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Dmitry Nilov|CREATIVE WORKSHOP "CLASSICS OF SOUND"
Classical guitar playing technique. Tremolo. Dmitry Nilov.
http://www.youtube.com/watch?v=H4wR6tBhYqM Classical positioning of the right hand. Dmitry Nilov (Part I) http://www.youtube.com/watch?v=9nw7p_8TLSo Classical guitar lessons. Aspects of playing passages (part I). Dmitry Nilov http://www.youtube.com/watch?v=0cAUKmcNZHQ Classical guitar lessons. Dmitry Nilov. Arpeggio. Tactile contact http://www.youtube.com/watch?v=ruSPNUBIDFQ Dmitry Nilov's Consultations. Overview. Creative Workshop “Classics of Sound DN” http://www.youtube.com/watch?v=pDPvhm-qerk Dmitry Nilov Classical Guitar http://dmitrinilov.com/ Creative Workshop «Classics of Sound»DN http://classicsofsound.com/ DN Home Studio (c) Please subscribe to this YouTube channel: http://www.youtube.com/channel/UCh9ws6owcbxtd0wMrxINMcw http://www.youtube.com/channel/UC-Gvac7mdYU18XL1HACyMuw Last edited by Sound DN; 07-22-2016 at 08:04 AM. |
#2
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Classical positioning of the right hand. Dmitry Nilov (Part II)
Classical positioning of the right hand. Dmitry Nilov (Part II)
https://www.youtube.com/watch?v=_XKWDQnsYGE Today a term "modern technique of sound" frequently appears and is perceived by the overwhelming majority of pedagogues as the most promising. Dmitry Nilov doesn't regard the performing technique of F. Tarrega, M. Llobet, A. Barrios, E. Pujol, A. Segovia, I. Presti and A. Lagoya, J. Williams, Romero family, C. Parkening and other prominent artists of the XX-XXI centuries as the past of the guitar art. In his opinion it is a classical or basic one, musicians can and should use it as a point of support in their performing quest and it would be wrong to neglect it. For Dmitry it's a model which he follows, relevance and prospects of which he substantiates briefly in this clip, at the same time not disclaiming the right of musicians to look for new techniques to discover all possibilities of the instrument. Last edited by Sound DN; 07-22-2016 at 08:06 AM. |
#3
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Agustín Barrios Mangoré. El Ultimo Tremolo. Dmitry Nilov
DN Home Studio (c) Last edited by Kerbie; 02-12-2022 at 04:42 AM. Reason: Prohibited by rules |
#4
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Fingernail shape, length, polishing and care for guitarists. Dmitry Nilov.
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#5
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your playing and tone is superb! bravo!
thanks for sharing your videos- i really enjoyed them and learned a lot. |
#6
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Thanks a lot for your appreciation! New clips will be recorded soon. Your questions and suggestions are welcome. Follow the updates on my Youtube channel.
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#7
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Beatiful playing -a joy to listen to. Thank you!
__________________
adultguitarjourney.blogspot.com Taylor 712, a couple of nice classicals |
#8
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G.Frescobaldi | Air with variations (Aria Detta La Frescobalda) | Dmitry Nilov (Live*)|
Live* - this concert was recorded simulteniousely on the camera's integral microphoneво and the MD-recorder. Here the MD's record is used. Full version of the concert «Concert in France. Dmitry Nilov. 2003. Cathedral».(Live*): Live* - Here camera's integral microphone's record is used. |
#9
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Dmitry Nilov plays Introduction and Variations on a Theme by Mozart by Fernando Sor
Dmitry Nilov plays Introduction and Variations on a Theme by Mozart by Fernando Sor
This concert was recorded simulteniousely on the camera's integral microphone and the MD-recorder. Here the MD's record is used. Full version of the concert: https://www.youtube.com/watch?v=Huiji... |
#10
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your playing is brilliant. bravo!
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#11
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Quote:
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#12
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Augustine Barrios|The Cathedral|Dmitry Nilov (Live*)| Сlassical Guitar|
This concert was recorded simulteniousely on the camera's integral microphone and the MD-recorder. Here the MD's record is used. Full version of the concert: 46.35 - Augustine Barrios. The Cathedral (Prelude Andante Allegro) |
#13
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Dmitry Nilov|Suite A minor in the style of S.L.Weiss by M.Ponce (Live)
Dmitry Nilov| Suite A minor in the style of S.L.Weiss by M.Ponce (Live)
This concert was recorded simulteniousely on the camera's integral microphone and the MD-recorder. Here the MD's record is used. Full version of the concert: https://www.youtube.com/watch?v=Huiji.. |
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Exercises/Left Hand/Independence of fingers/Part 1
Dmitry Nilov/Exercises/Left Hand/Independence of fingers/Part 1
Improvement of the independence of the left hand's fingers is the main stage in the establishing of the performing technique. The aim is the development of the activity's freedom of each left hand's finger, the dynamic and precision of its movements. This clip demonstrates only one example of the most effective exercises |
#15
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Exercises/Left Hand/Independence of fingers/Part 2
Exercises/Left Hand/Independence of fingers/Part 2
Descending and ascending legato Improvement of the independence of the left hand's fingers is the main stage in the establishing of the performing technique. The aim is the development of the activity's freedom of each left hand's finger, the dynamic and precision of its movements. The right's hand activity is also a very important aspect. We use all combinations of the fingers' pairs in this exercise, paying attention to the timber and dynamic evenness. The fingers' position against strings should not change. |