#16
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Just about every acoustic artist I can think of, presuming they are singing in English, is perfectly comprehensible to me. I think that "Mystery Lyrics" and their great comical cousins "Misheard Lyrics" are really more prevalent in certain kind of "noisy" rock and pop. |
#17
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Neil Finn.........
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Some Martins Garcia #2 classical Cordoba C10 Luthier Series Tacoma Olympia OB3CE acoustic bass "I don't care what style you want to play. If you want to master good guitar tone, master preparation, attack and release first." ~ Paul Guma |
#18
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Thom York NOT
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#19
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But ohhhhhh...her Verve/Norman Ganz period...all those Songbooks...the woman's voice reaches out through the hi-fi, moans or states or whispers each syllable of each song in sweet articulate perfection (not to mention perfect pitch)... ...and melts me. So...uh, yeah. I'd have to put Ella pretty high on the list, too. Dirk |
#20
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"I used to try to play fast, and it’s fun for a minute, but I always liked saxophone players. They speak on their instrument, and I always wanted to do that on the guitar, to communicate emotionally. When you write, you wouldn’t just throw words into a bowl. There has to be a beginning, middle and end. Same thing with phrasing on the guitar" Jimmie Vaughan |
#21
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I think diction is the word you're looking for.
Joseph Spence is my nomination for the Duke of Diction. He's right between Tom Waits and Glenn Gould. Joe Cocker runs a close second |
#22
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Too many to list... All great singers are like that (other than Joe Cocker).
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#23
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With all do respect and given I don't believe you post in the "recording forum" if you are not familiar with and well versed in audio engineering, you are disagreeing out of ignorance, not knowledge. And if you read my post I already allowed that the more clear the voice the easer to feature it , so yes diction helps and of course there are differences . As I stated about solo performances the ones you are not hearing clearly are arguably more to do with relative levels, EQ and lack or misuse of compression and FX's than diction. Off hand the clarity issue probably varies somewhere between the high side for diction being 40 % diction and 60 % mixing to 10 % diction and 90 % mixing.
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 Last edited by KevWind; 08-21-2015 at 09:40 AM. |
#24
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So the task is to name singers who enunciate well. That would eliminate anyone who mumbles, grumbles, screeches, slurs, burbles, gurgles, yowls or howls. Probably easier to name the relatively few singers who are well known for using the above means of communication than to name all of those who don't. Mostly anyone singing in genres other than Rock or Blues has to enunciate well to meet their own genre requirements.
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#25
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Quote:
Your post "What you are actually describing has far more to do with audio mixing technique, than actual singer voice clarity" implies that audio mixing is much more important than diction when it comes to hearing words correctly which is nonsense (certainly in a singer songwriter setting although much less so in a noisy rock mix). The OP asked which singers had great voices and great diction (or that's the way I read the question). I don't believe she was asking about audio engineering.
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"I used to try to play fast, and it’s fun for a minute, but I always liked saxophone players. They speak on their instrument, and I always wanted to do that on the guitar, to communicate emotionally. When you write, you wouldn’t just throw words into a bowl. There has to be a beginning, middle and end. Same thing with phrasing on the guitar" Jimmie Vaughan |
#26
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I interpreted the question the same way: lyrical clarity. Immediately, Al Jarreau came to mind. He seems to chew his lyrics. For his style of music, it works very well, IMHO. |
#27
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I immediately thought of REM's perfectly-named Murmur album.
Actually Mary Travers comes to mind.
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Respectfully, Mike Taylor 415 --- Epiphone Texan --- Collings D1A --- Martin 5-15 --- etc Take a sad song and make it better. |
#28
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Not to mention I clearly stated the diction plays a part in clarity. But the fact remains if you really have very little or no idea how much the mix contributes or detracts from the clarity. Then you can disagree all you want but can't really be considered to be speaking from knowledge. Given that thru mixing alone you take any vocalist (even ones with the best clarity and diction) and make them much much less intelligible in the mix. Or conversely you can take singers with more limited diction and clarity and make them "clear as day" in the mix as per the definition the op gave . And the definition the OP gave Quote:
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 Last edited by KevWind; 08-21-2015 at 03:50 PM. |
#29
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I rarely hear him but Al Stewart’s exceptionally clear pronunciation, which admittedly could sound affected, was, nevertheless, refreshing given that the unwritten rule for rock and pop music seems to be that a singer should either affect a slurred regional accent or if one’s native accent happens to be fashionable, to add an extra measure of garble.
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#30
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I've heard rock mixes that seemed to favor the instruments pretty heavily and not be so ideal for the vocals. Of course that's not always much of a loss. Then there are lyrics that you just don't expect so it's easy to 'mishear' them into something that makes sense. Who expects to hear about 'rearranging your liver to the solid mental grace'?
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