#1
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saddle adjustment in middle
okay so I've been looking throughout my repair books and can't find answer anywhere. I want to set my treble side to 2/32 and bass to 3/32 from 12th fret to string, the question is what do i set the height for the 3rd and 4th strings? is this where saddle compensation comes into play? how do I know which compensation fits my guitar?
when I lower the saddle height, do I lower one height more then the other or is it equally adjusted so I can lower it easily? thank you |
#2
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There's a good thread in here that I started asking something about saddle height and got lots of great info, so read through the responses. http://www.acousticguitarforum.com/f...d.php?t=483869
I ended up following post #6 (by Murrmac123) determining my big E action height in inches, not fractions, then adjusting the saddle from the top to achieve a .004" drop from E to A, etc. I can't find the other thread, but there's more particulars: WAIT, HERE'S THE OTHER THREAD: http://www.acousticguitarforum.com/f...light=subtract READ THEM BOTH. Last edited by ChrisN; 12-23-2017 at 12:38 AM. Reason: Removed unattributed content. |
#3
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Chris,
It is considered good form that if you are going to copy what somewhat else wrote - in this case me - to give credit to the author. Saddle compensation has nothing to do with setting the height of the strings. Compensation is the lengthening of the vibrating string length to improve the intonation of the instrument - the ability of the instrument to achieve the desired pitches. Practically, compensation at the saddle is achieved by altering where the strings break over the saddle by bevelling the top surface of the saddle. Compensation is generally set empirically. One common method of getting into the ballpark is to set the string length for each string so that the 12th fret harmonic is the same pitch as the 12th fretted note. That doesn't achieve the best result but is close for many purposes. Setting the action and intonation (compensation) well involves more than simply sanding the bottom of a saddle. |
#4
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Quote:
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#5
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As for the excerpted content from the threads, please know that I'd previously created my own notes collected from the various threads, as I'd cut/pasted from several responses (albeit uncredited) to create a usable note for myself in my virtual guitar notes file. When I could not find the second thread, and in a hurry to live more life while it was in me, I pasted my note contents in response so the OP would at least have something to work with. Since I could not at first locate the second thread, I was unable to re-read it to appropriately credit in my post the various sections of my notes to their respective authors. Once I managed to find the second thread, and keeping in mind I'd already spent in excess of 20 minutes trying to find the answer for the OP, I was late for dinner out and unable to re-read the threads for the purpose of crediting the various authors for their contributions. In retrospect, I should have taken the time to simply remove the excerpted note content, once I'd managed to locate the second thread, and limited my input to referring the OP to the subject threads, to be done with it. I'm afraid it never occurred to me that anyone might think that that great information should be sourced to me, of all people! Again, please accept my apologies. |
#6
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Good luck, and godspeed. Seriously, and this is just from me, there are 3 measurements you can use - millimeters, inches measured in fractions (yours), and inches measured in decimals. You want to start with decimals, or you can convert fractions to decimals -Google "convert fractions to decimals". You should get a set of automotive feeler gauges that show in thousandths of an inch to measure between the fret tops and the string bottoms. I also have a cool digital caliper that shows all 3 forms of measurement - they're cheap enough and good for this purpose (measuring saddle height via a dropdown polepiece).
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#7
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Accepted. Thank you.
This is more or less the process I use: http://charlestauber.com/luthier/Res...May%202015.pdf |
#8
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#9
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okay thanks folks. the drop of the d and g string wont cause fretbuzz though? i read everywhere that they need to be higher, and with \most of my guitars, the height for d and g seem to be higher
Last edited by KingIgneous; 12-24-2017 at 01:53 PM. |
#10
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__________________
Fred |
#11
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I think it depends on where you start on the E. I like .060 (about 4/64) and, lowering each following string by .004, I get no buzzing on d and g on a 15-16" radius fretboard. However, if your nut or frets aren't in good shape, you could get some buzzing, so it'd be safer to go higher, to start. If you want to go low, best go with a pro, if you aren't proficient in adjusting nut/frets/saddle.
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#12
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Old enough to have used computer punch cards and mainframe word processing. Old enough to have a Palm Pilot and still miss it. ;-) (I still have my two Palm Pilots, but they don't synchronize with any OS even remotely modern.)
People forget just how recent most of the commonly-used electronic/computer-based technology is. Google, for example, was founded in 1998, only 20 years ago. Youtube was established in 2005; Facebook 2004; Photobucket, 2003; Twitter, 2006. The first iPhone was released in 2007. The idea of being able to share photos, look up all kinds of information, make and share video, share with millions of people whatever little thing is on your mind when you think of it - thanks very much Mr. Trump - and socially interact "on-line" are all pretty new abilities in the history of humans. Not to mention "on-line dating". Although this stuff if just part of our daily existence these days, and we take much of it for granted, much of it is less than 20 years old. I wrote the article on guitar setup in the late 1990's. At that time, one couldn't Google for guitar setup information, watch the latest Youtube videos on how to setup your guitar or discuss it on-line with many leading luthiers - Bruce, Howard, Steve, and others - or leading repair people, such as Frank or Steve. Technology can be wonderful. Sometimes it even is. In 1977, I attended the only North American school of guitar making that existed at the time: it was run by Charles Fox. I'm 57, though often grumpier than my years. |
#13
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__________________
Tony D http://www.soundclick.com/bands/defa...?bandID=784456 http://www.flickr.com/photos/done_family/ |
#14
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Some people set the action height on each string and don't worry about the radius. Some set the high and low string action and use a radius in between. Both ways work, there's only a few thousandths of an inch difference between the two. Some use fretboard radius, or just a little longer radius.
__________________
Rodger Knox, PE 1917 Martin 0-28 1956 Gibson J-50 et al |
#15
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Others use the fretboard radius, or some scheme related to it. That works as well. |