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  #61  
Old 02-15-2014, 01:30 PM
heavyg heavyg is offline
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Default Strings?

what type of string options are you considering Flatwound? roundwound? other?
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  #62  
Old 02-16-2014, 03:49 PM
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Thanks for your comments Jeff!

Quote:
Originally Posted by fitness1 View Post
Just sent the link to a buddy who's a great player.
I appreciate you helping to get the word out. I have a sister back and side set to this one and all of the other materials on hand to make another bass just like this one (or a little different)

Thanks!
Mark
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  #63  
Old 02-16-2014, 03:50 PM
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Originally Posted by heavyg View Post
what type of string options are you considering Flatwound? roundwound? other?
We're going with flatwound medium lights

Mark
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  #64  
Old 02-16-2014, 04:04 PM
Clydeslide Clydeslide is offline
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Hi Mark,

You may have been asked and answered this before, where do your model names come from? Are they just names you like or think fit?
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  #65  
Old 02-16-2014, 06:33 PM
Berf Berf is offline
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The bass is looking great Mark and this is a very interesting build to follow.

I really love the look of the f-holes and this build has got me thinking about why acoustic guitars are traditionally made with a central round sound-hole and archtops with f-holes? Would it be possible to make a "traditional" sounding flat-top guitar but with f-holes or would the f-holes have a major effect on the sound?

Cheers, berf.
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  #66  
Old 02-16-2014, 08:33 PM
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Quote:
Originally Posted by Clydeslide View Post
Hi Mark,

You may have been asked and answered this before, where do your model names come from? Are they just names you like or think fit?
Hi Clydeslide,

There aren't too many hard and fast rules I have for selecting names. It's always a female name and I try to select a name that in a quite subjective way seems to connect with the personality of the model. Generally, the names go with the model size as well;

Greta Grand Auditorium
Josie Jumbo
Bella Bass

There's a little more to it than that with the Greta and Penelope models. Rosewood guitars made to emphasize a more crystalline tone are sometimes referred to as having a German sound and I feel the German Greta name is a good telltale of how I like to make this model. Softer woods, like mahogany, tend to emphasize the fundamentals more and have more of a sweet wood tone. This is sometimes referred to as a more Spanish sound. My 12 fret Penelope model seems to shine there.
Certainly, either guitar can be set up differently, but that's my personal preference for them and, well, I get to name them.

I'm designing a parlor guitar now and the leading name contender is "Pina"

Thanks,
Mark
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  #67  
Old 02-16-2014, 08:58 PM
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Quote:
Originally Posted by Berf View Post
The bass is looking great Mark and this is a very interesting build to follow.

I really love the look of the f-holes and this build has got me thinking about why acoustic guitars are traditionally made with a central round sound-hole and archtops with f-holes? Would it be possible to make a "traditional" sounding flat-top guitar but with f-holes or would the f-holes have a major effect on the sound?

Cheers, berf.
There used to be a lot of flat top guitars with f-holes. A lot of them had tail pieces. The round sound hole grew to be the standard and I'm sure it wasn't because of looks. I believe you get more volume with the sound hole configuration. There are a lot of vintage guys on this forum that could probably answer this question better than me.

Thanks,
Mark
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  #68  
Old 02-17-2014, 02:11 PM
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Default Fretboard

I slotted and roughed out the profile for the fingerboard today. This is Makassar Ebony and it will have black ebony binding with a maple purfling line.
The neck will join the body at the 15th fret and will have 25 frets. Here's a pic;



Thanks!
Mark
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  #69  
Old 02-17-2014, 02:32 PM
aknow aknow is offline
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Nice explanations for your naming choices Mark!
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  #70  
Old 02-17-2014, 02:51 PM
gstring gstring is offline
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Default Bella

Mark, where did you find that Adirondack ?? It's crazy.

Do you have more ??
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  #71  
Old 02-17-2014, 06:47 PM
Berf Berf is offline
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Thanks for the reply about the f-holes Mark... they certainly look a treat. Cheers, berf
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  #72  
Old 02-17-2014, 07:04 PM
Coffeeaddict Coffeeaddict is offline
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Quote:
Originally Posted by Mark Hatcher View Post
I slotted and roughed out the profile for the fingerboard today. This is Makassar Ebony and it will have black ebony binding with a maple purfling line.
The neck will join the body at the 15th fret and will have 25 frets. Here's a pic;



Thanks!
Mark
My wallet is screaming no, but the less rational part of me says I must have one of these beauties.. You are like the serpent in the Garden, leading me to sin. Serious case of lust and envy!

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  #73  
Old 02-18-2014, 10:01 AM
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Quote:
Originally Posted by aknow View Post
Nice explanations for your naming choices Mark!
Thanks aknow,

I forgot to mention that when working with Graham on this design when we got to the naming stage Graham had recently gotten a cat and named her Bella.
So this one was easy!

Mark
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Last edited by Mark Hatcher; 02-18-2014 at 10:09 AM.
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  #74  
Old 02-18-2014, 10:08 AM
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Quote:
Originally Posted by Coffeeaddict View Post
My You are like the serpent in the Garden, leading me sin.
Colin
Wow! uh thanks?
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  #75  
Old 02-18-2014, 10:15 AM
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Mark Hatcher Mark Hatcher is offline
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Quote:
Originally Posted by gstring View Post
Mark, where did you find that Adirondack ?? It's crazy.

Do you have more ??
Hi gstring,

Yes, I have another set or two. I don't use it often as it doesn't really work for me on a fingerstyle guitar. I'll pick sets up from time to time when I like them and I keep them for exceptions, this bass being one. If a hard strummer were to commission a guitar from me these are good options.

Thanks,
Mark
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