#31
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Quote:
"In the equivalent of a blind taste test, 10 "renowned" violinists tended to prefer new violins over Stradivarius violins after playing them without being able to see them, a new study has found. "No matter how results are tallied, it is clear that, among these players and these instruments, there is an overall preference for the new," said the study that will be published this week in the Proceedings of the National Academy of Sciences." |
#32
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Quote:
Read MY posts again. I said "it's not JUST about preference." There are 2 aspects to the study. Preference and identification. Yes..they preferred the "new" violins. That's subjective. Not particularly scientific. The other part is that they were UNABLE TO IDENTIFY THE STRADIVARI violins. "The violinists were also unable to tell whether an instrument was new or antique by playing it, even though seven of them regularly play antique violins." Notice that quote doesn't say anything about preference. 2 parts to the study. One is preference. One is identification. They failed to identify the violins. That has nothing to do with preference.
__________________
侘 寂 -- wabi-sabi -- acceptance of transience and imperfection by finding beauty in that which is imperfect, impermanent, and incomplete |
#33
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IMHO to identify a Stradivarius you must be a Stradivarius player...and again IMHO when these people preferred new violins how you would expect the to be able to identify a Stradivarius.
Anyway , this is just a theoretical argument. |
#34
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The study failed to mention the new violins were Zagerized....
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#35
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Quote:
If you have to be a regular player of a Stradivari to identify one...then I'd argue they're not particularly different from any other modern violins. Which makes one wonder why they're so revered if only a handful of players (those that play Stradivari instruments) are capable of hearing any difference between them and other guitars. Usually an instrument that is so "great" should be immediately recognizable by a general audience. At least to be worth $45,000,000 you'd think it would be at least a LITTLE bit better than the others. Very similar to when it was discovered that Tony Rice recorded Manzanita with an Ovation.
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侘 寂 -- wabi-sabi -- acceptance of transience and imperfection by finding beauty in that which is imperfect, impermanent, and incomplete |
#36
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They're old . . . they survived . . . and they're RARE.
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#37
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The value of an instrument as an instrument is different from its value in the market.
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#38
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So are lots of things from that period. There are harpsichords, clarinets, violins, lutes, etc. that have survived. Those instruments don't carry the reverence that Stradivari instruments do. And they're not studied in insane detail to try to determine "what makes them so great"...
There is some amount of acceptance that the Stradivari's sound "better" to the point of having books and papers dedicated to the study. At the end of the day, it's been shown over and over that "experts" can't pick a Stradivari out of a lineup.
__________________
侘 寂 -- wabi-sabi -- acceptance of transience and imperfection by finding beauty in that which is imperfect, impermanent, and incomplete |
#39
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Exactly.....
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#40
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There was a better link in the "Science says..." thread. But since no one replied to that one....
http://news.sciencemag.org/brain-beh...modern-fiddles Note: One of the testers played a Stradivarius for 6 years and still couldn't pick 'em out of the lineup.... |
#41
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Not surprised...
__________________
侘 寂 -- wabi-sabi -- acceptance of transience and imperfection by finding beauty in that which is imperfect, impermanent, and incomplete |
#42
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There are three videos of Torres guitars from late 19th century. Made in different years , different players play them , different sound.
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#43
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Quote:
I'd think if Stradivari and Torres had such superior instruments that they'd be easily and readily identifiable. These studies seem to prove otherwise.
__________________
侘 寂 -- wabi-sabi -- acceptance of transience and imperfection by finding beauty in that which is imperfect, impermanent, and incomplete |
#44
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Welp...
I put my Stradivarius on CL after reading this post. I was offered $50.00 and I jumped on it! Only lost about $5MM on this investment... |
#45
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Quote:
Its like the paintings of Picasso or Pollock. |