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Extension speakers
I've got a question concerning Carvin amps and the extension speaker 1/4" out. I've got the Carvin AG300 acoustic amp and want to use it as a front of house type placement on a pole, and was thinking I could use the extension speaker 8ohm out as a small personal monitor pointing at me for mostly vocal monitoring.
The extension speakers that Carvin sells (AGE200/300 and the 112AG) would be overkill as a monitor, plus I believe the monitor volume is controlled by the master out, so they would be at the same volume which wouldn't work either since I use condenser mics and would need to keep monitor volume low. My question is: could I plug the extension out to a small guitar amp or something similar that has a volume control? I've got an old Peavey Rage 15w electric amp from the late 90's but it's only 4 ohm so I'm afraid to try it as Carvin recommends 8ohm or higher for extensions. Is there something else that might work that I'm not considering?
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1958 Hammond B3 w/ 1968 Leslie 122 1995 Fender CG-7 [first guitar] 1996 Fender Std. Stratocaster 2000 Fender '72 Telecaster Custom 2002 Epiphone Les Paul Std+ 2010 Gibson Les Paul Traditional 2011 Taylor LKSM 2012 Seagull S12 Coastline Cedar 2016 Taylor 324 |
#2
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If you can't go directly to the speaker on the Peavey amp, and the Peavey is all you have to work with, you might want to try going into the amp input from a line out of the Carvin--if it has one. That's not going to sound all that great, I image in, but it should work. Or get a small powered monitor and go into it from the DI out of the Carvin. Or you could put an attenuator in between the ext. speaker output and a regular 8 ohm cabinet. Louis |
#3
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Thanks Louis that answers what I was getting at. I've never had an amp with an extension out before and I didn't know what would happen if I went out of that into input of another guitar amp. Out of curiosity, what would happen exactly?
Here's the excerpt from the manual regard the Ext. out: "The AG200 and AG300 have one 1/4” extension speaker output connector, which is connected in parallel with the internal 8 ohm speakers. You may connect another speaker with an impedance of 8 ohms or higher. If you go below the minimum speaker load, the amp may shut off. To reset the amp, turn off the POWER switch and connect the recommended load." The Peavey doesn't have a separate jack for speaker only, but I like your idea of using the line out of the Carvin into the Peavey. The output jacks on the Carvin are either XLR or phones/tuner. Like you said, it might not sound good but I think it would work for my purposes. FYI here's a pic of the Carvin controls:
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1958 Hammond B3 w/ 1968 Leslie 122 1995 Fender CG-7 [first guitar] 1996 Fender Std. Stratocaster 2000 Fender '72 Telecaster Custom 2002 Epiphone Les Paul Std+ 2010 Gibson Les Paul Traditional 2011 Taylor LKSM 2012 Seagull S12 Coastline Cedar 2016 Taylor 324 |
#4
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In any case, as you can see from the passage you quote, you can't go directly into that speaker even if the Peavey had a direct input for the speaker. The amp in the Carvin isn't designed to go into less than 8 ohms. That input should take a line-level signal, though. Just make sure the gain is set low to start. Try it and see if it's adequate and doesn't also distort. From the picture I'm not sure which of the outputs to use. Does the Carvin manual say what level the XLR out it? Can the tuner out be used as an output to a monitor? I can't seem to find a manual for this amp on the Carvin site. It would be better, though, to use a powered monitor that's more designed for the job. Not only are these connections not exactly the right ones, you're dealing with an amp designed to amplify electric guitar. Even at it's best, it's not going to have the frequency range to properly reproduce acoustic guitar (or acoustic guitar and vocals). Louis Last edited by lschwart; 04-16-2014 at 07:41 PM. |
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No, the extension speaker jack carries an powerful amplified signal ... you can NOT hook that up to a powered speaker. You COULD use the headphone out, or the XLR direct out to a powered speaker or guitar amp (but watch the levels! Start at the least and work your way up.). You could also use the effect send to a powered speaker. Those outputs all carry line level audio.
As to the impedance, the internal speaker is 8 ohms, and an external speaker must be 8 ohms or greater (keeping the combined impedance less than 4 ohms rating of the amp). Using an 8 ohm extension speaker increases the power by 50 watts (less impedance). The power boost is negligible to the ear, but the added speaker surface area increase the volume quite a bit. Last edited by RustyAxe; 04-17-2014 at 07:36 AM. |
#6
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Thanks again for the help guys, it's helping a lot.
Here's the info from the manual concerning the outputs: "Direct Out: variable OFF to +4dBu, DC isolated, 100ohm gnd lift 14. EFFECT LOOP SEND & RETURN JACKS The SEND jack is the output of the preamp and is designed to deliver the proper level to the input of an external effects processor. The SEND signal source is after the TONE CONTROLS and DSP EFFECTS. The RETURN jack is designed to receive signals from the output of an external effects processor. When a signal is plugged into the RETURN, it breaks the connection between the preamp and the internal power amp. The RETURN signal goes through the MASTER control to the power amp. 15. DIRECT OUT LEVEL (DIRECT OUT, TUNER/PHONES) The DIRECT OUT LEVEL controls the output level of the XLR DIRECT OUT and the 1/4” PHONES/TUNER jack. This contains the mixed signal from the channels affected by the tone controls, internal DSP and the effects loop. The DIRECT OUT level is not affected by the MASTER level. 16. DIRECT OUTPUT XLR JACK The DIRECT OUT XLR jack provides a balanced output for going direct to the main PA or recording input. The output level is adjusted from the front panel DIRECT OUT LEVEL control. The DIRECT OUT signal is not affected by the MASTER level. However, the signal is affected by the channel VOLUME and TONE controls, internal EFF1/EFF2, and the EFFECT LOOP. The XLR is protected against Phantom power (DC voltage) on cables coming from phantom powered mixer inputs. Ground pin 1 of the XLR is lifted to 100 ohms above the chassis ground to prevent hum from grounding issues" Quote:
I noticed the extension speaker that just came out to match the AG200 is 16 ohm (the AG100D ext is 8 ohm). How would a 16 ohm impedance ext. cab affect wattage & volume? [FYI for the Carvin manuals, http://www.carvinguitars.com/guitara...sticseries.php under each product photo there is a "buy/more info" and "data sheet pdf" button]
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1958 Hammond B3 w/ 1968 Leslie 122 1995 Fender CG-7 [first guitar] 1996 Fender Std. Stratocaster 2000 Fender '72 Telecaster Custom 2002 Epiphone Les Paul Std+ 2010 Gibson Les Paul Traditional 2011 Taylor LKSM 2012 Seagull S12 Coastline Cedar 2016 Taylor 324 |
#7
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And you really need a level control (at the very least) in place to adjust the speaker pointed back at you. .
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-donh- *everything* is a tone control |
#8
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#9
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The extension speaker out is designed to supplement FOH. It could be used for a monitor, but you'd want a passive speaker (8 ohms or greater, as already talked about). Ideally, you'd want an attenuator built into the speaker so you could knock the volume down (something like the passive Galaxy Hot Spot).
In my opinion, your best bet is to use the Direct Out into a powered speaker of some sort. I would not recommend an electric guitar amp, however (just not designed for this application). Either a powered PA speaker or an acoustic amp would work fine. Also, depending on the situation, you might find you can place the AG300 to your side, or slightly behind, and have that do double duty as FOH and monitor. |
#10
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I really do not see a need for an extension speaker simply for the sake of a monitor. Check out Carvin's video on this speaker at 1 min 40 seconds: http://www.carvinguitars.com/products/AG300. As you can see, they actually advertise using it as your own FOH monitor. Steve
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Still crazy after all these years. |
#11
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Great ideas, I appreciate everyone's input (no pun intended). Like was recommended I'll probably pass on the ext. speaker unless I start playing gigs big enough to require more spread and volume to FOH.
What I've done so far is to have the AG300 beside me, slightly in front, to be able to monitor myself but the vocals get pretty muddy when the speaker isn't pointing right at you. I also like the Galaxy Hot Spot passive idea. Something to think about Thanks again guys
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1958 Hammond B3 w/ 1968 Leslie 122 1995 Fender CG-7 [first guitar] 1996 Fender Std. Stratocaster 2000 Fender '72 Telecaster Custom 2002 Epiphone Les Paul Std+ 2010 Gibson Les Paul Traditional 2011 Taylor LKSM 2012 Seagull S12 Coastline Cedar 2016 Taylor 324 |
#12
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Caveat: a handful of years ago, I got to compare my old Hot Spot to the new ones and mine blew the new ones away. For $139, they're probably still a good choice for acoustic guitar and vocals; it's unfortunate that they don't sound nearly as good as they used to. |
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Steve
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Still crazy after all these years. |
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I was really close to buying the fishstick either new or used, but eventually realized that is didn't have the low frequency range required for piano/keyboards low tuned 12 strings, and bass guitars that I was looking for, plus I didn't want to limit myself to two inputs.
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1958 Hammond B3 w/ 1968 Leslie 122 1995 Fender CG-7 [first guitar] 1996 Fender Std. Stratocaster 2000 Fender '72 Telecaster Custom 2002 Epiphone Les Paul Std+ 2010 Gibson Les Paul Traditional 2011 Taylor LKSM 2012 Seagull S12 Coastline Cedar 2016 Taylor 324 |