#31
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And I know others will disagree with that, but there is every chance that a USA ASAT is going to be as good, or even a "better guitar" than a custom shop tele. Because G&L is low production, and they are mostly built to order. Even if you didn't custom order your G&L, it's very likely that the shop you bought it from did spec it out. Take my ASATs for instance. One is a Slim C and the other is a #1, which I think is now called the Classic C. Both 1 5/8ths. Both 12 inch radius. One bought new, the other used. But both were speced out by somebody, because the 12 inch radius isn't standard. They would both be considered custom shop guitars if they were Fenders. And again the used one cost me less than $700 and the new one cost me less than $950, and it's a semihollow with no F-hole. That's a pretty slick option. I'm not delusional about this stuff because I own them and am a Fan Boy. I own a couple full on custom Nationals (also bought used), and I own Japanese, Korean, Mexican, and Indonesian built guitars too. I assure you, I don't define myself or have my ego invested in my G&Ls That's what the Nationals are for
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I only play technologically cutting edge instruments. Parker Flys and National Resonators |
#32
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Something about the neck carve and the satin maple neck really feels great to me. It rings with better sustain too, perhaps due to the longer scale length (I prefer short scale on acoustics). The BB is my fave with GTS being second. The middle position on the BB is startlingly similar to a Strat. The GT90 is a one trick pony IMO, but is great with blues.
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Roy Ibanez, Recording King, Gretsch, Martin G&L, Squier, Orange (x 2), Bugera, JBL, Soundcraft Our duo website - UPDATED 7/26/19 |
#33
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Tip: to balance the neck and bridge PU levels, don't rely solely on lowering the HB, adjust the pole pieces also to fine-tune the levels. Highly recommended.
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1988 Alvarez-Yairi DY-38 2014 Taylor 150ce 2014 Taylor Custom 516E 2014 Taylor 716E 2015 Martin D-18 2015 Martin 00L-17 2015 Martin 00-17S 2019 Taylor 816CE B.E. |
#34
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Never fails to amaze me how many folks complain about the Seth Lover in Blues Boys on Forums. "Too Dark"... Or possibly you just can't help but replace pickups in your guitars? It does require less commitment than playing.
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I only play technologically cutting edge instruments. Parker Flys and National Resonators |
#35
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I didn't read all the responses but here's my two cents.
G&L's Tele copies are well-built, nice guitars...end of story. Fender Telecasters are well-built, nice guitars...end of that story. Tone comparisons are irrelvant because both manufacturers offer a wide variety of pickup types in their various models. Play both and find the one that suits you.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#36
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Love the G & L neck size. I have way too many electric guitars. |
#37
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I have an ASAT Classic. It is meaty and it is not light; it has a comfortable, filling neck profile, it can cover a lot of bases. It is not a slick player, but I have the action a little high on it.
I think it is an excellent guitar and an even better value.
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=== "Don't let your baby down" Storm Windows, John Prine '66 Gibson J-200, '55 J50, JB Model 1; Martin M-36; Micheletti Osprey Rigid Rim; Collings OM2H, GR Bear OM C; Emerald X10 Slimline; Gretsch HOF Country Gent & G6120CMHOF; Gibson ES-165; CP Thornton Improv; Veillette Flyer 14 & Lyric; Anderson Crowdster++ .... |
#38
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G&L ASAT Classic
Looked for a used G&L ASAT Classic with a 1-11/16" nut and string spacing to match for close to 2 years. Finally gave up and bought a Telecaster. For a guy with big hands and fingers the wider neck was a must. Why G&L made so many different neck profiles I don't understand. Could never make a 1-5/8" nut work for my bologna fingers. Wasn't going to take the hit on a new one. Ordered a used one from a GC that I just fell in love with. Grabbed the neck and started to play and realized the dude at GC apparently didn't know how to run a measuring device. Back it went!
It was sweet while it lasted. One chord and it made your shoe vibrate.
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1995 Collings D2H Larrivee SD-60 12 String 2014 Martin D-18 Sunburst 2014 American Standard Telecaster (Maple Board)Mystic Blue 2008 Fender American Standard Telecaster (Rosewood Board) 1994 Fender 40th Anniversary Stratocaster Caribbean Mist 2011 Martin JC-16RE 50TH Anniversary 2004 Martin J-15 2011 Gibson ES-335 Cherry Red 1993 Continental TriCone |
#39
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I think that if you're really looking for classic telecaster tones and feel, you really can't go too far wrong with a MIM Fender Tele. Their basic pickups are actually pretty decent, but if you wanted to really up the game, you could put in a set of Fat 50s or TexMex tele pups and I would challenge you to find a better Tele regardless of origin.
Granted, the fit & finish are more refined on the USA jobs...better woods and finishes, hardware, allathat, but in the price range you're speaking of, the MIM Fenders really do hold their own and then some. I think I paid about $450 for my MIM Nashville Tele...this is the best guitar for the least amount of money of all my axes and is my go-to stage ax for all the open tuning/Stones/Zep covers that we do.
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Larrivee L-10 Custom Larrivee DV-10K Larrivee L-03 Taylor 412K ('96) Yamaha LL16-12 (SOLD) PRS 'Studio' (SOLD) Rickenbacker 660-12 (SOLD) Fender USA Deluxe Strat Fender USA Roadhouse Strat Fender MIM/USA Partscaster Fender MIM Nashville Tele Kelsey Custom Hardtail Strat Fender MIM P-Bass |