#16
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The Schertler looks interesting, but (like Bose) they don't give any meaningful specs. However, they do state that they're running a 400W amp module in it, so if we assume a range of speaker sensitivity from 92 (low ) to 100 (high) the probable peak output SPL would be somewhere between 118 dB 1W/1M and 128 dB 1W/1M.
This would indicate a significantly higher output than the Bose sticks, half again to possibly twice as loud.
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Harmony Sovereign H-1203 "You're making the wrong mistakes." ...T. Monk Theory is the post mortem of Music. |
#17
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For Bose, see here: http://www.acousticguitarforum.com/f...d.php?t=276082 The L1 Compact is 112bD max. |
#18
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Solid.
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Harmony Sovereign H-1203 "You're making the wrong mistakes." ...T. Monk Theory is the post mortem of Music. |
#19
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I don't follow as I'm just beginning on all this! Can you explain?
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#20
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I guess the one big negative of the Jam 400 is that the controls are on the top, which either means that:
(a) it has to be lower down so that the control are easily accessed - but this limits the projection of the sound to the back or (b) if it is raised sufficiently high, then the control are harder to get to. Thoughts? Is 4 foot enough off the ground to project to the back of a small hall/room with 60-100 people in it? |
#21
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I'm pretty sure they are Samson D412 speakers and the mixer is a Yamaha MG10 something or other. I know those are the best components, just that they sounded good for what we were doing. I think he paid something like $250 / speaker a few years ago and $150 for the mixer. Like I said, if you can test anything out at all, that's your best bet.
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#22
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Just as an example, a Yamaha DBR 10 will give you 129 db and 90 degree horizontal sound coverage. It's lighter and smaller and therefore easier to carry and get up on a pole stand, and a small mixer like an Allen and Heath ZED10FX will give you all the mixing options and effects you need, and it can be placed on a small stand or a chair next to you on stage for easy control. Other powered speaker options right be, depending on your budget and UK prices, the Yamaha DBR 12, the DXR 8, 10, or 12, the RCF 310a or 312a. And there are others. Just something to consider. And for what it's worth, I've been using a ZED10FX and a single RCF 310a in contexts like the ones you describe for several years now very, very happily. Louis |
#23
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#24
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"We got both kinds of music, we got country and western" ~ from The Blues Brothers |
#25
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It's worth remembering also that a combo amp and a "stick" system like the Bose are going to sound different and they're going to distribute sound differently in a space (and differently in one space than in another). Those are much more consequential differences, and there's no way to tell if your playing and singing with your instruments, pickups, and mics are going to sound "warmer" through the Jam 400 than through the Bose until you try them (and those might not even be the terms in which you hear the differences and prefer one to the other). I do use a combo amp in some contexts from time to time, and the amp I have (a Genz Benz ProLT) does have a distinctively "warm" sound of its own. It colors what you put into it in a distinctive way, although that can be altered using some of it's controls depending on what you like. For contexts like the one you describe, I don't use the amp because while it's relatively light at 37 lbs and plenty loud, it's rather large and bulky and can't be mounted on a pole. The RCF310a is smaller, lighter, and much, much better at distributing sound around a room. Louis Last edited by lschwart; 10-10-2016 at 02:59 PM. |
#26
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As for the way it sounds...I tried out the bose systems, fishman 220, artist, performer, and loudbox mini and none compared to the quality of sound and volume the Schertler has. It weighs 46 lbs so it isn't the lightest but it is solid. One way to produce great sound is have high quality electronics, drivers and a solid enclosure. If an enclosure flexes the system loses tone and volume. From what I can tell it looks like the enclosure is made of 10 ply baltic birch. Baltic birch is one of those woods that actually adds warmth to the sound. I've built many enclosures out of mdf and baltic birch just has a warmer sound just as guitars with different woods sound different.
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2015 Taylor 514cd FMLTD w/ES2 2015 Takamine GC3CE-NAT Classical 20XX Takamine ef340sbg |
#27
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http://www.physicsclassroom.com/Class/sound/u11l2b.cfm Also I got my flush mount up off of ebay I believe. I wanted a metal instead of a plastic. Lots of music stores sell them though. If you do go this route make sure the cup size is the same as the stand. Back in the day I built car audio competition systems. Some of those were in the 160 db range and at around 30 hz. Fortunately I haven't really lost that much of my hearing as I have tests done every year. A couple of -5's in the 4000-6000 hz range. Protect your hearing! On a loud stage you should be wearing some kind of hearing protection or even a noise cancelling that only allows a certain level of volume to come through before it is cancelled out.
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2015 Taylor 514cd FMLTD w/ES2 2015 Takamine GC3CE-NAT Classical 20XX Takamine ef340sbg |
#28
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#29
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If you had to choose between RCF312As and Yamaha DBR 10s? They are about the same price here on a website I checked. Not sold on anything yet, still just exploring options.
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#30
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I've never really used it that high but I do use a Soundcraft Ui12 wireless mixer and an ipad to adjust volumes. The mixer was only $300 and it has effects, parametric eq, compressor and many other features. The wireless router in it isn't the greatest but I can just connect an external for perfect connection.
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2015 Taylor 514cd FMLTD w/ES2 2015 Takamine GC3CE-NAT Classical 20XX Takamine ef340sbg |