#16
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Slightly more detailed transient response on the small diameter mikes but pretty similar sound overall on this particular piece and recording.
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#17
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Quote:
On the other hand, most people listen to music these days on earbuds, headphones and relatively cheap speaker systems (and they always have) where details and differences in transient and high end frequency response are not reproduced. NS10s, which were used for decades by top recording and mixing engineers were not at all in the same ball park as high end monitors these days. I'm not trying to argue that using good quality mics, mic pres and monitors are irrelevant. I just believe that for people who are relatively new to this stuff, it's more important to stress the need for room treatment, for example, and other factors (in the case of ac. guitars, picks, strings, the player's skill and the guitar itself) that can more significantly affect the quality of a recording. I've heard some horribly played stuff where people are talking about what mic might best be used. It's a matter of perspective, I suppose. |
#18
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I can totally hear a difference. There is more bass in the large diaphragm recording, for sure. The 2 SE8s sound much crisper, less bassy. More detail on the SE8s.
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#19
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On my studio system HP and speakers
First what I hear is a slight difference in levels the SDC are just a tad louder and that can sometimes skew the A/B a bit Beyond that it is close enough that either works I do however think overall the SDC are a bit sharper sounding and the LDC a bit mellower . Now call it what you will, more detail or more balanced, crisper or lush ----either sound works pretty well .
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#20
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The room & its response is a huge part of any playback system, so we agree there. Though, I’ve seen (& heard) people really mess up a room with too much (or the wrong) treatment. And just a note on the NS10s (which I used extensively in the ‘90s). They were typically secondary monitors used to check playback translation. Everyone i know who used them also had much better speakers they primarily used, checking on the NS10s briefly throughout the mix process. The myth of their usefulness seems to grow as time moves on. I know several engineers who refuse to use them at all (guys with credentials we’d all recognize). In fact, a friend of mine told me he’d make the assistant physically unplug them when he saw them in any studio so he didn’t accidentally have to hear them. [emoji1787]
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#21
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I like the sound of the SE8s better on this particular example. More air and a little more open sounding. It's not a knock me over difference, but it's certainly readily apparent when listening for a difference with my system.
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#22
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Yeah, I never got why anyone would use them. They were horrible, although evidently useful for some.
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