#46
|
|||
|
|||
Lots of 12 fret love so far........ here is some more,
Osthoff 00012C African Blackwood/Italian Lyric, rich, just the right weight on E and B strings, great harmonics........ Got it as part of a deal where I was just going to sell it ...... almost didn't even play it :-)..........after playing a couple of days I was hooked! |
#47
|
|||
|
|||
Two really surprising guitars for me:
My plain-jane looking Larrivee hogtop parlor - among the first hogtop parlors they made. Surprising surprising tone, with quite a big bass repsonse, strong mids, and sparkling trebles in a very small short-scaled guitar package. And a lot going on harmonically too. it's not a pretty looking guitar, but it sounds pretty. Yes, you can tell it's a small guitar, but it's got a bigger and more complex tone than you'd expect. The other re some Eastman E10-OM's I've played. All remarkably consistent in tone, and oen that i really like. I would not have expected that in a Chinese made guitar. I guess you could say the Eastman's gave me an education about overseas guitars. |
#48
|
|||
|
|||
I had been on the search for a new guitar for the past seven months. I tried guitars in Toronto, Montreal, London, Geneva. Every business trip, I would try to hit a shop and find the next one. It go to be a bit of blur, actually.
The one that caught me was a Walden G1070. When the shop offered me a good price on the G3030CE and I researched the preamp, I pulled the trigger. Construction wise, it ticked all the right boxes. Playability is so there. After countless Guild, Martin, Seagull, Taylor trials, a hand made guitar from China turned my head the most. The quality/price point made the decision too simple. I hate admitting that where a guitar is made sits in my head. Increasingly, there is no basis for it. |
#49
|
|||
|
|||
I would have to say the most surprising so far was a Maton M225. The lowest end Maton with the laminated Queensland Maple back and sides. Absolutely fantastic sounding acoustic guitar. Couldn't keep it due to the narrow neck, but I sure would have liked to. FWIW, it got replaced with a very expensive custom build. If you can handle a narrow neck, this is an awesome guitar!!
|
#50
|
||||
|
||||
I got a lot more out of a Silver Creek rosewood dread than I ever expected. I also had a laminated maple and solid spruce top on an Epi jumbo that was incredible for under $200.
While I wouldn't tell you the X Series Martin guitars sound like their higher end all solid wood guitars, I personally feel they sound really good on their own account. What I still have in my collection that seems to shock people when they play it is my Taylor 110. Mine seems to have a boomier tone than any you might ever play in the store. If you didn't see the name on the headstock, you probably would never guess it's a Taylor. Among electrics, I have an Xaviere Telecaster with dual humbuckers that is incredible. I bought it figuring to swap pickups and just use the woodwork, but I haven't touched a thing.
__________________
|
#51
|
|||
|
|||
The Yamaha F345...surprising sound from an all-laminate guitar. Looks like trash, though...hate the way it looks.
Cort Earth 100 series...I finally got one used (spruce/"mahogany"), despite the moral issues I've had with the company, and I am surprised by its tone. If you've seen the ones with the wood rosettes and other trimmings, you know they *look* good. Turns out, some of them sound really good, too. |
#52
|
|||
|
|||
My Yamaha FG 730S, just sounds superb, magically awesome!
|
#53
|
|||
|
|||
My Epiphone Masterbilt AJ-500R. I had read some nice reviews about it, so I ordered one off of eBay. Very rich sound for not a large amount of cash...
|
#54
|
|||
|
|||
My '68 Kalamazoo KG-10. It has a wooden adjustable bridge with ebony saddle. I bought it from Gruhn's without playing it, and my hopes were not that high for having any kind of tone to speak of.
When it arrived, it sounded pretty good. Then I put Dean Markley Alchemy 13's on it, and the little box sprang to life. I play it a lot, and would not hesitate to record with it. It doesn't have a complicated sound with lots of overtones like my AJ or my Olson, but it has spot on intonation and a very nice, full tone. For the lowliest acoustic made by Gibson the last year before Norlin took over, I must have lucked out and bought one of the best ones. The part that floors me is how rich the harmonics are. They just ring on like a chime. |
#55
|
|||
|
|||
Martin 00-28VS
|
#56
|
|||
|
|||
The sound of my old Washburn Dreadnought being crushed underneath a SUV surprised me the most.
__________________
Martin 000-28EC Cordoba EB-CE Cordoba Mini R |
#57
|
||||
|
||||
there have been so many over the years, but in recent times, I had a "road worn" Eastman AC412 that was pretty suprising.
__________________
"One small heart, and a great big soul that's driving" |
#58
|
|||
|
|||
Oh no. That sounds like a terrible story waiting to be told.
__________________
An old Gibson and a couple of old Martins; a couple of homebrew Tele's |
#59
|
|||
|
|||
+1. It would take a lot of $$$ for me to part with my PSD-21!
__________________
In the family: Stanford PSD-21 Martin HD-28V Martin 000-15 Fender DG100 I once thought that I had made a mistake. But, as it turns out, I was wrong. www.chilhoweemountainband.com Youtube Channel: http://www.youtube.com/user/slowpickr?feature=mhee |
#60
|
|||
|
|||
Quote:
|