#31
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Epiphone Masterbilt Hummingbird Epiphone Masterbilt AJ-500RENS Teach us what ways have light, what gifts have worth. Edna St. Vincent Millay |
#32
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How would you suddenly be able to produce a guitarist that needed to practice just like that, so easily ...
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#33
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Probably MUCH easier than producing a guitarist that doesn't need to practice, which, as far as I can tell, doesn't exist.
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#34
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I think this is more of a case of how certain guitars perform with your own technique and style.
That being said, the Santa Cruz Model D did absolutely nothing for me, and my playing style, and was out performed in every way by the cheaper Martin HD-28. |
#35
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Aha! Subtle ...
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#36
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Don't kill me, but i don't like to sound of the J-200.
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#37
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#38
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I have a 40 year old Yamaha that cost $120 originally and now only plays like it is worth $78.24. So basically I'm experiencing about $41.76 worth of disappointment. A string change might reduce that to $34.89.......
Next mind-altering, intellectually befuddling AGF topic: Guitars that play above their cost but that (1) are in cases that perform below their costs, (2) reside in homes that used to be worth more than their cost but that now are worth less than their cost due to a declining real estate market, and (3) are played by guitarists whose talent is not worth much at all. Note--I most certainly must be talking about someone other than me here......
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#39
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I cannot say which guitar in particular would not live up to expectations. But I can say from purchasing two if them that the 2003 run of Brazilian AJs by Gibson were not as toneful or as loud as I had hoped after bringing them home and playing them for a year. They sounded muffled to me.
Same went for a high-end limited-run version of a Gibson Original Jumbo from the same year. It was absolutely dead sounding although it was beautiful and had very delicate bracing. I really had hoped that one would have worked out. This is not in any way to say all new Gibsons are bad, just those three guitars that I had purchased in Tokyo.
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心配しないで、幸せにしてください |
#40
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There is a very simple solution for this not to be a problem, and that is, get all your guitars for FREE,
H |
#41
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Hmm..dunno. There are guitars that play worse than $0.
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#42
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That's why it baffles me why some people have 6-10 $300 guitars instead of two great $1,500 guitars or 3 $1,000 guitars or even one $3,000 guitar. Quantity means nothing when quality doesn't attach. |
#43
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Made my day.
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#44
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Dang. You beat me to it. Affirming a disjunct, and before lunch. I guess we can close this one.
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#45
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Played "above its cost" for a couple of decades. Then I started feeling a similar disappointment as you have described. I pegged my disappointment factor at 23.729%...only played like an $83.89 guitar from about the mid-90's on. I sold it for $300 about 4 years ago. What was the question? |