#16
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And, another little "secret" to add that I never noticed when I first worked on guitars... Often, (but depending upon truss rod installation design), the truss does not reach to the nut. And hence, the area near the 1st fret and nut takes on a natural and non-adjustable bow that will be more than the adjusted bow of active truss area. This results in, once string tension is pulled in, a first fret that is higher than the rest of the fret plane, even when considering the ideal neck bow. So, on necks like this, nuts can often be set perfectly flush. OR, creative custom fretwork to lower the 1st fret the ideal amount to preserve the ideal bow across the first fret to nut, then setting up the nut in standard manner. This concept (and in addition, the fact that the truss rod is effective only on a portion of the neck), is why using a REALLY long and flat fret levelling device will necessarily NOT get the fret surface to ideal bow and ideal playing setup across the full length of the frets. To get it perfectly ideal, one should blend in the static portions of the fingerboard with the truss-affected portions of the fingerboard. Truth is, it is hard (near impossible) to get it truly perfect, but one can get it close to the ideal if one understands this concept of static/non-static fret plane, and how to blend the sections together.
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---- Ned Milburn NSDCC Master Artisan Dartmouth, Nova Scotia |
#17
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Regarding the less inhibited vibration of open strings... When noticeable (and it takes a super sensitive ear to notice), the difference translates mostly as a tad twitch teeny bit extra brightness in the open strings - an extra mini bit of brightness that makes chords more "shimmery" and harmonics a bit stronger. I've never noticed a difference big enough to cause distress. 100% AGREED!!!
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---- Ned Milburn NSDCC Master Artisan Dartmouth, Nova Scotia |
#18
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Thanks to all. I'm still actively monitoring this thread. I need to get out my feeler gauges and calipers and do some careful measuring. A nasty cold has kept me from pursuing this much this past week, but I have been playing the guitar most days.
The factory set up is good enough that I can comfortably play for 50-60 minutes at a time without any hand pain or distress. I just want to tweak the sixth, fifth and maybe the fourth courses to improve barre chords and thumb-over cleanness. There has been much helpful information posted here already, and I am grateful. |
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set up specs, twelve string |
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