#1
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What is tone?
I know this is a NOOB question, but posts in another thread lead me to think I probably don’t understand what folks mean when they say “tone”.
I’ve read many threads that talk about good tone, bad tone, etc. Posters have spoken about having seen a pro on stage, and said they had bad tone. I prefer a warm sound, and prefer lower volume. I play with roundish picks and a little bit of technique to achieve this particular sound. Is that sound “tone”? Can tone be classified as “good” or “bad” or is it all just preference? Is volume part of tone, or is it something else? (Excluding dynamics within a volume range, like playing quietly, but with dynamics.)
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Blackbird Lucky 13; Emerald X7 V3; Yamaha LS-TA; Yamaha SLG200; PRS Zach Myers; PRS SE Hollowbody Piezo |
#2
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Its the sum total of every good or bad decision you ever made about playing.
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#3
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I asked pretty much the same question a few months ago. Here's what they told me;
http://www.acousticguitarforum.com/f...highlight=tone Tone means a lot of different things to different players; a combination of the player, the pick, stings and guitar. ''good tone'' seems to be the quest we will be on until we put down the guitar. |
#4
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So my take-away is: There is no good or bad tone, only what I like. Just as there is no good or bad music, only what I like. Thanks Lowrider. I had missed the thread you posted.
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Blackbird Lucky 13; Emerald X7 V3; Yamaha LS-TA; Yamaha SLG200; PRS Zach Myers; PRS SE Hollowbody Piezo |
#5
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It is often a term that people use while not being able to define or quantify it.
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---------- "All of Chuck's children are out there playing his licks" |
#6
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My final definition is: "Tone is the racket I make with my guitar that irritates my wife and scatters our two cats."
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Blackbird Lucky 13; Emerald X7 V3; Yamaha LS-TA; Yamaha SLG200; PRS Zach Myers; PRS SE Hollowbody Piezo |
#7
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But soon your wife and the cats will be coming into the room to listen!!
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#8
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Quote:
Quote:
Probably most people would like a tone with a wide frequency spectrum, such as that produced by an acoustic guitar string. I.e., too much treble is said to be "tinny" or "harsh"; too much bass is "muddy"; too much middle (not enough treble or bass) is "hard", or "piercing". But those are all subjective value judgments. How much is "too much", after all? But a spread of frequency makes the tone more interesting to listen to, gives it more character. Some people like distortion for that reason: it enriches the tonal spectrum. Others like a clean tone, because it enables the player to control the tone through their fingers: where they pick the strings, what kind of pick they use, etc. Quote:
Some people would say that volume (maybe at extremes) can affect tone, but IMO that's mostly psychological.
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#9
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The ability of a sound to find its way into your soul.
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#10
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Thanks for your helpful responses everyone!
__________________
Blackbird Lucky 13; Emerald X7 V3; Yamaha LS-TA; Yamaha SLG200; PRS Zach Myers; PRS SE Hollowbody Piezo |
#11
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Tone equals quality of sound. In it's simplest form, good or bad.
Individual instruments have their inherent tonal qualities, good, bad or indifferent. Through the use of, or lack of technique, an idividual player can be said to produce good or bad tone. Tonal judgments are subjective. Unless you sit facing a bare plastered corner of a room or you are being recorded you will never hear the guitar you play as others will hear it. You are sitting behind the guitar and the sound is traveling away from you. If you really don't get tone don't worry. Practice playing music. |
#12
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It's an ambiguous term in common usage and therefore confusing.
Read up on the term "timbre". That one has a lot to do with what a lot of people refer to us "tone". It can be the natural sound of the instrument, but it's also partly to do with the way you produce sound on it. Related to the second part of that last sentence, read up on the term "articulation" as it relates to producing sound on instruments, specifically guitar in this instance. There are implications for guitar tone related to different types of articulations, such as legato, staccato as well as things like plectrum, bare-fingers-style, nails etc. etc. String type, shape of the instrument , plugged-in tone versus unplugged tone etc. Slightly more confusing, the "tone" knob on electric guitars has mostly to do with high/low frequency response, or "warmth" if you like. Again, there's a lot of ambiguity in the way this term is used. Most is inferred from hearing people talk about it for a long time. |
#13
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Tone is like pornography. I may not be able to describe it but I know when I see/hear it.
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#14
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It's still controlling the "timbre", of course, but only in one aspect: rolling off the treble frequencies as you turn it down, if it's a passive control.
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#15
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To start at the end, volume is an objective physical quantity: sound pressure, or the amount of air moved by compression waves (if the listening is in air, which is usual). Loudness is a subjective impression in the ear/brain system. Ever notice the "volume/loudness" switch on an amplifier? It's there because of the ear's greater sensitivity to midrange. If it is set on "volume" the midrange will get proportionally louder than the bass and high end as the knob is turned. Switching to "loudness" compensates by boosting the volume at the high and low end, so that the proportional loudness of the different frequencies sounds more constant. On to tone and timbre. As I have seen the terms used and as I recall from reading over the years, 'timbre' is a more comprehensive term. It is not limited to frequencies that are harmonic (and many instruments have a lot of non-harmonic output). It includes non harmonic overtones and "noise"--sounds with no determinate pitch, such as the pick or fingernails hitting the strings. I think it is defined as every property of a note other than its pitch and duration. 'Tone' is the term that is limited to the fundamental and overtone series produced in a note and how they change over the note's duration, although the overtones are not necessarily harmonics, which strictly speaking are all multiples of the fundamental frequency. What we call 'harmonics' on a guitar are mostly not strictly speaking harmonics, because they are overtones that don't ring at exact multiples of the fundamental due to the physical properties of strings. But they are close enough that for most purposes there is no harm done by calling them harmonics. There is no doubt that volume affects the perception of tone, not only at extremes, and it doesn't do so any less because it is "mostly psychological." That just means it is in the ear/brain system, which is where we experience all music.
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"Still a man hears what he wants to hear, and disregards the rest." --Paul Simon Last edited by Howard Klepper; 07-22-2017 at 05:34 PM. |