#61
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Helpful review. Thanks! Looking forward to throwing some on my D-18 this weekend. If I like them I'll trying them on my 2017 D-28 when it finally arrives...hopefully next month.
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Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) |
#62
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I think they might be quite versatile and sound good on many different guitars.
I've had them on a 'string fussy' rosewood jumbo now for several months - a guitar that didn't like Monels at all and, after 18 months of experimenting, seemed best with D'Addario NB 11-52's ! The Titaniums are neither of those 2 things ... yet they're still playing and sounding really good.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#63
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As I said, maybe not everyones cup of tea especially if you like that PB zingy thing.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#64
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I know how hard it is to describe sound in words, but if we take an 80-20 set as the benchmark for 'bright' and 'zingy', with PB less providing less of that and flatwounds coming at the 'dull' end, where on the bright-dull continuum would these Martin strings be? I'm always willing to experiment, but £40 represents a considerable injection of disposable income for me, so I would need to be as sure as I could be of their tonal quality before parting with it. My preference is for Elixir 80-20 lights on rosewood/Englemann.
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Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan |
#65
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What I've heard from all of you regarding these strings is very intriguing. I play almost all my gigs outdoors in the salt air and so far Elixirs have been great. At $40 a set these strings kind of ruin the standard forum string thread reply of "Strings are cheap--try them and if you don't like them no big deal!"
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2015 Martin D-18 1982 Martin HD-28 2013 Taylor 314ce 2004 Fender Telecaster MIM 2010 Martin DCX1RE 1984 Sigma DM3 Fender Mustang III v2 |
#66
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A lot of he warmth and bottom is missing because I recorded this directly into an Ipad. Best I can do. Lot's of sustain in that PONO! https://soundcloud.com/jamie-doerfler/20170805-144645a
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster Last edited by rokdog49; 08-08-2017 at 08:34 AM. |
#67
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Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan |
#68
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Still have mine on my Martin CEO7 after several months. Going strong, no loss in tone.
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#69
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I was using a Dunlop 1.14 mm Gator Grip which I hand-beveled to gain a little more bite and some speed. Likely woud micrometer out at around 1.0mm, maybe a shade under. I would suspect anything made of Delrex would sound similar. I have used Dunlop Prime Tone 1.0's as well. Sounds about the same.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#70
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I just got a set of these, now I can't decide which guitar to try them on?
Dred or OM? |
#71
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What are the tonewoods for the guitars?
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#72
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Well stringsandbeyond has a 10% discount code, and free shipping, so i ordered a set. Will report back once i put them on.
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Tom 2016 Bourgeois OM SS (Addy/Maddy/Hide) 2010 Martin D-28 1968 Yamaha FG-180 |
#73
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OK, you all have talked me into trying out these wonder strings. Here are a few initial impressions. First, background and platform for these thoughts. I am a retired player who came back to guitar about four years ago. I play, pretty much exclusively, standards from the American Songbook in a hybrid finger-and-chord-melody style, not much strumming, no singing (for the good of mankind). The guitar is a Taylor 322 12 fret, mahogany with blackwood back and sides. The strings that just came off for this were Newtone Master Class Nickel 12-54 (which are round core strings). These strings were just about on the money for this guitar, nice round tone, even across the strings with a nice, soft feel.
Now, on to the Martin Titaniums. First, stringing them onto the guitar (slot head, Waverly tuners), the crimp in the bass “E” wouldn’t fit through the hole in the post so had to be “re-crimped” to flatten that a bit. Tuned up well, needing only one stretching cycle to hit and stay on pitch. (Taylor stringing method, without pre-cutting, BTW). Went to play through a few exercises and songs, and was surprised that they already sounded played-in. Not much “ring” to them at all (which I like), good volume and nice balance between the wound and plain strings. My own peccadillo is that notes plucked by my finger tips (short nails and flesh) sound like they belong, sonically, with the notes struck by the pick (Round Primetone or BC rounded triangle), and so far, these meet that standard. Feel is not as soft as the Newtones, but not stiff, either. If anything, the strings might sound a bit “muffled” if you are used to bronze in its various permutations. No idea as to longevity, of course, but hope that the reports on long life are true, to help allay the initial capitol output. Now, back to Gershwin.
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2019 Taylor 712 12 Fret 2020 Collings 01 T 14 Fret ... so far. |
#74
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"Summertime and the livin' is".....expensive!
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Don't chase tone. Make tone. |
#75
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I'm going to use them on two of my Dreads. I already have a free set on my custom D-28. I just ordered a set for my D-18SS.
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