#16
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Ditto on the Schertler stuff. I too play the Jam 150 and it works great with both guitar and vocals. When I need a big PA, the direct out works wonderfully and when I just need a little more uummph, I use a Mackie DLM12 on a stick.
I think it's the best sounding, easiest set up I have ever used in over 45 years of gigging. |
#17
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I'm really torn.. the Jam 150 is big enough for anything I foresee in a jazz or flat top setting. Still, the Jam 400 is really tempting. Doesn't cost a lot more. Will handle virtually anything I'm likely to throw at it. So much great gear.. so little time.
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Spook Southern Oregon |
#18
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If you want to one hand it into the club, the Jam 150 is the way to go, and you can always add an extension cab for bigger gigs. The Jam 400 is 46 lbs and would require two hands or a cart. That said, I love it
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#19
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http://s372.photobucket.com/user/don...?sort=3&page=1 I noticed he hasn't been very active on the forum lately (last post was over a year ago), but maybe he would respond to a PM with questions.
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1974 Martin D-28 (A gift for my 20th birthday from Mom and Dad) "Frankenstein" 1948 Gibson J-50 Body/1938 L-00 Neck 2008 Martin 000-18 Norman Blake 2006 Jubal Jumbo 2016 New Era Crooked Star Prairie State Jumbo 2016 New Era Crooked Star Senorita 2020 Iris Smeck 1972 Guild Killdeer F112-6 Part Deux Last edited by bayoubengal; 10-25-2013 at 05:42 PM. |
#20
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The problem with putting this unit on a pole is that all the controls are on top.
Steve
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Still crazy after all these years. |
#21
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Exactly. That is why I have left it alone! I guess if you dialed your sound in and didn't need any tweaking later you could could "run it up the pole" and be good to go.
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1974 Martin D-28 (A gift for my 20th birthday from Mom and Dad) "Frankenstein" 1948 Gibson J-50 Body/1938 L-00 Neck 2008 Martin 000-18 Norman Blake 2006 Jubal Jumbo 2016 New Era Crooked Star Prairie State Jumbo 2016 New Era Crooked Star Senorita 2020 Iris Smeck 1972 Guild Killdeer F112-6 Part Deux Last edited by bayoubengal; 10-25-2013 at 07:24 PM. |
#22
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And, then you've got to drag the pole to the gig with you and I was trying to minimize my load in I think you could make a small case that could hold all the rest of your gear (mics, cable's, etc) and then use that as a stand when you get all your stuff out. But even better, the Jam 400 wouldn't have to be up that high to get it to disperse a little better so I thought about having metal legs made, like pedal steel legs, you could screw them into machined metal inserts. And then carry them in a little pocket sewn into your padded case!
Last edited by rockabilly69; 10-25-2013 at 05:28 PM. |
#23
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Nice write-up indeed. I just purchased the same model, as my Jam 100, while having an incredible sound, no longer satisfies my needs for more channels.
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Fingerpicking Acoustic Blues/Rag/Folk/Slide Lessons https://www.tobywalkerslessons.com/ |
#24
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The people who did not want to work for Schertler started a new company called ACUS. Acus amps sound great but are a bit smaller so there is less bass and warmth. All those amps are made with discrete components and SICA italian made speakers (like the AER compact 60 for example. NB: for the SICA speaker not the discrete components). http://www.acus-sound.it/en see the logo in the Schertler group website, there is SR logo. http://www.schertler.com/fr_IT/home In France, most shops that used to sell SR-technology turned to ACUS rather than Schertler... Probably ACUS amp are cheaper (as the SR JAM150 was cheaper than the Schertler UNICO).
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Martin 00-18V Goldplus + internal mic (2003) Martin OM-28V + HFN + internal mic (1999) Eastman E6OM (2019) Trance Audio Amulet Yamaha FGX-412 (1998) Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ Last edited by Cuki79; 03-05-2017 at 02:44 PM. |
#25
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The only thing I should add to my original opinion of the JAM400 is that I don't like where they centered the non parametric EQs for the mids and lows, so I use a Empress Para EQ for the main guitar channel and having the extra ability to surgically correct and low/mid resonance problems had made the JAM400 the perfect gigger. Yes I know they have the resonance filter on channel 5 but that is not comparable the Para EQ. I also sourced the parts and modified the JAM 400 for pole mounting. Here's the thread that shows what I used... http://www.acousticguitarforum.com/f...d.php?t=317315 |
#26
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#27
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I've been using a Jam 400 for the same time period, it's still fantastic and still the best acoustic amp (of many) I've owned. Even the weight hasn't bummed me, still worth hauling for the lovely sound. A hand truck is a beautiful thing.
Last edited by stephenT; 03-05-2017 at 04:02 PM. |
#28
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Just checking in here and saw this thread. My opinion here is just that but different than the rest in this thread so here it is. I had a Jam 400 and used it for about six months until I decided that I did not like it and sold it on this forum. The only reason I didn't like it was the lack of highs to my taste. It has a horn instead of a tweeter and while that projects great, it lacks in high end treble tone, IMHO. Of course tone is totally subjective so forgive me if I step on toes. But I wanted to give this heads up to those reading this thread and thinking that the Jam400 is the ultimate combo amp. For some it is but not this picker. I now use two Shertler Unico's on poles.
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Martin D-28 '67 Cole Clark Fat Lady 2 Taylor Doyle Dykes Custom Alvarez Fender Strat '69 Gibson 1942 Banner LG-2 Vintage Sunburst Gibson SJ-200 Taylor Myrtlewood 12 string Emerald X20 Godin Montreal w/piezo |
#29
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It's a great amp. I highly recommend it.
Last edited by jacm81; 10-17-2018 at 06:03 AM. |
#30
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