The Acoustic Guitar Forum

Go Back   The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > General Acoustic Guitar Discussion

Reply
 
Thread Tools
  #31  
Old 03-09-2018, 11:37 PM
Guest 728
Guest
 
Posts: n/a
Default

Quote:
Originally Posted by TBman View Post
I think on some of the models I've listened to on YouTube they took the "bluesy" thing too far. It's almost as if they were building a $400 guitar, jacking the price up and calling it "old time sound." To me it's just a cheap sound. Half that "old time sound" is from old recording equipment and the other half is because they played on cheap guitars.

I'd love to have a Waterloo, but I'm getting suspicious.

Somebody point me back to the light, lol.

The craftsmanship and playability are pure Collings. Whether you like the tone or not, these ain't no $400 guitars. Play one and you'll know.

Last edited by Guest 728; 03-09-2018 at 11:45 PM.
Reply With Quote
  #32  
Old 03-10-2018, 12:59 AM
Looburst Looburst is offline
Registered User
 
Join Date: Apr 2016
Posts: 2,678
Default

Willie just nailed it. They're a Collings guitar without all the fancier appointments. It all depends on how adaptable you are to different guitars and sounds. Heck, even the WL-S Deluxe looks fancy but if you read the description closely, those fancy looking inlays on the fingerboard aren't pearl, they're actually an acrylic material. Where the higher price comes in is the wood marquetry around guitar and sound hole! That stuff is very time consuming and if you notice, you don't see as many of these offered in the market. Course you can go the cheaper route and get a WL-S plain too. I know, at one time, Steve told Bill they didn't
need to build the Deluxe because Steve felt they were spending too much time on the all that wood binding, lol, I'm sure glad Bill didn't listen,,,,again! Steve also, initially, didn't think the Waterloo line was going to work and be successful.
__________________
Dump The Bucket On It!
Reply With Quote
  #33  
Old 03-10-2018, 02:15 PM
TBman's Avatar
TBman TBman is offline
Get off my lawn kid
 
Join Date: Jul 2005
Location: New Jersey
Posts: 35,986
Default

Quote:
Originally Posted by Willie Voltaire View Post
The craftsmanship and playability are pure Collings. Whether you like the tone or not, these ain't no $400 guitars. Play one and you'll know.
As long as they sound like this I'm good.



and this,



and this,




But not this,



So what's the real sound? Which recordings are "doctored up"? Obviously not the last one.
__________________
Barry

My SoundCloud page

Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW

Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional

Alvarez AP66SB, Seagull Folk


Aria {Johann Logy}:
Reply With Quote
  #34  
Old 03-10-2018, 02:58 PM
robey robey is offline
Charter Member
 
Join Date: May 2015
Posts: 427
Default

None of them are "doctor up", whatever that means.

One of them is either a good recording of a bad sounding guitar, a bad recording of a good sounding guitar or a bad recording of a bad sounding guitar.

The other ones would appear to be good recordings of good sounding guitars.
Reply With Quote
  #35  
Old 03-10-2018, 03:26 PM
TBman's Avatar
TBman TBman is offline
Get off my lawn kid
 
Join Date: Jul 2005
Location: New Jersey
Posts: 35,986
Default

Quote:
Originally Posted by robey View Post
None of them are "doctor up", whatever that means.

One of them is either a good recording of a bad sounding guitar, a bad recording of a good sounding guitar or a bad recording of a bad sounding guitar.

The other ones would appear to be good recordings of good sounding guitars.


Or.... the last video is what they really sound like.


Kind of like the first time you saw your girlfriend without make up on,

__________________
Barry

My SoundCloud page

Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW

Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional

Alvarez AP66SB, Seagull Folk


Aria {Johann Logy}:
Reply With Quote
  #36  
Old 03-10-2018, 03:32 PM
gfirob gfirob is offline
Registered User
 
Join Date: Mar 2017
Location: Central Vermont
Posts: 1,283
Default

I think it is odd that people are moved to buy these Waterloo guitars rather than an original Kalamazoo KG-14 from the 30's for about the same money. If you can find a good one (and there are a lot of them around) they are a wonderful light-weight guitar fantastic for fingerpicking. Very loud, and great to cut through other instruments. These are the guitars Waterloo copied, and you are looking at wood close to 80 years old or so. I have one and it is my number two guitar after a rosewood Martin OM. It is a perfect compliment to a cross braced rosewood guitar because it is so different. Just my two cents worth...
__________________
2003 Martin OM-42, K&K's
1932 National Style O, K&K's
1930 National Style 1 tricone Square-neck
1951 Rickenbacker Panda lap steel
2014 Gibson Roy Smeck Stage Deluxe Ltd, Custom Shop, K&K's
1957 Kay K-27 X-braced jumbo, K&K's
1967 Gretsch 6120 Chet Atkins Nashville
2014 Gold Tone WL-250, Whyte Lade banjo
2024 Mahogany Weissenborn, Jack Stepick

Ear Trumpet Labs Edwina
Tonedexter
Reply With Quote
  #37  
Old 03-10-2018, 04:31 PM
robey robey is offline
Charter Member
 
Join Date: May 2015
Posts: 427
Default

Quote:
Originally Posted by TBman View Post
Or.... the last video is what they really sound like.


Kind of like the first time you saw your girlfriend without make up on,

You're giving the recording process to much credit or being intentional obtuse.

You need to play these things to make you feel comfortable. Videos, in hand descriptions and testimonials don't make you feel comfortable. I get that, retail, they are a shiny penny.

And your wife looked fine without make up.
Reply With Quote
  #38  
Old 03-10-2018, 05:18 PM
Guest 728
Guest
 
Posts: n/a
Default

Quote:
Originally Posted by TBman View Post
So what's the real sound? Which recordings are "doctored up"? Obviously not the last one.
This is the problem when you rely on videos -- for better or worse, you're judging tone based largely on microphone placement. Go play one instead.
Reply With Quote
  #39  
Old 03-10-2018, 05:20 PM
Nctom Nctom is offline
Registered User
 
Join Date: Jan 2015
Location: Piedmont NC
Posts: 920
Default

Gifrob, my Kalamazoo sounded pretty good, played OK and I regret I sold it. But it was not the guitar my Waterloo WL-12Mh is. About the only thing going for the Kalamazoo was its age, and that also worked against it.
Reply With Quote
  #40  
Old 03-10-2018, 05:40 PM
DukeX DukeX is offline
Guest
 
Join Date: Aug 2014
Location: SoCal
Posts: 3,460
Default

Quote:
Originally Posted by gfirob View Post
I think it is odd that people are moved to buy these Waterloo guitars rather than an original Kalamazoo KG-14 from the 30's for about the same money.
I do understand your point of view. And a lot of folks will agree with it. But a lot of folks want a high quality new guitar with a warranty and no potential hidden problems. It is similar, IMO, to the reason a lot of folks buy new boutique builds of Fender Tweed and Blackface amps instead of buying the vintage amps themselves.
Reply With Quote
  #41  
Old 03-10-2018, 05:42 PM
TBman's Avatar
TBman TBman is offline
Get off my lawn kid
 
Join Date: Jul 2005
Location: New Jersey
Posts: 35,986
Default

Quote:
Originally Posted by robey View Post

And your wife looked fine without make up.


Quote:
Originally Posted by Willie Voltaire View Post
This is the problem when you rely on videos -- for better or worse, you're judging tone based largely on microphone placement. Go play one instead.
I'll have to get out and find some to play this summer.
__________________
Barry

My SoundCloud page

Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW

Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional

Alvarez AP66SB, Seagull Folk


Aria {Johann Logy}:
Reply With Quote
  #42  
Old 03-10-2018, 06:26 PM
stephenT's Avatar
stephenT stephenT is offline
Charter Member
 
Join Date: Feb 2005
Location: GA & MN
Posts: 4,669
Default

Better build, better playability, little maintenance (neck resets, frets, etc) for awhile.

Quote:
Originally Posted by gfirob View Post
I think it is odd that people are moved to buy these Waterloo guitars rather than an original Kalamazoo KG-14 from the 30's for about the same money.
Reply With Quote
  #43  
Old 03-10-2018, 07:20 PM
Guest 728
Guest
 
Posts: n/a
Default

Quote:
Originally Posted by gfirob View Post
I think it is odd that people are moved to buy these Waterloo guitars rather than an original Kalamazoo KG-14 from the 30's for about the same money.
I'm sure there are some great Kalamazoos and Stellas out there, but taking the risk of purchasing a "project" rather than a guitar holds absolutely zero appeal to me. I'd also wager that the current materials and construction quality are far superior. In spite of its heritage and inspiration, this is no department store guitar:

Reply With Quote
  #44  
Old 03-10-2018, 08:16 PM
Mr. Jelly's Avatar
Mr. Jelly Mr. Jelly is offline
Charter Member
 
Join Date: May 2016
Location: Sioux City, Iowa
Posts: 7,884
Default

Quote:
Originally Posted by gfirob View Post
I think it is odd that people are moved to buy these Waterloo guitars rather than an original ...
Note that I have been through the experience of vintage, collectable, old worn mojo guitars. I have also been through enough guitars and equipment to know a slight difference in tone or timber isn't anything to wet your panties over. These are the real deal. Not the original but they are the real deal. They are a first class build. Plus they are fun. Having an original is a little serious.
__________________
Waterloo WL-S, K & K mini
Waterloo WL-S Deluxe, K & K mini
Iris OG, 12 fret, slot head, K & K mini

Follow The Yellow Brick Road
Reply With Quote
  #45  
Old 03-10-2018, 08:33 PM
Looburst Looburst is offline
Registered User
 
Join Date: Apr 2016
Posts: 2,678
Default

I would agree with all that's been said. Wilie and Mr. Jelly make the point clear. As a person who owns 3 old Gibsons, 2 wartime Banner LG2s, a 1943 and a 1944, and one 1934 museum quality 14 fret L-Century Gibson. These guitars are fun to play but do they intonate as well as Waterloos? It's not even close, IMO.

That's some beautiful figuring on that Maple, Willie!
__________________
Dump The Bucket On It!
Reply With Quote
Reply

  The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > General Acoustic Guitar Discussion






All times are GMT -6. The time now is 03:21 AM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
Copyright ©2000 - 2022, The Acoustic Guitar Forum
vB Ad Management by =RedTyger=