#16
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Thanks, everyone, for the responses.
Silly Mustache, I've considered some official vocal lessons. You are probably right, in that I'd get the most bang for the buck there. I have been getting some advice from my guitar teacher, although his focus is on instrument rather than voice, he does have an understanding of what is involved. We started off on that tangent after learning the chords for "I Walk the Line," in part because of the modulation between keys. Then after working out the melody, I began trying to sing along with the melody. But I haven't tried singing along a scale run, as Wuchak suggested. My guitar teacher did suggest singing into a mic plugged into my phone's tuner. That does tell you a bit if you are near a note, but is almost too accurate as the reading fluctuates to quickly to be real useful. Any thoughts on a phone (or computer) widget that might be more useful. In the meantime, as I can't walk and chew gum at the same time, aI have been pulling up random tab that I have for songs where I sort of know how the vocal melody line goes, basically strumming 4 beats to a measure irregardless of if I'm playing the correct chord, and singing the songs vocal melody. It sounds as horrible as, well, it sounds. But it will help me get use to playing and singing at the same time. I hope. But, yeah, take some vocal lessons. Thanks TW |
#17
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Thanks. |
#18
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Or a zoom. Although most phones have a recording app for recording notes on that would suffice.
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#19
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"Militantly left-handed." Lefty Acoustics Martin 00-15M Taylor 320e Baritone Cheap Righty Classical (played upside down ala Elizabeth Cotten) |
#20
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Yeah, but he can sing too. I am screwed.
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#21
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I use this one to convince myself I actually can hear and reproduce a pitch. Hey, confidence is very important in singing.
https://trainer.thetamusic.com/en/co...-degrees-major With youtube, it's hit or miss. I watched some good, some bad, but they led me to research the basic concepts. I like this woman. She's exceedingly perky (I'm warning you) but she explains things well. https://www.youtube.com/watch?v=fZN_8kcu-q4 I'm pretty good at weeding out nonsense and there's just as much of that in vocal teaching online as there is on guitar, so buyer beware, but I was able to figure out how to shift from chest to head voice, some techniques for controlling tone, breathing properly, etc. It was also hugely helpful to watch videos and figure out what my range and voice type is so I can better choose songs that work for me. I also have played around with Melodyne quite a bit to see how far off I am in pitch. I can correct the pitch, listen to it corrected in my own voice, and then I can sing it back pretty easily. This way I can even figure out higher notes than I thought I could do fairly easily.
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"Militantly left-handed." Lefty Acoustics Martin 00-15M Taylor 320e Baritone Cheap Righty Classical (played upside down ala Elizabeth Cotten) |
#22
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I sing along fairly closely, but am generally a little bit sharp. That from my guitar teacher, Bob Crow, who sings when performing. No, I can't tune by ear, but can generally tell when I am out of tune, or when a string is off and can tune it by ear to the other strings. I can't just produce a "G" on demand, I need a note to try and match. I do know some good singers, but am not sure how well they could teach, so may have to see what Dusty Strings has... Thanks |
#23
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Even really good singers often need the note first. I don't know if this is an issue for you, but, for me, a big part of improving in the last few months was just finding enough information to realize that this is not magic. Good singers also can't sing outside their range, or pick notes out of thin air, or sing when they can't hear the accompaniment (lip syncing anyone). My own expectations of this magical ability were way off.
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"Militantly left-handed." Lefty Acoustics Martin 00-15M Taylor 320e Baritone Cheap Righty Classical (played upside down ala Elizabeth Cotten) |
#24
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Which version of Melodyne, which I gather is akin to Autotune. Sweretwater has them between $99 and $699. TW |
#25
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"Militantly left-handed." Lefty Acoustics Martin 00-15M Taylor 320e Baritone Cheap Righty Classical (played upside down ala Elizabeth Cotten) |
#26
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Yeah, I'm good at weeding through the learning guitar clips Ms. Harvey's looks like a good place to start. Thanks. |
#27
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#28
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That makes sense. The humming is helpful, too, though because you can hear the pitches from your guitar and match them before you try to do lyrics. Very helpful in staying in key later. And gives you a chance to perfect your timing before you start covering up any tempo mistakes with singing. Another thing I find helpful with this is becoming aware that much teaching on the internet shows a strumming pattern for the rhythm that seems to be taken from the idea of playing rhythm guitar with a band, where you would have the job of maintaining this one steady pattern. Imo, this does not sound good when playing solo and can sound pretty bad. Some people sound very robotic. If you're trying to do that, it is very difficult to sing with that. It's much easier and sounds better, to me, to relax and listen to what I'm playing, set the rhythm that works for my phrasing, add fills between lyric, etc. I'm still keeping a beat of course, but it's much easier than just a strumming pattern that may or may not really fit what I'm singing. Others should weigh in. This is just my view as a singer/songwriter.
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"Militantly left-handed." Lefty Acoustics Martin 00-15M Taylor 320e Baritone Cheap Righty Classical (played upside down ala Elizabeth Cotten) |
#29
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I do this for Bobby McGee. Key changes are hard.
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"Militantly left-handed." Lefty Acoustics Martin 00-15M Taylor 320e Baritone Cheap Righty Classical (played upside down ala Elizabeth Cotten) |
#30
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Thanks. Still a C-note. Looks like there is a 30-day demo, though. Thanks
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