The Acoustic Guitar Forum

Go Back   The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > Electric Guitars

Reply
 
Thread Tools
  #31  
Old 02-08-2018, 06:44 AM
imwjl imwjl is offline
Registered User
 
Join Date: Feb 2007
Location: My mom's basement.
Posts: 8,702
Default

It’s splitting hairs stuff some might not even recognize and what’s deep, or dark or low might make more sense if you’ve also checked out or know a Deluxe or Twin.

I had DRRI and the PRRI sitting next to each other for a year and in that context the Princeton was darker. I checked out these Princeton variations next to each other in a nice showroom vs Guitar Center type noise where there was a Deluxe too. I felt they’re all variations of a same theme but a Deluxe has to get really loud to break up.

A good boost pedal is also a way to shape or get the tone you want. If you want a lot of clean Fender tone and some hair on the tone a boost pedal with good EQ options is worth it. A good boost pedal is nicer than I ever thought it would be. I fell for the Mesa that has a lot of tone adjustment and can take you a little beyond boost for some overdrive. Unlike an OD pedal or other boost I tried I can have the bass and treble just like bypass but fatten up single coil or get just a little break up. In retrospect I realized it gets me why some people choose a Deluxe or clean amp and others something that’s quick to distort.
If your tone must come from the amp, not an effect, you can also consider the Mesa Lonestar amps. They are love or hate but in reality sort of multiple amps and preamps in same box.

I’d say if you’re buying new delay gratification and try the two amps and then decide. If it can be in your budget try a Mesa Lonestar that’s like getting multiple amps and preamps in same box. If you find either of these reissue amps for a bargain hurry up and get it.

It’s also worth looking for a non-big box store. At Full Compass and Dave’s I could hear the amps without chaos in the background.
__________________
ƃuoɹʍ llɐ ʇno əɯɐɔ ʇɐɥʇ
Reply With Quote
  #32  
Old 02-08-2018, 08:05 AM
clintj clintj is offline
Registered User
 
Join Date: Oct 2012
Location: Idaho Falls, ID
Posts: 4,269
Default

Reduced negative feedback does a couple of things. It smooths the transition from clean to overdrive, with less of a sharp break. Think the tweed Deluxe and Vox AC30 - there's a broad range of edge-of-breakup tones to play with. It also lets breakup start a little sooner.

It also raises the noise floor of the amp slightly. It's only a couple of decibels, but if you're sensitive to it that might sway your decision.

It also makes the amp slightly less flat in frequency response, again by only a couple of decibels, but it's a side effect that exists.
__________________
"You don't have to be great to start, but you have to start to be great." -Zig Ziglar

Acoustics
2013 Guild F30 Standard
2012 Yamaha LL16
2007 Seagull S12
1991 Yairi DY 50

Electrics
Epiphone Les Paul Standard
Fender Am. Standard Telecaster
Gibson ES-335
Gibson Firebird
Reply With Quote
  #33  
Old 02-08-2018, 09:27 AM
GCWaters GCWaters is offline
Registered User
 
Join Date: Feb 2003
Location: North Dakota
Posts: 1,355
Default

Quote:
Originally Posted by imwjl View Post
It’s splitting hairs stuff some might not even recognize and what’s deep, or dark or low might make more sense if you’ve also checked out or know a Deluxe or Twin.

I had DRRI and the PRRI sitting next to each other for a year and in that context the Princeton was darker. I checked out these Princeton variations next to each other in a nice showroom vs Guitar Center type noise where there was a Deluxe too. I felt they’re all variations of a same theme but a Deluxe has to get really loud to break up.

A good boost pedal is also a way to shape or get the tone you want. If you want a lot of clean Fender tone and some hair on the tone a boost pedal with good EQ options is worth it. A good boost pedal is nicer than I ever thought it would be. I fell for the Mesa that has a lot of tone adjustment and can take you a little beyond boost for some overdrive. Unlike an OD pedal or other boost I tried I can have the bass and treble just like bypass but fatten up single coil or get just a little break up. In retrospect I realized it gets me why some people choose a Deluxe or clean amp and others something that’s quick to distort.
If your tone must come from the amp, not an effect, you can also consider the Mesa Lonestar amps. They are love or hate but in reality sort of multiple amps and preamps in same box.

I’d say if you’re buying new delay gratification and try the two amps and then decide. If it can be in your budget try a Mesa Lonestar that’s like getting multiple amps and preamps in same box. If you find either of these reissue amps for a bargain hurry up and get it.

It’s also worth looking for a non-big box store. At Full Compass and Dave’s I could hear the amps without chaos in the background.
Yeah, definitely planning to play both before I buy, and Dave's is my venue of choice but it's a weekend trip....the Mesa's out of my price range, but thanks for the info--and I'm definitely planning to add a good boost pedal...really intrigued by some of the new Greer pedals....
Reply With Quote
  #34  
Old 02-08-2018, 09:29 AM
Steve DeRosa Steve DeRosa is offline
Registered User
 
Join Date: Mar 2013
Location: Staten Island, NY - for now
Posts: 15,072
Default

Quote:
Originally Posted by muscmp View Post
If these were hand wired, they would cost about the same as the newish hand wired Deluxe head that Fender sells for $2500...
That's funny, they don't look newish...
__________________
"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool"
- Sicilian proverb (paraphrased)
Reply With Quote
  #35  
Old 02-08-2018, 11:23 AM
muscmp muscmp is offline
Registered User
 
Join Date: Jun 2008
Location: socal
Posts: 8,123
Default

Quote:
Originally Posted by Steve DeRosa View Post
That's funny, they don't look newish...
they do until the owner gets the tweed somehow dirty. altho if it were mine, it would never leave the room. you are correct tho, in that tweed is an old type of covering that is still wanted by many.

play music!
__________________

2014 Martin 00015M
2009 Martin 0015M
2008 Martin HD28
2007 Martin 000-18GE
2006 Taylor 712
2006 Fender Parlor GDP100
1978 Fender F65
1968 Gibson B25-12N
Various Electrics
Reply With Quote
  #36  
Old 02-09-2018, 12:53 PM
Bob Womack's Avatar
Bob Womack Bob Womack is offline
Guitar Gourmet
 
Join Date: Dec 2000
Location: Between Clever and Stupid
Posts: 27,080
Default



If you've been following this thread, you can read my review, HERE.

Bob
__________________
"It is said, 'Go not to the elves for counsel for they will say both no and yes.' "
Frodo Baggins to Gildor Inglorion, The Fellowship of the Ring

THE MUSICIAN'S ROOM (my website)
Reply With Quote
  #37  
Old 02-09-2018, 02:45 PM
GCWaters GCWaters is offline
Registered User
 
Join Date: Feb 2003
Location: North Dakota
Posts: 1,355
Default

Quote:
Originally Posted by Bob Womack View Post


If you've been following this thread, you can read my review, HERE.

Bob
Thanks, Bob--great review, and great audio/video clip!
Reply With Quote
Reply

  The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > Electric Guitars






All times are GMT -6. The time now is 06:43 PM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
Copyright ©2000 - 2022, The Acoustic Guitar Forum
vB Ad Management by =RedTyger=