#16
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Took awhile. Good example of what room acoustics and some gear upgrades can do is right on my music page when you compare the recorded
sound on my CDs 1 and 2 to those on my CDs 4 and 5. http://dcoombsguitar.com/Download.html
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above Last edited by rick-slo; 02-09-2018 at 11:31 AM. |
#17
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Quote:
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#18
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Desktop speakers don't cut it, but glad to hear at least in some cases the early recordings get a pass sound wise.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#19
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Coincidentally, I'm going to be doing a mild renovation to my den / recording room this month. Also coincidentally, I work at a place where I have access to 703 boards. It won't be perfect, but I think my recording space will be much better soon!
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Original music here: Spotify Artist Page |
#20
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Quote:
I listened to the first and last cds through Sony MDR-7506 headphones, and while the playing is superb on both, I hear a world of difference in the quality of the sound. The lastest cd has a smoother sound with a top end that's well-defined and lacks the brassiness of the earliest cd.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |