements ... so I'm not looking back (at least until I see threads like this)
__________________
-- Scriptor For some very simple demos of original music: https://soundcloud.com/rick-langdon -- Play on!! |
#19
|
|||
|
|||
Are there any new amps out there that could fill the Vibro
Champ void? Bugera? Blackstar? |
#20
|
|||
|
|||
I would much rather have a Princeton Reverb Reissue.
|
#21
|
|||
|
|||
Quote:
A. Pro level equipment built to last 100 years. B. So easily repaired which is the secret to them lasting 100 years, or as long as tubes are available. Before doing anything like that I would take a chance on a handwired replica from Ebay. Because again, anything they did wrong is soooooo easy to fix. Here's an example http://www.ebay.com/itm/5e3-Tweed-De...#ht_500wt_1305
__________________
I only play technologically cutting edge instruments. Parker Flys and National Resonators |
#22
|
|||
|
|||
Quote:
amps that have it. I'll keep an eye on some Princeton's, Vibro Champs or the like........... |
#23
|
|||
|
|||
Fender Blues Junior, Fender Pro Junior, Peavey Classic 30
__________________
Fingerstyle Guitar & One-Man Band www.SteveHungMusic.com Youtube, Facebook, Instagram, TikTok @SteveHungMusic http://stevehung.bandcamp.com |
#24
|
|||
|
|||
FWIW I use a Mesa Boogie Studio .22 Plus for recording. It ranges from super clean to some nice saturated over drive and a nice spring reverb. The tone/eq controls work very well and has the addition of a master volume to control the gain at lower volume and a presence control that enhances the highs. Great little amp that is good enough to gig with too. Also has an effects loop if you want to record with your time based effects like I do.
|
#25
|
|||
|
|||
Another vote here for a nice Princeton Reverb Amp; mine is an early '70s with a nice old Celestion G12M-70 in it.
|
#26
|
|||
|
|||
Quote:
__________________
1987 Takamine FP-360SC 1993 Flatiron 3MB mandolin 2010 KoAloha soprano ukulele http://www.youtube.com/user/buckyreed?feature=mhee |
#27
|
|||
|
|||
Check out Morgan PR12 or Tone King Metropolitan (the power scaling on the TK is awesome in addition to two channels and verb).
|
#28
|
|||
|
|||
Quote:
play music!
__________________
2014 Martin 00015M 2009 Martin 0015M 2008 Martin HD28 2007 Martin 000-18GE 2006 Taylor 712 2006 Fender Parlor GDP100 1978 Fender F65 1968 Gibson B25-12N Various Electrics |
#29
|
|||
|
|||
|
#30
|
|||
|
|||
1984 Fender Super Champ.
18 watts of pure tube bliss. Preamp tube: 7025 ((low-noise 12AX7) Power tube: 2 x 6V6GT Reverb driver: 12AT7 Phase Inverter: 6C10 Original two-button footswitch Speaker: 10" Eminence or EV Width: 17.25" Height: 14" Depth: 8.5" Weight: 28 lbs. Pricey these days but worth it, IMHO. Designed by Paul Rivera Sr. and Ed Jahns. Among the last of the point-to-point, hand-wired Fender amps.
__________________
Gibson J-45 Rosewood ~ Taylor 810 Lemon Grove ~ Martin HD-28V ------------------- Gibson Custom Shop Non-Reverse Firebird ~ Gretsch G6120 TM Chet Atkins + G6128 TSP Duo Jet ~ G&L ASAT Special Semi-Hollow ~ Yamaha SSC-500 ~ Rickenbacker 360/6 + 370/6 + 330/12 ~ Yamaha P-200 Digital Piano ------------------- "Play on, pick often, & prosper." |