#16
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#17
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#18
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I've only heard the K47. If you have also heard that can you give me a comparison to the 67? If not, how would you describe the 67? |
#19
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the k67x doesn't have the mid-bump that the k47 has. It's smoother. The x in the name denotes a transformer based output, so that adds some harmonic coloration. At the studio we have a pair each of the k47x & k67x. They are remarkably close, except for the k47x being a bit more mid forward. I tend to prefer the k67x when I use them because it feels a little smoother, with a little more air on the top.
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-Steve 1927 Martin 00-21 1986 Fender Strat 1987 Ibanez RG560 1988 Fender Fretless J Bass 1991 Washburn HB-35s 1995 Taylor 812ce 1996 Taylor 510c (custom) 1996 Taylor 422-R (Limited Edition) 1997 Taylor 810-WMB (Limited Edition) 1998 Taylor 912c (Custom) 2019 Fender Tele |
#20
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#21
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Don't buy the Solo unless you are really down to the last penny. One input is too limiting considering the small savings.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#22
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Glad someone jumped in with the less-expensive condenser recommendation. The pop filter & shock mount are good to have and they throw in a cable, also needed.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#23
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This makes a ton of sense. Thanks
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#24
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Thank you!
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#25
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I'd second this. Eventually you'll want a second mic to record in stereo, or record two things at once, and you don't want to have to get a new interface too. The $50 extra is well worth it IMO.
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