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  #1  
Old 01-25-2015, 09:23 PM
larryb larryb is offline
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Default Double stops

Does anyone know of any good books or drills for mastering double stops (especially 6ths) on various string combinations (1st and 3rd, 2nd and 4th...) and drills on how to use them in different settings?
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Old 01-25-2015, 09:48 PM
Davis Webb Davis Webb is offline
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https://www.youtube.com/watch?v=4NBXVhW1kHY

https://www.youtube.com/watch?v=hZvLUAvnhYM

https://www.youtube.com/watch?v=uDSlXd78wCE

Should get you started....

Enjoy!
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Old 01-25-2015, 09:59 PM
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rick-slo rick-slo is offline
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Insanely good guitarist Scotty Anderson and some tips on what he does:
https://www.youtube.com/watch?v=3bcTju0HfD8
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Old 01-26-2015, 12:28 AM
Davis Webb Davis Webb is offline
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Hybrid picking is the darndest hard thing I ever tried to do on guitar. I can keep up with any country groove and hit it consistently, but those double stop 6ths and pedal steel bends, they are hard! Still working on them, frustrating as all heck. Thanks for the Scotty Anderson link too~!
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Old 01-26-2015, 03:56 AM
stanron stanron is offline
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To do double stops it helps to know what I call 'vertical' scales. That is scales up and down the strings as opposed to scales across the neck.

The formula for a major scale is T T S T T T S T where T = tone and S= semi tone.

In America I believe this is W W H W W W H where W is whole and H = half.

In terms of frets T and W = 2 frets and S and H = 1 fret.

So in frets it is 2 2 1 2 2 2 1.


So in C, C to D is 2 frets, D to E is 2 frets, E to F is 1, F to G is 2, G to A is 2, A to B is 2 and B to C is 1.

It might seem complicated to transfer this to two adjacent or not adjacent strings but in practice it falls to just two shapes for any one scale.

Code:
The first two strings in the key of C. These two strings are a fourth apart.

┌─0──1──3──5──7──8───10──12──╖
├─1──3──5──6──8──10──12──13──╢
├────────────────────────────╢
├────────────────────────────╢
├────────────────────────────╢
└────────────────────────────╜


Strings two and three in the key of G. These two strings are a third apart.

┌───────────────────────────╖
├─0──1──3──5──7──8──10──12──╢
├─0──2──4──5──7──9──11──12──╢
├───────────────────────────╢
├───────────────────────────╢
└───────────────────────────╜



This is the scale of E on first and third strings. These two strings are a sixth apart.

┌─0──2──4──5──7──9──11──12──╖
├───────────────────────────╢
├─1──2──4──6──8──9──11──13──╢
├───────────────────────────╢
├───────────────────────────╢
└───────────────────────────╜
There are plenty of other string combinations you can use. Experiment.
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Old 01-27-2015, 04:26 AM
Pitar Pitar is offline
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Quote:
Originally Posted by rick-slo View Post
Insanely good guitarist Scotty Anderson and some tips on what he does:
https://www.youtube.com/watch?v=3bcTju0HfD8
That was fun to watch. Thanks for putting it up.
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Old 01-27-2015, 11:43 AM
Pualee Pualee is offline
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Quote:
Originally Posted by rick-slo View Post
Insanely good guitarist Scotty Anderson and some tips on what he does:
https://www.youtube.com/watch?v=3bcTju0HfD8
That made me want to practice...

Watching 10 minutes of that (the talking part) made a lot of things 'click' for me (I have been studying some boring stuff, and that tied it together). I've been learning a lot of voicings and intervals in multiple positions, but not really sure how to use it.

I don't have the speed (probably never will) but I can see how to invent double stops now... maybe even throw them into a phrase here and there. But it is amazing to watch those guys who can run from start to finish without ever losing their place or catching their breath.
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Old 01-27-2015, 07:53 PM
jseth jseth is offline
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I agree wholeheartedly with stanron's reply above... learn the major scale with both thirds and sixths; they are quite useful, and once you start messing with them, you will hear them in a lot of rock/country/blues/folk music.

Also, begin to listen for them in songs; once you know the do-re-mi scale with them, you can more easily "suss" out how they are being used.

As with all devices and techniques, I start out figuring out how someone else did them and used them, and then quickly I begin to experiment with my own patterns and feel for that sound.
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