#1
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what are these chords?
hello guys, i'd appreciate if someone could tell me what chords he's playing here from 4:37 . probably 5 chords. starts with A major i guess.
http://www.youtube.com/watch?feature...CMhuKEYw#t=279 |
#2
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G D Em C G when disregarding the Capo on the fourth fret, other wise B F# G#m E B
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above Last edited by rick-slo; 03-04-2014 at 05:10 PM. |
#3
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Using dropped D tuning at least.
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#4
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__________________
Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#6
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Hi theMRAZfan…
As I said before, it is indeed in Dropped D (run it on high rez and blow it up to the full screen mode and can observe him playing the bass note 'G' on the 5th fret of the 6th string and the bass note 'E' for Em on the 2nd fret of the 6th string) At 4:37 which you asked about he begins repeating the chord progression and about every other time he plays… | G | D/F# | Em-Em/D | C | G/B | Am7 | D | The other phrase is: | G | D/F# | Em | C | G/B | Am7 | D | The phrases are nearly the same, he doesn't walk the Em down to Em/D every time…just hangs out on the Em. He's obviously very comfortable with the progression and is playing around with it, not repeating it exactly the same every time (he's busy interacting with the audience and gaining their participation). The bass note for the G chord in dropped D is played on the 5th fret about the capo on the 6th string. I suspect after watching it several times he's actually muting the 5th string on the G chord with the pad of the fretting finger. He's really using a lot of very thin fingerings/voicings which is nice actually. No need to finger every note since he's not playing every string. Hope this helps... |
#7
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Took another look. Not standard, not dropped D. Looks like an odd tuning of DGCGBE
__________________
Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#8
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The only thing I could tell for certain is that the lowest string was tuned down to D. His fingering is pretty sparse and the tuning might be dropped D, double dropped D, or something else. I'm not particularly motivated to give it more time.
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#9
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I am with you there. Given more time going over it I might change my mind, but like you, and the OP apparently, there is other stuff to do.
__________________
Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#10
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Quote:
It means he needs some awkward stretches for some of those chords. (I've given this some time, because I have a student also interested in this tune .) Basic chord shapes (measured from capo): "G" -3- -3- -2- -2- -0- (0 or x) "D" -2- -3- -2- -2- -2- -0- "Em" -0- -0- -0- -4- -4- -2- "C" -0- -1- (he often pulls off to the open string) -0- -0-(or 4) -5- -x- At 4:37 he plays the following variation on the sequence, adding passing chords: Code:
G D/F# Em7 Cadd9 G/B Am(add9)G/B C D/F# |-3-------2------|(0)------------|(0)-----(0)-----|------------0------x----| |-3-------3------|-3-------------|-3-------3------|-1---0--3---5------x----| |-2-------2------|-0-------------|-0-------0------|-0---2--0---5-----(2)---| |-2-------2------|-2-------------|-4------(x)-----|(0)-----x---x------6----| |-0-------x------|-x-------------|-5-------4------|-2---2--4---5------2----| |-x-------4------|-2-------------|-x-------x------|-x-----------------4----| 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 .
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. Last edited by JonPR; 03-05-2014 at 09:15 AM. |
#11
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JonPR thank you so much. it's amazing, really. How can one just come up with these chords? even not chords, but rather this strange tuning?
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#12
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Your welcome.
__________________
Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#13
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Quote:
Noodling - and lots of it. At least that's how it works for me. It's a discovery process, not a matter of mental computation of notes, chords and inversions. Just taking something rather 'average' and making it 'better'. I start with a progression and try it in several keys, then start with Dropped D, or Double Dropped D, and see where the bass lines lead and work from that. Then I try different styles, different tempos, different 'feel', sometimes a different meter (3/4 or 6/8 as opposed to 4/4 or 2/4). Other tunings I know. Alternate tunings can be worked out by experimentation, adapted rather quickly to the chord structure I am shooting for, and with an hour's noodling I can find the basics. Sometimes I'll casually noodle at it for a week or two and discover if I raise or lower a string or change the key, the fingerings and voicings fall better. With another hour and a half they can be elaborated sufficiently that I'm not bored to death with a repetitive chord progression. After I've spent a month working with what I've worked out, I'm fairly fluent in another tuning. After 6 months of using it, it feels 'normal'. And the nice thing is I start somewhere along the line considering other songs to modify or adapt to what I'm noodling with. |
#14
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The task then is to work out the new shapes for the common open chords. Naturally this tuning ought to be good for chords like D, G or C, less so for E or A. Knowing the notes you need in each chord obviously helps. BTW, I've just realised that the chord I called "G" is really a Gsus2. To be honest I don't feel like going back and checking exactly what he does play, but here's the choices: G (G5) E|-3- = G B|-3- = D G|-0- = G (or just mute this string) C|-2- = D G|-0- = G D|(0) = D (mute if you want G as bass) Gsus2 (looks like he plays this) E|-3- = G B|-3- = D G|-2- = A C|-2- = D G|-0- = G D|(0) = D
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#15
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Quote:
For the song that was posted, simple Dropped D works fine…in fact it's pretty easy. I played it along with the video yesterday and it covers all the bases needed to execute the entire song. The only change is playing the "C" in the progression on the 3rd fret of the 5th string instead of the 5th fret. I've watched Jason play that song 'live' several places, and it's not always the same as the last time he played it. It has a fun little beat to it... |