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Used Studio Monitors - Good Idea?
I am slowly putting together a fun little music area in our home's bonus room. It will not be a proper recording studio, though I will be doing some recording there. Already have, in fact, using my custom 1964 Ears in-ear monitors. Eventually, I would like to add a pair of powered studio monitor speakers, perhaps something in the 6" range. I'm always looking for can't-pass-up deals, but almost never see one for studio monitors. I'm a bit leery of eBay, so have been watching our Classifieds occasionally, and even did a little searching. Used monitors are rarely offered. Why is this? Is it because people prefer to buy their own, and keep them forever after? Is it because shipping might be prohibitive? Or is it because buying used studio monitors, without knowing how they have been used/abused is a bad idea?
And while we're talking, is there a "sweet spot" 6" powered monitor that you'd recommend? (I say 6" because it's combination of small footprint, relatively low price, and stronger low end than smaller speakers; 38Hz-35kHz advertised for the KRK Rokit 6, for instance.) cotten |
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I would imagine the size and cost of shipping is prohibitive for value priced monitors. My main criteria for monitors is how they sound for the acoustic guitar, and the sweet spot I've found for that is 5". I've been using Equitor D5's for about 2 years now and have been very satisfied. I tried some 7" monitor in roughly the same price range, maybe 25% less, and was not at all satisfied with the bass. It wasn't an level issue but the larger speaker just didn't have the clarity I like.
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Chuck 2012 Carruth 12-fret 000 in Pernambuco and Adi 2010 Poling Sierra in Cuban Mahogany and Lutz 2015 Posch 13-fret 00 in Indian Rosewood and Adi |
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Yeah, studio monitors don't come up often in these parts either. When they do, you want to be certain that some "dweeb" didn't use them as a P/A, and crank the snot out of them. You might also want to look for something that has a transferable warranty. When you're assessing a "sweet spot", you really need a reference-point from which to base your assessment. Size alone, is not necessarily a good indication of how a speaker will perform. A lot of low-budget monitors, tend to have artificially boosted low-end,,,, simply because that "sells" speakers in the eyes of many. I wouldn't put much faith in specs, because at the consumer-level, the specs are essentially meaningless. When they quote a "frequency response" for example, you have ZERO indication of whether they're quoting the frequency response of one of the raw drivers,,,, or the fully assembled speaker, nor the manner in which the speaker was tested (amplitude,,, measured in full-space,,, 1/2 space,,,, 1/4 space, etc.) Unless it's specifically stated, you really can't assume anything at this level. If you want to generalize, then yeah, a 6" monitor within the same model range, will generally have more low-end than their same-series 4" version, but,,,, how accurate is it? That's where you need that reference-point, in order to make a "sound" judgement. (pardon the pun). As a reference-point, I'd recommend you at least give a listen to a pair of Klien & Hummel 0 300's, or 0 310's. I believe they may have been bought out by Neumann, so substitute Neumann instead of Klien & Hummel when doing your search. Once you've heard those, it'll put everything else into proper perspective. It's worth the effort, believe me. That said, you'll find that almost everything else is a compromise, and it then becomes a question of how much compromise is acceptable to you. And with that said, within the "affordable" monitor market, I've talked to a few guys who have bought Yorkvilles' studio monitors, and been totally happy with them. The Yorkie stuff is generally very well built, and generally bullet-proof, with good customer support. If you blow a driver for example, you'd have no problems getting replacement parts for virtually any of their speakers, regardless of age. Here's a few links; http://www.soundonsound.com/sos/oct1...man-kh310a.htm https://www.recordingmag.com/product...014/01/84.html http://www.soundonsound.com/sos/oct1...man-kh310a.htm Yorkie monitors; http://yorkville.com/studio_monitors/ysm_series/ Last edited by Bobby1note; 03-28-2016 at 01:00 PM. |
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I've had several different near field monitors over the years for studio use for solo fingerstyle guitar. Chuck is right, a 5" woofer is adequate for just an acoustic guitar (and voice), although that size can be a bit light when tuning string 6 down to C. I current use two different two-way pairs, one active set with a 6.5" woofer and one passive set with an 8" woofer. Both sets are ported. I have a third set (3-way passive) with an 8" woofer, 5" mid and 1.5" tweeter, but they are just too much speaker for the treated room I'm in (16' x 12' x 8').
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A lot of people don't like the harshness of those KRKs, and some don't like the accented mids. But everyone has different hearing, too.
What's your budget? I'm using JBL LSR305 monitors, which are often on sale for around $240/pair. Low end is somewhere around 45Hz on them, I believe. Only drawback is that they have rear-firing bass ports, so for accurate sound, you need to have some bass trapping behind them (and keep them out of corners).
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
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cotton: i just checked my local craigslist and found 4 pairs of decent monitors including the krk rockit, so you may want to keep an eye on CL. i also checked reverb.com and they had quite a few there. also keep an eye on musician's friend for their stupid deal of the day. they now and then have monitors on sale for a good price.
i would only buy used monitors if the seller has them hooked up so that you can listen and operate any and all controls. if it has a grill cloth, make sure to take it off to inspect the speakers. you may first want to go to your big box store(s) and listen to a few first so that you get an idea of what you really need. leave your wallet at home. ha! i have the event speakers made near me in santa barbara and i really like them. i've also had jbl and have heard adam. both are highly regarded. i would expect bob womack and kevwind to pop in here and give you some sage advice too. here is a google search that may give you a few choices to try out. https://www.google.com/search?q=moni...utf-8&oe=utf-8
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2014 Martin 00015M 2009 Martin 0015M 2008 Martin HD28 2007 Martin 000-18GE 2006 Taylor 712 2006 Fender Parlor GDP100 1978 Fender F65 1968 Gibson B25-12N Various Electrics |
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Sent from my SM-G920V using Tapatalk
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"You don't have to be great to start, but you have to start to be great." -Zig Ziglar Acoustics 2013 Guild F30 Standard 2012 Yamaha LL16 2007 Seagull S12 1991 Yairi DY 50 Electrics Epiphone Les Paul Standard Fender Am. Standard Telecaster Gibson ES-335 Gibson Firebird |
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Thanks, everyone! I knew I could count on AGF friends for both wisdom and resources. I look forward to exploring those links! Because I'm just starting in this and I'm not certain if I'll catch the recording bug, I really don't have a budget. Less expensive would be better than more expensive, but I don't want to buy junk that I'll be looking to replace in a few months. Ideally, I'll want something that will allow me to add my 5-string Carvin bass to the mix. Not sure I want to pay even $500 for a pair PreSonus E8s, JBL LSR308s, M-Audio BX8s, etc., unless I really have to. That's why I asked about the wisdom of buying used monitors.
Eventually, I'll be asking about used mics, but then I see a wide variety of them in our Classifieds - almost no monitors! (I have access to a few mics that I could borrow for a quick project beyond what I have now, so that's not as immediate need.) cotten |
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When I'm practicing my (4 string) bass, I'll often just plug into my interface and use my 5" JBLs, but I have to keep the volume down, as they don't sound good pushed for such use. In a mix, there's no problem with the bass low end.
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
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Used Studio Monitors - Good Idea?
Thanks, Mike, I needed to know that.
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I use Tannoy Reveals and find them very musical.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
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Spend the extra 100 bucks and get the Yamaha HS 7's and be done with it. You won't regret it.
Ray |
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Thanks again, my friends. Good suggestions here. The answer to my original question is basically no, used studio monitors are not a good idea unless 1. you know how they were used (and not abused), and 2. shipping is not going to be prohibitive. Further, I learned that I should probably wait a while on monitors, so that I can pay a bit more for higher quality. Thanks, and rats!
cotten |
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My experience shopping for used studio monitors was... The price people were asking was real close to new price.
Someone here pointed me to a sale and I got a pair of new JBL305's for $199. Buy new and enjoy the confidence. Last edited by chitz; 04-02-2016 at 07:30 AM. |