#61
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I agree with Marcus (and everyone else) there is something about Mr. Fay's designs that are just plain pleasing to look at. It seems to transcend wood and inlay features. Something about the shape and the various shapes coming together that makes me just want to look at his guitars. And then to hear some extremely talented musicians rave about these guitars and it appears that beautiful form has met beautiful function. All the more refreshing. Congrats!
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#62
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It is very nice to hear positive things about my guitars' aesthetics. For me, the design and fit/finish are just as important as the tone. On both aesthetic and tonal fronts, I have spent years seeking critical feedback and criticism of my work and I think that has helped me immensely in developing my own understanding of those two aspects of lutherie.
The Kingwood imparts a very pleasing warmth and rich timbre to the guitar. I would say it is very near Brazilian RW and Cocobolo -- in that it occupies a sound somewhere between the two. I've also had a chance to directly compare two almost identical guitars of mine -- one with a 25.0" scale and the other with a 24.0" scale. I've built a number of short scale guitars but never really been able to do a direct comparison, which has confirmed some of my thoughts about the tonal changes associated with scale length. And as always, the Rodgers are an absolute pleasure to use. For inquiring minds, the buttons are black horn. Mesa should have the guitar in his hands by this coming weekend. It will still need a week or so to settle in but I am already pleased with how this one sounds. |
#63
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Simon,
You have a very pleasing aesthetic, and this particular guitar looks great. I noticed that your soundhole seems to be located a bit higher than 'typical'. One of my guitars is similar (the top of the soundhole on mine aligns with about the 20th fret). It seems this type of soundhole placement gives a bit for usable soundboard area. For your design, was this an aesthetic choice or for a tonal reason (or am I wrong and it's not located higher than typical). (update) I just realized this is a 13 fret guitar. Maybe my visual perception got confused.
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Chuck 2012 Carruth 12-fret 000 in Pernambuco and Adi 2010 Poling Sierra in Cuban Mahogany and Lutz 2015 Posch 13-fret 00 in Indian Rosewood and Adi Last edited by ChuckS; 03-24-2015 at 01:30 PM. |
#64
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Hi Folks
My guitar arrived yesterday and I can't tell you how pleased I am! Simon is a true gentleman and a very gifted builder. The guitar sounds fantastic and the workmanship is pristine. The 24 scale, 1 25/32 nut width and 2.25 spacing at the saddle are perfect for my worn hands. Thank you Simon! |
#65
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I wish you well as the new adventure with your Fay guitar begins. I can say that I have had some truly remarkable musical moments over the past week, as I have finally had the time and health to really dig into the two instruments Simon delivered to me last Fall. Don't be shy about experimenting with strings and tunings on the 24" scale...I'm going with all-mediums, DADGAD (mostly), and even tuned down a 1/2 step at times (which is still more tension than lights at standard pitch, DAGAD or otherwise). |
#66
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#67
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This guitar is adorable. I could stare at this for hours just admiring the craftsmanship.
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Gretsch G9240 Alligator Biscuit Cone Roundneck |
#68
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I expect that we won't be reading many posts from the OP for a long while because he'll be busy on an extended honeymoon with this beautiful guitar. What a stunner!! Congratulations to Simon and Mesa both.
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____________________________________________ 1922 Martin 0-28 1933 Martin 0-17 1974 Alvarez/Yairi CY120 2010 Baranik Parlor 2013 Circa OM-18 2014 Claxton OM Traditional 2014 Blackbird Rider |
#69
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c'mon man! We need far more info than that!
Vs. other instruments you've had? Soundclips? Videos? So pleased for you: Nothing like a great NGD to raise the spirits. cheers, Steve |
#70
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That is one of the most elegant looking guitars I've ever seen, workmanship looks immaculate. I'd also love to hear it's tone, very curious about the KingWood :-) may it bring years of pleasure to you and your listeners.
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"Music makes pictures and often tells stories, all of it magic and all of it true" John Denver Taylor 514ce (1999) Taylor Baby-m (1999) Taylor 814ce (2014 - Finally!) |
#71
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Vic |
#72
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What a gorgeous instrument ... cudos!
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David Wren |
#73
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I auditioned a -wonderful- sounding guitar this weekend, and at least one part of the reason I'm not keeping it--despite it being, truly, a special sounding instrument, is a complete disinterest in how it looks. Of course, aesthetics are subjective. I also think that originality contributes (thus the lack of beauty to me in the countless derivative works in guitars as of late). I'm thankful you've found a beautiful, unique, original aesthetic, Simon. It shows, both your vision and your ethic in working to make something that clearly pays respect to influential designs but is not a copy at all. -Brett
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Brett McLaughlin CF MARTIN 1930 OM-18 - Mahogany/Adirondack GIBSON 2018 Memphis Limited 1963 ES-335 - Maple/Maple MCCONNELL 2021 Electric Semi-Hollow - Wenge/Sitka [SoundCloud | YouTube] |
#74
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Love that Kingwood, beautiful guitar.
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Greg Gwaltney |
#75
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Congrats, Mesa! I hope you enjoy this guitar for years to come. It looks beautiful.
Hope you're well, Kindly, Danny |