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My String Changing ritual
I read the thread about string buying addiction - that's me, but so is my "ritual" for string changing -
I am quite sure that this will seem anal to some - don't care - but I thought I'd share - it might be useful for some. Most people seem to hate this process - but for me it is an aspect of owning fine instruments that I enjoy as much as playing them. I have a small workshop/utility room with a good solid wooden and well lit workbench with a carpet covered top. I like to keep a good stock of strings enough for at least two changes for each instrument and I keep them in an airtight plastic box. I keep a log of string changes for each guitar (I told you I was anal)! I have a tool box with all the tools I might need - - electric screwdriver, pliers, planet waves neck stand and winder/pincers,tuners , small screwdrivers, - steel dentist tools for recalcitrant strings, Stewmac action gauge, truss rod keys and my own preferred brand of wood care polish (designed for antiques - no silicone). My flat-tops get most use but I have....well more than one - I usually get two months out of a set. Dobro and 12 strings - three months, Mando,resonator, and Weissenborn - about four months Jazz guitars - maybe nine months (light use). My flat-tops and 12 strings are all slotted headstocks. With the radio switched to BBC Radio 4 (talk radio) and a beer, glass of wine or coffee - I'm all set. First I check the action and relief and make any adjustments and note any movement from the last time. I remove all the old strings and dispose of them. I wipe down the guitar body with a clean damp cloth and dry down. Using those plastic gloves that they give away at petrol stations I polish it with a cloth soaked in "Regency Gold" silicone free polish - expensive - but I only need one bottle about every ten years ! (Google it - they are in Wales). This stuff removes nasty stuff and I am careful to remove it all from finished woods and fretboard ensuring no moisture left on them- ESP. Fretboards !) I check any screws - tuners, electrics , internal cables etc. Then I restring - outside to in - 1st then 6th etc., carefully seating ball ends or loops and using some tape to hold them in place in the case of tailpieces etc. not to tension, put 'em all on wound correctly, then bring them to tune, cut ends, and re tune. I recheck the action height and relief making sure nothing nasty has happened. Final polish and there we have a happy clean bright instrument! (there has often been a second glass or cup involved). And on to the next instrument if necessary. Do you hate re-stringing ? Why not turn the process into an enjoyable little ritual (alcohol in moderation is optional). I just wish I could think of something useful to do with old strings ! |
#2
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That sounds like the best saturday morning ever!
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When things fall apart, make art! |
#3
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I have a similar ritual but alcohol in moderation is not optional.
Ed
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2017 Martin Custom OM-28, Adi/Cocobolo 2018 ARK New Era L-00, All Hog 2004 Martin Custom 0028-VS, Adi/EIR 2009 SCGC 1929 00-17, Hog/Hog 2006 Andrew White F Model, cedar/maple 2008 Andrew White E Model, Cedar/Zir 2013 Martin Ambertone 000-18GE 2011 Brentrup GC6, Adi/Oak 2012 Huss and Dalton OM, Sitka/Chechen 2013 Martin custom 0028, Adi/MR 2015 ARK New ERA, OM Adi.MR Turnstone TG, Oak, |
#4
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Quote:
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#5
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Nothing like a good relaxing string-change to get you focused.
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www.michaelwattsguitar.com Album Recording Diary Skype Lessons Luthier Stories YouTube iTunes Guitars by Jason Kostal, Strings by Elixir, Gefell Mics and a nail buffer. |
#6
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I always trim my strings, one-at-a-time as I put them on. I can't stand the look of wild, untrimmed strings. Quote:
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Jim
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1980 Guild D50 (Westerly), Antique Sunburst 2010 Epiphone Masterbilt AJ500RE 2010 Taylor GS Mini 2011 Taylor 814ce 2015 Taylor 356ce (12 string) 1975 Carlo Robelli SG Custom (Sam Ash model) Fishman Loudbox Mini VOX AGA70 Last edited by roadbiker; 04-18-2013 at 09:39 AM. |
#7
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Mine is similar yet different:
I use a hardwood desk and a towel for padding. I loosen and remove all old strings and dispose of them. Check for loose parts - tuning machines, etc. and adjust truss rod if needed (usually isn't). I clean the neck (with lemon oil-if needed-about once a year) and I clean the body with Planet Waves Shine Polish. I open new strings, fasten all to the bridge w/ pins, measure and clip then ends, then wind and tune. Stretch and re-tune once more. Repeat as necessary. -Alcohol, even in moderation is usually not an option because I'm such a lightweight, but coffee is. Getting "help" from my 3-year old who loves anything tool-related is usual and added "bonus" I hope he's that excited about using the lawnmower when he's old enough. My cat is usually around to chase any dangling string ends.
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---Rob Martin GPC 11E Guild CV-1 Gibson L-00 Studio Gretsch Jim Dandy Fishman Loudbox Mini Last edited by BluesyRob; 04-18-2013 at 10:13 AM. |
#8
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Oh yes, mine have lots of fun while I try and get the new strings on...
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Three Taylors Two Martins One Gibson |
#9
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I usually put a beach towel on the dining room table, throw on some Dub Reggae and crack open an IPA, but this sounds like it would work too.
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#10
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string change
Thanks for the wonderful description of your string changing method it was a great post.
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#11
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IPA?? Indian Pale Ale? Who makes it? I thought this was a Canadian thing!
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A couple of Halcyons and a Canadian made Larrivee "Wish I had more time to hear your reasons, but I have to go get a beer." 00-28 |
#12
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IPA was born when the British were first expanding to India. As we all know, the British are fond of their ale, so it was important to keep the troops in India happy with a supply of British Ale. Back then there was obviously no refrigeration, and thus no good way to transport the ale the great distance from Great Britain to India. Since hops are a natural preservative, they provided the solution. The brewers added extra hops to the ale as a preservative, and since hops also add bitterness and flavor to the beer, a side-effect was the creation of a new style of ale: India Pale Ale. Somewhat more bitter and flavorful than a standard ale. So there you have it. Now I think I'll crack open a Sweetwater IPA (but I'm not changing strings today)... Jim
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1980 Guild D50 (Westerly), Antique Sunburst 2010 Epiphone Masterbilt AJ500RE 2010 Taylor GS Mini 2011 Taylor 814ce 2015 Taylor 356ce (12 string) 1975 Carlo Robelli SG Custom (Sam Ash model) Fishman Loudbox Mini VOX AGA70 |
#13
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Hmm, I sit on the sofa with the guitar in my lap while I'm watching watching tv, two mindless activities at the same time. I hate changing strings, wish I had a guitar tech for that.
I do write down the name, weight and type of string I put on and the date. If I tried new strings, I'll write a comment next to the strings I'm taking off. Lately, however, I've settled in on Martin SPs, Phos Bronze for the rosewoods, 80/20s for the mahogany's. Makes it simple.
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Fred The secret to life is enjoying the passage of time. |
#14
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Me: Guitar on futon bed in spare room (plenty of padding)... Then get down and dirty. Snipped off one-at-a-time. No particular order. Sometimes all off at once. Sometimes a bare fretboard and wipe with microfibre cloth. Tune up and play. Generally do in the day time so no booze, otherwise Harveys Best if I've got a flagon from the Harveys shop, Arundel Ale or a German lager.
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Comfy '07 Stonebridge OMS-22-CM for enjoying; Thumpy '93 Seagull S6 for thwacking on; Mellifluous '66 S.Yairi for being nylon on. |
#15
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I have a simple ritual of put the guitar on a table where I can catch some news or recorded music at the same time. Right now I'm most worried about getting into an amp buying ritual.
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ƃuoɹʍ llɐ ʇno əɯɐɔ ʇɐɥʇ |