#16
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"It don't mean a thing if it ain't got that swing"
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La Patrie Concert Lakewood M-1 (2003) Recording King R0S-06 000 Blueridge BR-142 Recording King R0-T16 Alvarez AP66SHB |
#17
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clave tough!
O.K.
Thanks for every ones replies on MY music and this ISSUE (now I understand; I have seen the light!). I appreciated Jonpr (and everyone's) response regarding timing and tempo. So here is my take away on it ALL (for now): Timing [might] be everything (Or maybe precision is the right word?) The right note at the wrong time is..wrong The wrong note at the right time is...color Rhythm comes in many forms Clave -- got it! -- is what I don't got! Read into this Wiki if you want: https://en.wikipedia.org/wiki/Clave_(rhythm) I ain't got none of that, but that is what attracted my attention listening to (whomever it was at the Greek place). I also got that Santana has been able to 'capture' it. Rhythm WILL get you through periods of 'quiet melody time' (oh man, as a soloist, I hate that lack of background noise sometimes) Great melody HAS rhythm (groove) My music is NOT dance music, it is LISTENING music, and, uh, I need to work on my timing a bit Thanks D |
#18
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Ha, someone should use this as their sig. it’s hilarious, it’s true, and it’s JAZZ.
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#19
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OK, fine! Now I hafta start paying more attention to counting when practicing. Thanks a lot! LOL
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Carol "We are music fingered by the gods." ~ Mark Nepo |
#20
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Quote:
"No such thing as a wrong note, only a wrong time to play it." "If you play a wrong note, play it again so people think you meant it." "For any wrong, the right one is a half-step away." "Do not fear mistakes; there are none." (Miles Davis)
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#21
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Quote:
In Cuban music, it's the foundation of the tunes (often hidden beneath everything else) while in rock music the principle gets turned in riffs, often the basis of whole songs. Here's some examples from rock history: https://www.youtube.com/watch?v=lJj22Z006ec - that one has the off-beat bar first, a variant of the Cuban 3-2. Aka "shave and a haircut - two bits." The rock ones tend to go the other way, on-beat bar first: https://www.youtube.com/watch?v=zUwEIt9ez7M https://www.youtube.com/watch?v=59K2kF6o9Tk https://www.youtube.com/watch?v=rY0WxgSXdEE here's a rare "swing clave": https://www.youtube.com/watch?v=zSAJ0l4OBHM
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#22
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Great question. and always one that gets good response.
I am in the rhythm rules camp. You gotta have rhythm for the melody to work. My 2 cents..... |
#23
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From my understanding, it was Africa that brought groove to western music.
First I must say you're a much more established player than I, so I'm certainly not trying to put you down here, but I will admit that I don't feel any groove in your songs - trying to tap along was a task of frustration. However, I guess that is fine if you aren't looking to make people dance. And as others said, as easy listening it is perfectly fine, and quite lovely might I add. For me though, I find music with a strong groove to be a much more satisfying listening experience. And that doesn't mean it needs a "beat". It could be solo guitar, but you can still feel the underlying rhythmic groove. Without it I find it difficult to connect emotionally with the song. I have to agree with Dizzy Gillespie, when I started to think of music as rhythm with notes put to it, my playing really improved quite rapidly. But changing to that mindset, when I originally thought of notes first rhythm second, was a long, and still on-going process (breaking years of habit is hard, who'd of thought!). Last edited by s0cks; 11-14-2017 at 08:09 PM. |
#24
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Quote:
To quote Beethoven "To play a wrong note is inconsequential. To play without feeling is inexcusable!"
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-Steve 1927 Martin 00-21 1986 Fender Strat 1987 Ibanez RG560 1988 Fender Fretless J Bass 1991 Washburn HB-35s 1995 Taylor 812ce 1996 Taylor 510c (custom) 1996 Taylor 422-R (Limited Edition) 1997 Taylor 810-WMB (Limited Edition) 1998 Taylor 912c (Custom) 2019 Fender Tele |
#25
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I've always looked at it per song. Some rely more one melody and others more on rhythm. And of coarse some are more balanced then others. As a guitarist that focuses on playing guitar without singing a song with a weak melody is boring.
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Waterloo WL-S, K & K mini Waterloo WL-S Deluxe, K & K mini Iris OG, 12 fret, slot head, K & K mini Follow The Yellow Brick Road |
#26
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Harmony Sovereign H-1203 "You're making the wrong mistakes." ...T. Monk Theory is the post mortem of Music. |
#27
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Howard Roberts would do this thing in classes/clinics where he'd play the "wrong" notes over a tune, but play them with solid, interesting rhythm and with confidence. And it would sound good.
I need both in my music. As for the OP, I couldn't help but smile that being in a Greek restaurant made you think of a German guy playing Spanish music |
#28
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Suggesting that each note in a melody has a time duration and that in itself makes rhythm the answer to the OP question
begs and undermines the question. Also a "wrong" note may be over looked or in some way dealt with, but more important is how good the right notes are.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#29
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Jimi Hendrix's best talent was his rhythm. Think about it the next time you listen to some of his live stuff.
The single best thing you can do to make a band sound better is to get a better drummer.
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Waterloo WL-S, K & K mini Waterloo WL-S Deluxe, K & K mini Iris OG, 12 fret, slot head, K & K mini Follow The Yellow Brick Road |
#30
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You can have rhythm without melody, but you cannot have melody without rhythm.
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